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Posts Tagged ‘Work’

Advice: Hard Work

gc-myers-1994

GC Myers- Early Work, 1994



He was justifying his existence, than which life can do no greater; for life achieves its summit when it does to the uttermost that which it was equipped to do.

–Jack London, White Fang



From 2011:

I had a nice email from a gentleman who sent me the image of painting done by his 16-year-old daughter, telling me about a prize it had been recently awarded in a scholastic competition.

I took a look at the piece, and it was indeed a very well-done painting, nicely composed with strong lines and color. It was certainly far ahead of anything I was doing at that age, especially by the virtue that it was complete. It was obvious that this young person had talent, and I could see this young person doing more with it in the future. I wrote him back and told him this but with my standard warning, one that I have written about here before: Potential must be actively pursued with constant efforts and a consistent pushing of one’s abilities.

In other words: Talent is great but doesn’t mean much if it’s not constantly practiced

I wrote him to tell him this, to let him know about some of the young talents I have seen come and go because they felt their talent was something that was innately within them and could be turned on and off with the flip of a switch.

I told him to tell her to look at the work required in the way a musician looks at rehearsals. Perhaps even look at their talents as being like those of a musician, talents that need constant exercise in order to stay sharp and strong. For instance, even if you have great innate talent, you can’t expect to play the violin like Itzhak Perlman if you don’t devote your talents in the same way as he does. As it is with many great musicians, the greater part of his life is spent in nurturing his abilities.

I always feel like a sourpuss when I’m giving this advice. Nobody wants to hear that in order to reach their potential they need to work harder or that they might have to sacrifice time that might be spent elsewhere doing other things. Everyone wants to think that they have this great talent born within them and it will flow like a spigot whenever they so desire.

If only that were true.

I think you will find that those who succeed at the highest levels in any field are those who understand this need to constantly push and work their talents. I’m sure there are exceptions, but none come immediately to mind. I wrote about this in a blog post when I first started this, two years back, in 2009. I wrote about something author John Irving had said about his work habits.

He saw himself competing as a writer in the same way as he did in his time competing as a wrestler. Irving felt that reaching one’s fullest potential as writer required putting in the same levels of intense effort as those needed to compete as a wrestler or any other athlete on the Olympic level. 

Hard work– it’s not glamorous especially in this world of instant gratification but it is a proven entity.

I’m showing the piece above to highlight this. It’s a small painting that I did before I was showing in any galleries, in 1994. At the time, it pleased me very much, though I am not sure I felt it was the best thing I had done to that point. However, it felt complete and self-contained. I could have very easily kept painting in that style and been satisfied in some ways without much effort.

But I also recognized that it was limited in many ways. It began to say what I was feeling but didn’t fully express it. There was more beyond this. I just knew there had to be. A little voice kept urging me to push ahead and work harder, to dig deeper to uncover what I could accomplish with greater effort.

This little painting soon was not an endpoint but a steppingstone on a much longer path.

 I hope this man’s daughter also sees her painting as a steppingstone. She may think now that it is the best thing she has ever done. She might be right– to this point. But if she is willing to push ahead and put in the effort, she will look at it someday as a very fine first step in a journey to reach her true potential.



I think the last time I shared this was ten years ago. Nothing has really changed. Around the time I painted the piece at the top, I read about John Irving comparing his work schedule to that of an Olympic athlete. That really connected with me. By then, I knew that I possessed an ability to work hard. It might even be my only true talent. If for once I was to apply this talent towards doing something that truly excited me, who knew where it might lead? And even if it was short path to nowhere, the time was well spent since I was doing something that had meaning and fulfillment for myself.

I don’t regret taking that path or a single minute spent toiling at whatever hard work there is in doing what I do. Like they say, it’s not hard work if you’re doing that which you enjoy. The hardest work I ever did was working at jobs I hated, jobs where was little pay, fulfillment, or joy. 

My worst day in the studio is better than most of the best days at those other jobs. But making that happen took a lot of time, effort and blood, sweat and tearsthe definition of hard work.

Maybe it is also, as Jack London put it at the top, the justification for our existence.

Maybe…

 

 

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This short snip from a letter Vincent Van Gogh wrote to his brother, Theo, in October of 1883, might be the best piece of advice that any working or aspiring artist could receive. And it most likely applies to any other field of endeavor.

I can’t speak for the experience of most artists but, concerning my own work and abilities, I travel through an internal landscape with soaring peaks of great confidence that often plummet into deep valleys of doubt. One moment and I am high on a peak with a seemingly endless view that shows me all sorts of ways forwards. But in the bat of an eye I find myself in a deep and dark ravine with no indications of any path on which I can climb out.

I begin to doubt my abilities, begin to wonder if I have been the fool in thinking myself an artist. Ideas that just a day or so ago felt special and ready to burst out from me suddenly seem dull and lifeless. Inspiration dissipates like a mist in the sunlight.

But, as the decades doing this have taught, the answer always comes in working.

Empty the mind, push doubts to the side and pick up a brush.

Make a mark. Then another and another. Let it lead you somewhere, let it be the path out of that valley.

Work. Just work.

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Francis Bacon
Portrait of Michel Leiris 1976

++++++++++++

As you work, the mood grows on you. There are certain images which suddenly get hold of me and I really want to do them. But it’s true to say that the excitement and possibilities are in the working and obviously can only come in the working.

–Francis Bacon

++++++++++++

I am swamped in work today. I say that a lot and it might sound awful to many folks. But for me it is the best possible situation because being at work means that, like Bacon says above, I am amidst the excitement and possibilities that come with working. Thinking about ideas, mulling what you’re going to do has a place but they are worthless nothings until they go into process, become work. Then they usually become something altogether different because the work allows you to flesh out what the mind alone couldn’t imagine.

The process of working is the true generator of ideas.

There have been many artists through time who have expressed this same sentiment, that doing work generates new work, creates new possibilities. I know that it is true for myself.

Breakthroughs in the work always come while working, with hands in paint and eyes and mind straining to see where the piece before me ends and the next begins.

Here’s one of my favorite inspirational pieces from artist Chuck Close that very much says the same thing: Don’t wait on inspiration–make your own!

The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the… work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case.

I am taking that advice and just doing what I do. You do what you do, okay?

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