
It Was the Oddest Sky, 1994
Tell him to be alone often and get at himself
and above all tell himself no lies about himself
whatever the white lies and protective fronts
he may use amongst other people.
Tell him solitude is creative if he is strong
and the final decisions are made in silent rooms.
Tell him to be different from other people
if it comes natural and easy being different.
Let him have lazy days seeking his deeper motives.
Let him seek deep for where he is a born natural.
Then he may understand Shakespeare
and the Wright brothers, Pasteur, Pavlov,
Michael Faraday and free imaginations
bringing changes into a world resenting change.
He will be lonely enough
to have time for the work
he knows as his own.
–Carl Sandburg, The People, Yes
I wasn’t sure how this was all going to tie together today. Didn’t seem to have a common chord at first and thought it might be a stretch trying to stand my stuff up alongside Amercian icons like Carl Sandburg and Woody Guthrie. But then I thought that it was their idea of individuality, of going your own way, that drove my work. Especially the early work when I was trying to differentiate myself from the art that I knew.
Much like Sandburg’s verse, I seemed to heed the advice given by a father in it. I knew I wanted to be somehow different, to not be constantly compared to the work and words of others. I didn’t want to compete with anyone, just wanted to be left alone with the time to do what I felt I needed to do.
The piece at the top, It Was the Oddest Sky from 1994, represents one of the first efforts where I felt that I could find something in the work that I could call my own. Even as the work has changed, grown, and evolved, the idea of it standing alone as my own has always been the driving force behind it.
Whether it is good or not, I cannot say. It’s just what I do now and when I am gone, what I did in my own way and with my own voice. It might not be the best voice or the sweetest. But like Woody wrote: There ain’t nobody that can sing like me
Here’s the song that that line is from, Way Over Yonder in the Minor Key. It was from a group of unrecorded lyrics that Billy Bragg and Wilco set to music at the behest of the Guthrie family. The result were the Mermaid Avenue albums. I think they’re great works and this song is among my favorites from them.
I love this song, and have from the first time I heard it. Listening to it always makes me happy, no matter what else is going on in life. I’ve not seen this video, though: perfect.
I remember you commenting on this song when I shared it about ten years back. I have very much the same reaction to the song as you. Always happy to hear it.
Thanks Gary. This comment really struck a grabbed my attention:
“ I knew I wanted to be somehow different, to not be constantly compared to the work and words of others. I didn’t want to compete with anyone, just wanted to be left alone with the time to do what I felt I needed to do.”
I’ve been thinking a lot about solitude lately as well, needing that quietness to understand what I’m trying to accomplish.
I appreciate your work and and your wisdom. Have a wonderful weekend!
Aaron
Hi, Aaron– I thought that you, as much as anyone, might understand what I meant with this. Solitude is a necessity in creating art but that is easier said than done. Working alone is a skill that has to be learned and practiced. Some really talented people never reach the full extent of their capabilities because they cannot master working in solitude. I am heartened to hear that you understand this for yourself. That bodes well for your future work. Looking forward to seeing it! All the best, Aaron.-gary