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Archive for May, 2016

 

GC Myers- Jumping Off PointWhenever I am asked to speak with students I usually tell them to try to find their own voice, to try to find that thing that expresses who they really are.  I add that this is not something that comes easily, that it takes real effort and sacrifice.  The great poet e e cummings (you most likely know him for his unusual punctuation) offered up a beautiful piece of similar advice for aspiring poets that I think can be applied to most any discipline.

Or to anyone who simply desires to feel deeply in this world.

I particularly like the line: To be nobody-but-yourself-in a world which is doing its best, night and day, to make you everybody else-means to fight the hardest battle which any human being can fight; and never stop fighting.  That line alone speaks volumes.

Take a moment to read this short bit of advice and see what you think– or feel.

 

A Poet’s Advice To Students

(e e cummings)

A poet is somebody who feels, and who expresses his feeling through words.

This may sound easy. It isn’t.

A lot of people think or believe or know they feel-but that’s thinking or believing or knowing; not feeling. And poetry is feeling-not knowing or believing or thinking.

Almost anybody can learn to think or believe or know, but not a single human being can be taught to feel. Why? Because whenever you think or you believe or you know, you’re a lot of other people: but the moment you feel, you’re nobody-but-yourself.

To be nobody-but-yourself-in a world which is doing its best, night and day, to make you everybody else-means to fight the hardest battle which any human being can fight; and never stop fighting.

As for expressing nobody-but-yourself in words, that means working just a little harder than anybody who isn’t a poet can possibly imagine. Why? Because nothing is quite as easy as using words like somebody else. We all of us do exactly this nearly all of the time-and whenever we do it, we’re not poets.

If, at the end of your first ten or fifteen years of fighting and working and feeling, you find you’ve written one line of one poem, you’ll be very lucky indeed.

And so my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world-unless you’re not only willing, but glad, to feel and work and fight till you die.

Does this sound dismal? It isn’t.

It’s the most wonderful life on earth.

Or so I feel.

 

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GC Myers-  In the Waiting sm… I said to my soul, be still, and wait without hope

For hope would be hope for the wrong thing; wait without love

For love would be love of the wrong thing; there is yet faith

But the faith and the love and the hope are all in the waiting.

Wait without thought, for you are not ready for thought:

So the darkness shall be the light, and the stillness the dancing.

-T.S. Eliot, East Coker, The Four Quartets

********************

I’ve been in a deep groove lately as I ready work for my upcoming June show, Part of the Pattern, at the Principle Gallery.  Part of finding this groove was returning in the last month or so to process of  transparent inkiness that marked the early incarnations of my work.  An example of this is the piece shown above, a 6″ by 24″ painting on paper that I am calling In the Waiting, taken from the Eliot lines above.

The strength of this wet work, at least for me, is in the way the fluidity of the paint creates the tension and contrast that carries the emotional content of the painting. The duskiness where light and dark comes together is filled with the anticipation of all that is to come, all unknown to the waiting Red Tree who attempts to tamp down its desire to imagine what is coming.

The goal is to put aside any faith or hope or love –as Eliot puts it so beautifully– and simply await the inevitability of what is to come without thought. But that stillness of thought makes the waiting tolerable and allows us to view that which is before without the influence of our desire, to see things as they really are.

But as we all know, that is easier said than done…

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GC Myers- Pacifica smEvery spring the Library of Congress selects 25 recordings that they deem to be “culturally, historically, or aesthetically significant” to be added to their National Recording Registry.  There is a wide selection each year with recordings from all genres of music combined with radio broadcasts. speeches and other spoken word recordings.

For example,this year includes General Marshall‘s 1947 speech at Harvard where he laid out the basis for the Marshall Plan alongside George Carlin’s seminal Class Clown comedy album.  Plus for sports lovers, there’s the recording of the broadcast of the fourth quarter of the historic 1962 game in which Wilt Chamberlain scored 100 points.

There are a lot of things from the list that I could use for this Sunday morning music selection.  There are two versions of Mack the Knife, one from Louis Armstrong and the other from Bobby Darin.  There’s Where Did Our Love Go? from the Supremes, Piano Man from Billy Joel, Cry Me a River from Julie London and too many others to list this early in the morning.  You can see the whole list here.

But the selection that caught my eye was the 1964 debut album, It’s My Way,  from folk singer-songwriter Buffy Sainte-Marie.  If you are of a certain age, you probably remember Buffy Sainte-Marie when she was one of the stars of the folk revival of the 1960’s.  Her Cree Indian heritage and the fact she was one of the few women songwriters in the genre at the time made her stand out and she was staple of variety television shows of the era.  But her profile was less visible going into the 1970’s and she had a 16 year hiatus from recording from the mid 70’s until 1992 although she was still busy as a songwriter.  The song Up Where We Belong which she co-wrote was a huge hit for Joe Cocker and Jennifer Warnes as well as winning the Academy Award for Best Song in the 1982 film An Officer and a Gentleman.

This 1964 album is a pretty remarkable recording and there are a number of her songs from it which I could have chosen to play.  Universal Soldier became a standard as a 1960’s protest song and Cod’ine was covered by dozens of artists, most famously Janis Joplin.  But it is the title track that stands out for me.  It’s a song that seems timeless in its sound, not trapped in its own time like some songs from  significant eras.  It’s a powerful song that builds and builds.

Give a listen to It’s My Way and have a great Sunday.

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