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Posts Tagged ‘Roger Daltrey’

the-who-wont-get-fooled-againI started off this morning at a very different place than where I finished when I began looking for this Sunday morning’s musical selection.  I started watching videos from Long John Baldry which somehow led to Neko Case which even more oddly led me to Oscar Peterson and Count Basie.

It was all good and fine but it just wasn’t right yet and I found myself watching a video of The Who‘s Love Reign O’er Me from Pete Townsend‘s reworking of their classic rock opera Quadrophenia in 2015 with the Royal Philharmonic Orchestra at Royal Albert Hall.  It featured British tenor Alfie Boe singing Roger Daltrey‘s part.  It still didn’t quite come up to the original as far as the intangibles– raw emotion and Daltrey’s vocal authenticity– are concerned but it is still very good and musically powerful.  I mean, it’s the Royal Philharmonic– how can you go wrong with that?

But this just made me want more of that fire that The Who just seemed to ooze when they were at their apex.  And one song seemed to fit these times so well and fell perfectly into my own feelings at the moment– Won’t Get Fooled Again.  I don’t think I need to say anymore.  I also threw in the newer version of Love Reign O’er Me below.  Give a listen and have a good day…

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I am running around this morning, trying to get things ready for a visit to a couple of galleries over the next couple of days.  I won’t be posting anything while I’m on this little roadtrip so I thought I’d just share a little music that somewhat has the tempo of my mind when I’m rolling down the road.  This is a video of The Who from 1970 at the Isle of Wight doing Young Man Blues.  This is a great recording so you get to see Roger Daltrey in his full-fringed, mic twirling splendor, Keith Moon at this bangin’ best and Pete Townsend tearing it up in his dystopian  industrial coveralls while John Entwhistle stoically provides the bottom end that churns it all along.  Just vintage great stuff.

The accompanying image shown here is a painting of mine  from many years ago called Faust’s Guitar.  I did a few versions of this composition and it still catches my eye.  He should be wearing Pete’s coverall…

Enjoy and I’ll be back in a few days.

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I call this new painting,  18″ by 26″ on paper,   Liebestraum after the title of the famous piano piece from  composer Franz Liszt.  Liebestraum translates as dream of love and there is a dreamlike qualityto this piece, in the way the two trees intertwine to become almost one beneath a warm dusky sky and in the way the thin white ribbon of a path winds rhythmically through the landscape in a way that seems to mimic the graceful weaving of the musical composition’s melody. 

Looking just now, I notice that the two fields in the center, one orange and the other yellow, seem to form a divided heart shape, like one of those pairs of lovers’ pendants where each contains a half of a heart.  Interesting that this evaded my eye before.

Yhe Hungarian-born Franz Liszt is an interesting character.  He was a phenomenon of his time, a womanizing piano virtuoso whose playing caused  an incredibly frenzied response from his adoring female fans.  There was such a hysteria over his performances that a term, Lisztomania, was coined by the physicians who studied the effects at the time.  We don’t often think of classical  performers, particularly of the mid 1800’s, as having the public persona of an Elvis but Liszt may have been the prototype for the modern rock star.  For you film buffs, you no doubt recognize Lisztomania as the title of the Ken Russell film from the 1970’s that featured The Who’s Roger Daltrey as the pianist in a slightly twisted telling of his tale.

The painting, Liebestraum, is part of my show which opnes next Friday at the Principle Gallery in Alexandria, VA.

Although it is primarily a piano piece, I do like this guitar version.  Enjoy.

 

 

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