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Archive for August, 2015

Hiroshima Survivor Bonsai US National Arboretum

Today is the 70th anniversary of the atomic bomb being exploded over Hiroshima.  I am not looking to get into an exploration of whether it was right or wrong, don’t want to justify or condemn the decision.

It happened.  And with horrifying effectiveness.

No, instead of focusing on our ability to destroy I would rather today feature a story of natural endurance and beauty.  I am talking about the now 390 year-old bonsai tree, shown above, that now resides at the U.S. National Arboretum in Washington, DC.  It has made it intact through the centuries of history including surviving the Hiroshima blast which took place less than two miles from its then home.

It started its life on the Japanese island of Miyajima back in 1625.  Think about that.  Here, we were five years into the Plymouth colony, still struggling to gain our footing in this land while on an island half a world away this tree was beginning its life.  And since that time, this tree has received constant daily care, allowing it to thrive and live well beyond the life expectancy of a normal bonsai.

At some point in its life, this rare tree came into the possession of the Yamaki family which ran a commercial bonsai nursery for several generations near Hiroshima.  It was at this location when the bomb exploded.  The tree was sheltered by a wall and the blast fortunately only caused minor injuries to the family, mainly lacerations from flying glass.

In 1976, bonsai master Masaru Yamaki donated the prized tree as part of the Japanese people’s gift to the U.S. in recognition of our Bicentennial.  It has lived the last 39 years, one tenth of its existence, at the National Bonsai & Penjing Museum at the National Arboretum. It has witnessed the world changing in so many ways yet it stands still.

Serene and beautiful. With our care.

Let us hope that we begin to realize that we gain so much more by nurturing this world than through destruction.

Just look to the tree…

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GC Myers- Raindance smThere will be a rain dance Friday night, weather permitting.

George Carlin

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This new painting, Raindance, is a 16″ by 20″ canvas at the West End Gallery as part of the Home+Land show now hanging there.  As I finished this piece I was keenly aware of the drought taking place in California and other parts of the American west.  It has resulted in dozens of wildfires throughout California, destroying homes and wildlife habitats as it furies along.  Rain can’t come soon enough for that part of the country.

In this painting the Red Tree seemed to be in the midst of some sort of beseeching, twisting and extending its limbs upward.  I saw it as a rain dance of sorts, begging the dark skies above to release the rain and feed the hills and valleys below.  The skies here have an ominous warmth that gives the distant hills a pale yellow hue and the yellow semi-circle in the foreground that supports the Red Tree acts as a sun symbol.

Let’s hope that this rain dance achieves its desired effect…

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Fernand Khnopff I Lock the Door Upon MyselfGod strengthen me to bear myself;
That heaviest weight of all to bear,
Inalienable weight of care.

All others are outside myself;
I lock my door and bar them out
The turmoil, tedium, gad-about.

I lock my door upon myself,
And bar them out; but who shall wall
Self from myself, most loathed of all?…

Christina Rossetti

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The painting at the top, I Lock My Door Upon Myself,  is from Belgian Symbolist painter Fernand Khnopff who lived from 1858 until 1921.  The title is taken from a verse of a poem, Who Shall Deliver Me? (shown in part above), from Christina Rossetti, the pre-Raphaelite poetess whose brother,  Dante Rossetti, was an influence on the work of Khnopff.

It’s a haunting painting, one that always makes me stop a bit when I stumble across an image of it.  Perhaps it is the symbolist elements in it but for me it is probably the beautiful construction of forms and color that give the overall piece an almost abstract feel.  Just a great image in so many ways.

I came across a video from the free educational series Khan Academy that offers a short and insightful exploration of the painting’s symbolism.  Very interesting if you have five minutes or so.

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Black Slacks

SparkletonesIn a hurry this morning but wanted to send out many thanks to everyone who came out the West End Gallery yesterday for the Gallery Talk.  Just a wonderful group which made the whole thing go very well.  The time seemed to fly by and everyone seemed to enjoy themselves.  Many thanks.

The photo here is not from the talk, in case you’re wondering. It’s a shot of the Sparkletones, a short-lived band from the 50’s whose hit is this week’s Sunday music.  It’s about a minute and half of get up and go called Black Slacks.  Now I have to get up and go.  Have a great Sunday!

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GC Myers  Destiny Bound framedIn everything that can be called art there is a quality of redemption.

Raymond Chandler, The Simple Art of Murder

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If you’re in the Corning area this afternoon, I will be giving a Gallery Talk at the West End Gallery beginning at 1 PM.  My talks usually consist of some biographical background, a few stories about the paintings as well as some other things and honest answers to any questions asked of me.  Oh, and it comes to an end with a drawing for the painting above, Destiny Bound.

I try to make it as entertaining and informative as possible, usually just speaking off the cuff.  Sometimes there is a theme, other times there is not.  I may have a theme for today and perhaps the quote from author Raymond Chandler points to what it might be. Or not.  Maybe I just like and agree with this quote.  Or maybe the talk will go ina completely different direction right from the start.

I won’t know until I’m standing there and open my mouth for the first time.  These talks are kind of like my painting– sometimes I have an idea of where I want them to go and they go to a place I never saw coming.  And sometimes those unexpected places are the most gratifying.  So, we’ll see where we end up today.

Hope you can make it.

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