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Archive for the ‘Favorite Things’ Category

Before nodding off last night, I began watching the 1942 movie Casablanca for what might be the the nine hundred and fifty first time. It’s one of those films that is easy to jump in and out of because there is always something to relish at any given moment– a memorable scene, shot, line or piece of music. It is chock full of small pleasures that totally add to a greater whole.

Perhaps the greatest of these pleasures is the performance of Dooley Wilson who plays Sam, the star performer at Rick’s Cafe Americain. His musical performances light up the screen, most notably the song As Time Goes By which has taken on legendary status.

Watching and listening to it last night made me think about how it was a fitting song for the end of the year, a wistful looking back as the clock marches on.

The song was written in 1931 by Herman Hupfeld for a Broadway show, Everybody’s Welcome, that had a short run. It went on to have modest success as recording by a number of record labels and orchestras. Herman Hupfeld was a minor songwriter of the era who you wouldn’t think would be the composer of a song that would turn out to be one of the great classics of the American songbook. He wrote some popular songs of the time that have long faded into the dustbin of history. I’ve included one at the bottom just to give you a taste.

As Time Goes By almost didn’t make it into the movie. The musical director, Max Steiner, was opposed to its inclusion but was overruled by the movie’s producers. Then in post-production they considered dropping it but because star Ingrid Bergman had already cut her hair for another part, they couldn’t possibly reshoot the scenes that already contained the song. So, it remained and became one of the most memorable parts of a true classic.

I wonder how the the film would have felt without it.

So, for this New Year’s Eve day, here’s the original along with that other Herman Hupfeld classic, , When Yuba Plays the Rhumba on the Tuba. Have a good New Year’s eve.


 

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Mad Rush

End of year blah.

Too much of some and not nearly enough of others.

Gray light and the clock races to an endpoint in a mad rush.

Then the new year. Tick tock.

Thought this might be a good point to play Mad Rush from Philip Glass as the last choice for this year’s Sunday morning music selection.  It has an ethereal, almost cosmic feel that seems appropriate for the frantic race to the end of one year and the transition to the subdued and tenuous beginning of the next.

It’s a gorgeous piece which was written for the Dalai Lama‘s first North American address back in 1979. Written originally for organ– it was written on the organ at the Saint John the Divine Cathedral in NY– it was meant to be a open-ended piece that could be shortened or extended without the audience noticing to accommodate the vague timetable of the Dalai Lama’s scheduled appearance. It has been recognized over the years as an iconic piece of modern music. Glass performs it here in Montreal from 2015.

The image at the top is a painting of Glass by Chuck Close who has painted the composer several times including one done solely with fingerprints that I featured in a favorite blog entry that I’ve run a couple times. If you look closely, you can see how this painting is a great example of  Close’s unique style of pixelation.

Enjoy the last Sunday of this mad year. Have a great day.

 

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Where I used to strive for movement and restlessness I now attempt to sense and express the complete total calm of objects and the surrounding air.

Lyonel Feininger

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Earlier this year on this blog, I showed a few paintings from American painter Lyonel Feininger (1871-1956). Every time I come across one of his pieces I am struck by the harmony and calmness they present. That perception– and the seeking of it– of the quietude of object and place is something I understand. Or, at least, aspire to understand.

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Just going to take it easy today and share two of my favorite things. One is the instrumental version of Christmas Time is Here from Vince Guaraldi, which most of us know it from A Charlie Brown Christmas. Just a gorgeous piece of music that has, for me, a most calming effect. It’s one of those songs that immediately transports you in an emotional way to to place of warm memory

The other is the beautiful page from above from the Limbourg Brothers masterpiece, an illuminated manuscript called, Tres Riches Heures du Duc de Berry, from the 15th century. This image depicting the month of December is a favorite of mine. The color and composition works much like the Vince Guaraldi piano piece for me, taking me instantly to a more tranquil inner landscape.

Take a look, a listen, and have a good and peaceful day.

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Socks

This time of year it seems like so many radio stations play nothing but Christmas music. It’s a constant rotation of the same old holiday standards, often remade by singers from every genre. Flipping the channels around I seem to bounce from one version of  Santa, Baby  or Jingle Bell Rock to another. And mixed in are some new holiday songs that are usually saccharine sentiments set to some pretty blah music.

It’s hard to get too excited about a month of this stuff.

But I saw there was an album of new holiday songs from retro rock and roller JD McPherson called Socks. The title intrigued me. I definitely had childhood memories of opening Christmas presents that revealed brand new pairs of pale yellow or blue socks from my grandmother or an aunt. It was hard as a selfish little kid to paste on a grateful smile.

So I listened to the song. Then the next. And the next, and on and on. What a great fun album! They were all very catchy, easily accessible tunes with sharp, humorous lyrics, well produced with not a trace of sappiness. Found myself singing along by the end of most of them thanks to their videos that run the lyrics.

Here are three from the JD McPherson album that jumped out at me. There are several others that are as much good fun that aren’t here, most notably Claus vs Claus and Hey Skinny Santa  with its R&B Big Band sound. If you feel like some holiday music that doesn’t necessarily feel like holiday music, give a listen. Hey, any fun we can wring out of these days is a good thing.

Have a great day.



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I was listening to some music early this morning and came across this song, one that I hadn’t heard in a number of years. Thought it might be a good one to share if only to show the painting that adorned the album cover from which it came.

The painting is from Pieter Bruegel the Elder from 1559. It is titled Netherlandish Proverbs and contains depictions of at least 112 proverbs or idioms used by the Dutch at the time. Some are still in use, such as “Banging your head against a brick wall” which you can see in the bottom left hand corner. Others have faded from usage, like”Having one’s roof tiled with tarts” which indicates that one is very wealthy.

If you go to the Wikipedia page for the painting there is a great list of the the proverbs along with the imagery for each. I am enjoying it as I work my way through the list. Even without the list, looking closely at a Bruegel painting is always a great pleasure.

The painting was used on the cover of the Seattle based Fleet Foxes‘ self-titled 2008 first album. The song is White Winter Hymnal which works well for this time of the season. The lyrics are actually kind of nonsensical but the song is lovely and the video is interesting. The song has also been covered by the acapella group Pentatonix.

So, take a look at the painting and hopefully you will enjoy the song and video. Have a good day.

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River

Didn’t really want to write anything today and was listening to some music this morning. This song came on so I checked to see if it had played  recently on the blog. After all, it does have a holiday theme, in a mournful sort of way. Found that it had been a number of years and liked the post that accompanied it so I decided to repost it along with the song. Have a good day.

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There are some pieces in my studio that will always be with me, some because they are very personal pieces, virtual parts of my memory. Others because they are somewhat lacking and I wouldn’t want them out in the world. Then there are some that stay simply because I want them here. The painting below is one of those. It hangs above the large windows at the front of my studio and probably will for some time to come.

It is painted on a piece of our old upright piano, the lid that opened on its top. It’s about 8″ tall by 62″ long. You might think that this painting is about the heavy clusters of Red Roofs but for me this is a piece about escape. That cool blue ribbon of water that cuts through this painting, shown only in snips, is freedom to me, a rushing current to carry me away from the noise and chaos of the gathered village. Or better yet, I could become the river and move easily and forever– hopefully– through the land, joined with the other waters of the world.

I find myself thinking a lot when I look at this piece, which I do most everyday as it is mounted above the large window in my studio. It gives me pause and makes me think about being quiet internally, stilling the spinning wheels.

But most of all, it makes me wish I was that river.

I call this piece Wish I Was a River, sort of after the Joni Mitchell song, River. However, her chorus goes “ I wish I had a river…”  Maybe I’m being greedy here but I want to be the river, just running through and in the winter, frozen over and seemingly still while continuing to flow below. If Joni wanted to skate away on my icy surface, that would be fine with me.

Here’s the song from Joni Mitchell.

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All that is necessary to paint well is to be sincere.

–Maurice Denis

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In my opinion, sincerity is a huge part of how an artist’s work comes across, perhaps even more than the actual ability of the artist. Sincerity carries the emotion, the sensation, of the work of art.  It is the part of art that moves and speaks to you.

I guess that is why I was drawn this morning to the simple quote above from painter Maurice Denis (1870-1943). I’ve been an admirer of his work for some time and for some reason have yet to mention him here. He was not one of the bigger names of art in his time but was important in that era that encompassed the transition from traditional representation to impressionism then on to modern art. He was part of Les Nabis which translates from both Hebrew and Arabic as The Prophets. It was a group of young French artists who followed in the artistic footsteps of Paul Gauguin.

As Denis wrote about Gauguin’s influence:

We learned from Gauguin that every work of art is a transposition, a caricature, a passionate equivalent of a sensation which has been experienced. He freed us from all restraints which the idea of copying naturally placed on our painter’s instincts. All artists are now free to express their own personality.

That basically deals with the same sort of sincerity mentioned at the top f the page.

Denis had a long career that moved through a number of different phases, all done well and with sincerity. There is much in his work that speaks to me, things that I wish to carry into my own work. Things I have already used, in some cases. I urge you to check out his wiki bio or some other reference sites to find out more.

A parting line from Denis:  Don’t lose sight of the essential objectives of painting, which are expression, emotion, delectation; to understand the means, to paint decoratively, to exalt form and color. 


 

 

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We are at a crucial time in this country and, maybe as well, the world as a whole. I think even those who refuse to pay attention are beginning to see that something very wrong has taken place and there is an effort to find the truth behind it. If this situation were a painting, it began with an underpainting of a scene based on lies. But each new day brings more and more strokes and color in the form of facts and truths that expose the underlying falsehood, the illegitimacy of the scene painted for us two plus years ago.

With each day, the final painting is becoming clearer and clearer.

I could go on but that would most likely be overkill. Too pedantic and preachy.

Instead, I thought I would share some of my favorite quotes– I do love a good quote— dealing with lies and liars. A page of lies. Actually, not lies but about lies. As a liar myself, I can attest to the veracity of most of these but you would have to take my word for that. And, believe me (the liar’s favorite phrase, by the way), you don’t want to do that.

Though I think these are all pertinent, the most applicable to the current situation might be the last from Ray Bradbury‘s dystopian classic Fahrenheit 451. Most people will not be told, will not dare to extrapolate into the future. They only see the present moment and even then, it is seen with a subjective sort of vision, the kind that only sees and knows what is in its immediate reach. But once the fallout from this hits them, they will ask how this could have possibly happened, even though they themselves enabled it with their lack of attention.

The Albert Camus quote is also a favorite. The projection of self by the liar is most illuminating.

But don’t trust me, take a look for yourself.

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I normally don’t rerun posts on Sunday which is when I feature a musical selection. But this week I thought the chosen song matched up well with this post and the painting in it, which is one that feels very personal for me.. So, here’s a post from a few years back accompanied by a selection,On The Nature Of Daylight (Entropy), from contemporary composer Max Richter. It’s a beautiful piece of music.

Have a good Sunday…

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GC Myers- CandleThere are two ways of spreading light… To be the candle, or the mirror that reflects it.

–Edith Wharton

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This is a new piece,  8″ by 10″ on paper, that I am calling Candle. Working on this painting, I determined that I wanted to keep the composition very simple and stark. There was so much energy in the radiating forms that adding anything beyond the blue panel at the bottom would change the whole feel of the piece as I was seeing it. The blue provides contrast and forms a horizon line that gives the whole image a measure of inward depth without detracting from the simplicity of the image, which I see as being essential to the strength of this painting.

Simplicity, as is often the case, translates as grace. And grace of some form was what began to show in this piece as it unfolded. I was reminded as I worked on this of the great (in my mind, the greatest British artist) JMW Turner‘s reputed dying words: The sun is God. There is a spiritual element in how the sun is depicted in his work and I often feel that I am representing something more than a source of physical light and energy when I paint these sun orbs in my work.

Perhaps that something more is a presence beyond the physical.

I don’t know. But for a moment, my uncertainty is relieved and I feel connected with the warmth and light from the presence that is the sun in this piece.

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