Archive for May 29th, 2012

I am in the final days of preparations for my show, A Place to Stand, which opens next Friday, June 8th, at the Principle Gallery in Alexandria.  This always seems to be  the most tedious part of my job, at least while I’m in the midst of it.  The painting is set aside and long days are spent staining and sanding frames, cutting  mats and putting it all together to make what I hope is a great show. 

 But near the end of the tedium and  the angst which comes as the deadline appoaches, it begins to become exciting again as the paintings, which have been strewn around the studio in various stages of completion and without any sort of framing or final finish, begin to come to life for me.  It’s like the final presentation suddenly clicks some deeply hidden switch and what seemed like only potential before now becomes a separate entity before my eyes, complete and self-contained in its message and meaning.  

It’s at this point that I get to really look with focus for what may be the last time at much of this work.  During the process a painting may be completed and set aside, only to get an occasional glimpse or passing glance.  But now I get to take a last long look and see what is really there.  I am seldom disappointed at this stage.  Paintings that would do that don’t make it this far.  But sometimes I am simply satisfied,  the painting being just as I had expected.  But once in a while it all comes together and a piece meets every aspiration I have for it, making it feel like more than the sum of its parts.

That is how I feel about this new painting.  It is titled Archaeology: Future Past and is a 12″ by 24″ canvas.  It does just what I wanted the Archaeology pieces to do which is to to have an immediate and strong look, an instant identity  that the viewer takes it in and gets a sense of   from a distance.  The subterranean deris field reveals itself as the viewer nears and has its own rhythm and narrative, contained in yet separate from the strong presence  of the scene above.  Even the ribbons of strata that separate the two parts here have a strong rhythmic presence that adds greatly to the whole. 

That may be the operable word here– whole.  It has a feeling of completeness that I am always excited by in any piece of art .  It doesn’t need any explanation including my words here. Simply strong and unmistakable. 

All I could hope for…


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