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The mask means to me: freshness of color, sumptuous decoration, wild unexpected gestures, very shrill expressions, exquisite turbulence.
–James Ensor
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As has been pointed out here, I have been working recently on some new work with large groups of faces, heads, masks, multitudes or whatever one sees in them. It has been exhilarating, with the work pulling me back into a rhythm where I am eager to see what the next work brings. While that is a great feeling in itself, I am still deliberating over where the work might take me, still trying to decide if it is work that is just meant to cleanse the system or if it is a new path to follow in some way.
I turn for a bit of advice from art history going back to James Ensor (1860-1949), who I featured here a few years back with a post about his famed painting Christ’s Entry into Brussels in 1889. Ensor was well known for his paintings featuring groups people wearing contorted and strange, even grotesque, masks. Many were based on the masks seen at the carnivals and festivals of the time in his native Belgium. But seen out of context, they were pretty controversial, as you might imagine, in the late 1800’s, given the subject matter and the rough method of much of his painting. This was around the time that the work of the Impressionists was still considered scandalous so you can imagine how the image of a soldier with a skull for a face embracing a maiden with a gigantic nose mask might play.
It’s fascinating work. Wish I could tell you more but the images themselves tell me a lot and inform my own work by providing fresh inspiration for new work. Just looking at this work this morning has me itching to get to the easel.
Take a look at some of the work of James Ensor and see if it does anything for you.
Well…. sometimes, I just can’t click that ‘like’ button!
Understood. Art is subjective. Your honesty is always appreciated.
I can absolutely see the resemblence between your recent works and James Ensor’s paintings.