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Archive for September 10th, 2018

I have finally chose the painting that will be given away at this coming Saturday’s Gallery Talk at the Principle Gallery. It is called Deep Focus and is 18″ by 18″ on canvas. It has been around for several years now and each time it returns from a gallery I am surprised because it is a real favorite of mine, hitting the mark for me on so many points. I think you can see my feelings for this painting in the post below that I wrote when it was first painted.

So, if you would like to have a chance ( decent odds, too!) at taking this favorite of mine home with you, come on out to the Principle Gallery  in historic and beautiful Alexandria, VA this coming Saturday, September 15, for my annual Gallery Talk that begins at 1 PM. There will be some other surprises as well.

Hope to see you there!

Meditation brings wisdom; lack of mediation leaves ignorance. Know well what leads you forward and what hold you back, and choose the path that leads to wisdom.

–Buddha

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This new piece, 18″ by 18″ on canvas, is titled Deep Focus. This was one of those pieces that just seemed to fall out with very little inner wrangling or consternation. Once I started, it was off and running with what seemed very little assistance from me.

It was immediately clear that this painting was going to be about focus, about looking deeper and deeper into the canvas. Built from the bottom, each layer pushed the eye further inward. About halfway into this I began to think of the title for this as being AutoFocus, just for the ease with which it was emerging. But I finally opted for Deep Focus because of the depth I was seeing in the picture and the way everything seemed to gravitate toward the central point of the sun that is peeking over the distant hill.

This piece seems to have a very meditative quality, a placid feeling that goes well with the ease of the piece. Or at least, the ease that I felt in its creation. Sitting here now, taking it in, its construction seems simple, almost naive. Yet there is a feeling of opulence that I think comes from the colors and curves of the landscape that sheds this naivete and gives it a feeling of deeper knowledge. Or a way to deeper knowledge. Far from naive.

Years ago, I had a hard time trusting the validity of pieces that fell so easily from my hand, believing that  struggle must be part of making a painting come alive. I was almost embarrassed by the ease with which some pieces came. But over time, I have come to believe that it is this effortless work that is the goal, the work that is true and has the authenticity that I seek. This piece is a testament to the trust in my intuition that has come with time.

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