Feeds:
Posts
Comments

Archive for the ‘Favorite Things’ Category

jackie-robinson-1956_April 15 means a couple of things to some people.  Of course, there is the unpleasant connotation of it as being Tax Day, the due date for income tax filing here in the USA.  But for the baseball fan, it is a date that marks the first day a black player took the field as a major leaguer, when a special player ran out to play first base for the Brooklyn Dodgers back in 1947.   This young black man was athletically gifted, smart and tough-minded.

That player was of course Jackie Robinson.

Major League Baseball now honors him on this day every year, Jackie Robinson Day, with every player on every team putting aside their own uniform numbers to wear his number 42, which is now retired throughout baseball. Currently, only Mariano Rivera wears the number 42 on his back  and after he retires at the end of this season, no player will ever wear the 42 on their back again outside of this day each year.

Retiring a number is a sacred thing in baseball.  A player’s number has an almost mystical connection with the fans.  Growing up, everyone knew that Babe Ruth was 3,  Lou Gehrig 4, Mickey Mantle 7, Willie Mays 24, Hank Aaron 44 and on an on.  Whenever I see the number 45 all I see is my hero Bob Gibson on the mound. And everyone , even Mariano Rivera fans like myself, knows that the 42 belongs to Jackie Robinson.

There is also a new movie out that bears that number and it tells the story of Robinson’s initial turbulent year with the Dodgers.  I haven’t seen it so I can’t really comment other than to say that it is a story that every child should know.  It is a remarkable story of self restraint and strength in the face of institutionalized hatred, one that made possible the  broader changes that took place in our country in the civil rights movement in the decades after Robinson’s first day on that field in 1947.

From what I have read, the biggest complaint is that the movie doesn’t really give a full accounting of Robinson’s life. Jackie was a legendary collegiate athlete at UCLA, lettering in four sports– football, basketball, track and baseball.  He was the NCAA champion in the Long Jump and could have easily played professional football.  Of course, that was impossible because  the NFL was segregated at that time as well.

Nor does it detail his military career which is of interest mainly for Robinson being court martialed for refusing to sit in the back of an Army bus at Ft. Hood, Texas.   He was eventually acquitted of all charges by an all-white panel of officers  but it was an incident that foretold of his strength and willingness to enter the fight in taking on the segregated major leagues.

Nor does it address the health problems that led to his early death.  He suffered from diabetes and was nearly blind when he had a heart attack that ended his life at the age of 53.  It was much too early for this remarkable man’s story to end.

As I said, it’s a story that every child should know and celebrate.

Read Full Post »

Baseball  Helen West HellerI was looking for woodcuts that had baseball in them and came across a couple that were by an artist with which I was not familiar, Helen West Heller.  I liked the design and look of the pieces that I had found, more modern and stylized than the others.  Unique.  I began to look up the artist, who lived from 1872 to 1955,  but found little.  No Wikipedia page and a few scant biographies that mainly listed her exhibits and the collections in which her work – both woodcuts and paintings-  was included.

Baseball2 Helen West HellerAnd it was a pretty impressive resume.  A retrospective at the Smithsonian.  Awards from the Library of Congress. Shows at the Brooklyn Museum and other galleries around the country.  Looking at the Metropolitan Museum website, I found that she had over 170 pieces in their permanent collection.  Why wasn’t there more on her?

HellerBut then I came across a site devoted to her life and work, The Extraordinary Life and Art of Helen West Heller.  It’s a rambling website full of references and writings devoted to Heller but even as Heller’s most ardent fan and champion, Dr. Ernest Harms, wrote in 1957, just two years after her death: “Helen West Heller has lived the life of a full blooded personality striving and fighting for an artistic ideal . . . Far too little is known even among artists about this amazing woman.”

The tragedy is that when she did die, she did so alone and as a pauper in  Bellevue in NYC.  Her body remained in the morgue there for over 10 days until Artists Equity arranged for burial in NJ.  There’s a lot more on her in the rambling site devoted to her, much of it quite interesting but never completely revealing.  She lived at a time when there was still room for mystery and mythology in one’s life.  Perhaps that mystery, as well as the personality of her work,  is what makes her  so intriguing to me.

Heller-HoovesBig

 

 

Read Full Post »

genghis khan Chinggis Khaan statue horse equestrian mongolia 6I came across this photo of the Genghis Khan memorial in Mongolia, about 30 miles outside the capital city of  Ulan Bator.  I’ve always been a sucker for statues of epic proportion and I had never heard of this particular one.  It’s a pretty amazing  image, with Genghis astride his sturdy horse atop a museum,  and one can only wonder how it must appear in person in the vast open air of that Mongolian space.

I always am inspired when I see memorials such as this Genghis Khan statue.  It makes me want to work on something epic in size or at least push the spirit of my  work even harder forward, to think in a bigger way.  Grander in thought.  Perhaps that is the purpose of such memorials, to expand our horizons and broaden our vision.  I know that when I think of some of the other monuments of this proportion, such as the  World War II war memorial featuring a sword-wielding Mother Russia near Stalingrad or the Spring Temple Buddha in China (both shown  below),   that is the feeling that comes to mind.  They push me beyond the smallness of  my inner self where  I often allow myself to retreat in my work.  And that is exciting.

So, thanks for the inspiration, Genghis Khan.  And you too, Mother Russia and Buddha.  I’ll try to be a bigger person.

Stalingrad War Memorial Spring Temple Buddha

Read Full Post »

Martin Johnson Heade Approaching Thunderstorm 1I don’t think I’ve ever mentioned Martin Johnson Heade here.  This is really an oversight on my part as some of his work was really influential on the direction of my work early on, even though our styles and methods of painting were wildly different.  The intensity of the color and contrast in his paintings of  floral subjects and tropical birds that he completed during his long and  prolific career ( born 1819- died 1904)  really made me want to push my own color ahead.  There is a , Martin Johnson Heade- The Complete Works, that has his complete works online where you can see the great quality of his color and  use of contrast.

But the painting shown at the top, Approaching Thunderstorm, from the Metropolitan Museum is my favorite Heade painting.  The forms of the  black water of the lake set against the vibrant color of the shoreline is striking and  a most ominous storm cloud churns toward the boaters who have not yet fully heeded the signs of the oncoming storm.

It was painted in 1859, in the years before our country exploded in civil war.  This painting was part of a cultural movement of the time that depicted the tension gripping our nation in metaphorical terms.    The metaphor is strong and obvious  in this painting and  several prominent abolitionist preachers owned versions of this painting , many often referring to the coming storm in their sermons.

Knowing this makes me appreciate the painting on a different level.  But it is still about the sheer emotional impact of the color and forms that hit me long before I knew its history.  There is a tension and that feeling of stillness that occurs in the moment just before action occurs, something I have tried to capture in my own work at times.  I still find this piece brilliant and inspiring.

Read Full Post »

GC Myers- Geometry of the HeartIt was Opening Day for Major League Baseball the other day, which is always  a red letter day for me.  It’s sort of like 2013 has officially began, that my day to day life now has something with which to synchronize, something to fall in rhythm with.  So, even though I have been feeling under the weather for several days,  I was able to complete a new piece, one that had been banging around in my head for a long time.  It incorporated the perfect geometry of the baseball diamond nestled among a tightly clustered neighborhood of Red Roofs.  It’s an odd piece, one that feels both typical and atypical at once.  That’s a quality that I like.

ralph_fasanella_sandlot_baseball_1373_356I have been wanting to incorporate the baseball diamond into one of my landscapes, perhaps influenced by some of the folk art paintings that did it so well.  I have featured some of these here, such as Malcah Zeldis’ Homage to Hank Greenberg, shown at the bottom of this page or Ralph Fasanella’s Sandlot Baseball,  shown here on the left.  These are paintings I like very much as much for the baseball aspect as for the wonderful folk art manner in which they are painted.  There is something in the sight of a diamond that has a hypnotic effect on me, something I hoped to capture in a painting.

I always remember the feeling when I was a kid and we went to Shea Stadium to see the Mets play, especially for night games.  You would head out from the dim light of the concourse and emerge into the brightness of the field lights.  The green of the field was so vibrant, the brownish red of the infield dirt so rich.  There was something perfect in looking down on that diamond, a design that made so much sense to a child’s mind.  A beautiful geometry, one that equalizes weaknesses and strengths.  The length of the basepaths, for example, are such that  on a hard hit  ball to the infield a fast runner can be easily thrown out at first but a slower runner can often beat out a soft groundball.

Here, a small man could easily conquer a much larger man from a distance of 60′ 6 “, the distance from homeplate to the pitching rubber.   Skill overcomes pure strength, size and athleticism.  If you ever saw Michael Jordan flailing helplessly at minor league curveballs, you’ll know what I mean.

I could write a lot more here.  And I probably should.  But I simply want to show this new piece, a 20″ by 24″ that I’m calling Geometry of the Heart.  Here, the ball park, a Little League sort of field, represents the heart of the neighborhood, the openness of the field stands in direct contrast with the cramped houses.  This is a painting that I have really enjoyed painting, one that is probably more for myself than for anyone else but one that I needed to paint.

malcah-zeldis-homage-to-hank-greenberg

Read Full Post »

historia-antiques.com head and brain model 1I came across an interesting site belonging to a California based antiques dealer, James Caswell Historia.  I was  looking at  his collection of ex-votos, which are basically notes  left in shrines or churches by believers who want to express their gratitude or thanks for what they believe are answered prayers.  Many are small paintings depicting their patron saints or a miracle being performed.  They have a number of these from Mexico that are quite striking, real colorful examples of folk art.  They should show up in a future post.  But it was this item from their Medical/Scientific section that caught my eye.

historia-antiques.com head and brain modelIt’s a model of the upper part of a human head with the brain, which is in sections which are removable, exposed.  It’s from Germany and was made in the 19th century.  Sells for $1450 if you’re interested.  But it was the image of this head as though it were emerging from a pool of water like some creepy, throbbing  brain monster that intrigued me.  All I could think of was Martin Sheen’s Captain Willard character from Apocalypse Now when he slowly emerges from the water as he nears Colonel Kurtz.  Perhaps the exposed brain was somehow symbolic of Willard’s transformational epiphany.

Or not.

But that aside, it’s a striking piece that has the feel of a piece of modern art .  Plus, it would make a great candy dish for your Easter treats.  Take a look at this site— it’s got a lot of great interesting items.

Read Full Post »

Gravestones, Early and FolkI have always been attracted to cemeteries, which is probably why they have been popping up in several of my recent landscapes.  Even as a child, I found the stones in cemeteries irresistible.  There were several old family plots around our home, small groupings of  stones set in the edge of the woods where early settlers in our area were laid to rest.  Most had death dates, when you could make them out on the weathered slate, that dated from around the late 1700’s and early 1800’s.

One small plot across the road from us was reportedly the family of a coach driver that had resided in the home that had once been attached to an old stone chimney that still stands there to this day,  almost like a monument in itself.  It was rumored that the family had been killed in an Indian massacre, although I believe it to be just that– a rumor.  I found the small graveyard tucked on the edge of a forest hidden from the road a very serene place.  It had a calming  air around it that I found appealing, even as a child.  Plus it played to the imagination, the stones conjuring up the names of those  that I would try to envision and bring to life in my mind.

This fascination has carried through my life.  I am always eager to walk in cemeteries, to look at the stones and read the names.  I sometimes wonder, as I walk through with a name on my lips, if that name has been spoken in years.  I somehow imagine that I am conjuring their spirit, their memory of their life,  back into form by virtue of simply saying their name.  It seems like their is a power in this simple act, even if is a mere act of respect.

Grave, Lion GardinerAs I have done more and more genealogy, this interest has continued as well.  There are numerous sites where I have found images of  ancestors’ graves.  Some are unique, like this elaborate monument to Lion Gardiner that was designed by architect James Renwick, famed for his design of St. Patrick’s Cathedral  in NYC, when Gardiner’s body was re-interred in 1886.  Others are crudely simple, a slab of stone with the name crudely carved with what looked to be a nail.  Many have no stones at all, which I find sad because there will be no possibility that someone will walk through the graveyard one day and read their name aloud.

Eleazer Mulford- Lindley NYThere’s a great site online that has the entire Farber Collection available for viewing.  The late David Farber and his wife, Jessie Lie Farber, were even more enthralled than I am with cemeteries.  They amassed a huge collection of images of the sculpture and carvings on early American graves, most dating before 1800.  It’s a treasure trove of imagery and a great site to spend a few moments browsing, especially if you have anything like my interest in how cemeteries relate to our history.

Read Full Post »

John Sloan Dust Storm Fifth AvenueI was going through a book of painting that focused on New York City and came across an image of the fabled Flatiron Building, its three sided structure which gives it the look of a ship’s prow making it one of the more iconic building in the city.  It has been photographed  and painted numerous times, enough so that there is probably a book of just Flatiron images floating around somewhere.  It’s a striking building and one that I always am intrigued by in images and in person.

But I hadn’t seen this painting by John Sloan, the American artist who was part of the Ashcan School that painted the reality of the urban experience in the early decades of the 20th century.  I am a fan of this loose-knit group of  painters that includes George Bellows, Edward Hopper and Robert Henri, among others.

The painting was titled Dust Storm, Fifth Avenue and was painted in 1906.  It was an image looking down Fifth Avenue to where the Flatiron’s prow stood proudly as a black cloud hovered above.  On the ground below, the people scurried about  in a panic as the wind blew up huge clouds of dust as it funneled down the canyons of the city.  There’s a tremendous amount of movement in the painting that gives it great impact.

It made me wonder how accurate the image was.  Were these dust storms a normal occurrence in old New York?  It turns out that the Flatiron was notorious for the winds that gathered around its base and buffeted the pedestrians who happened that way, taking hats and lifting women’s skirts, exposing their legs to leering young men who would gather on the corner of 23rd Street for just such a purpose. The police would regularly have to disperse the gawkers which is supposedly where  the term 23 Skidoo originated, it being the phrase they would shout to get the crowd moving.

It’s always interesting to see the story behind an interesting image like the one Sloan captured, to see the real history being portrayed.  It makes me appreciate this painting even more. Here’s a short film from 1903 that shows  the mischief that the wind played on the passing crowd.

Read Full Post »

newgrange-spiral-stoneI was looking for something to use here on the blog as a symbol for Ireland or St. Patrick’s Day.  I didn’t want to go the typical shamrock and leprechaun route. We’ve all seen enough of those.  Instead, I began to focus on their triple spiral symbol, the triskele.  It first showed up on the stones at Newgrange in County Meath,  a large burial mound or temple which dates back over 5000 years, making it older than the pyramids of Egypt.

The elaborately carved stones featured three spirals which meld effortlessly into one another, as though it is a continuum without beginning or end.  Though its origins and meaning are still vague at best, this triple spiral has come down through the ages as being symbolic of the trinity of later Christian believers and even found its way into the form of the ubiquitous shamrock.  I think the mystery and symbology of the triple spiral is fascinating in the way it still resonates in some primal part of us.  It is an elemental symbol, a part of who we are as a people.  And by that, I don’t mean simply the Irish but all people.  Everyone can identify with this symbol of  the unity of time and constant rebirth.

Maybe this unifying aspect is why there is such great appeal of  this day for so many, Irish and non-Irish alike.  I know that while I drink a Guinness or two today, probably dressed in a Kelly green shirt  as I listen to Danny Boy or some other maudlin ballad for the umpteenth time, I will stop for a moment and think of this trinity of spirals and feel a unity with the past.  And the future and the present.

Maybe the song will be Carrickfergus.  Here’s a version from Loudon Wainwright III that I very much like.

 

Read Full Post »

Norman Rockwell- Breaking Home TiesI was looking at the shelves above my desk yesterday and spotted two books of Norman Rockwell paintings that I haven’t looked at in some time.  It made me realize that I’ve barely mentioned Norman Rockwell here on the blog which seems all too fitting– his work was so consistently brilliant and ubiquitous that it is often easy to overlook him. Or downplay his talent, as it was such a common thing to do among critics, especially in the 70’s and 80’s when Rockwell was definitely not cool in any sense of the word.

Norman Rockwell- The HomecomingThe critics of that time saw his work as often being overly sentimental and trite, a painter of  an idealized American dream that didn’t deal with the quickly changing world.  But that was merely the result of Rockwell meeting  (and exceeding) the requirements of the multitude of  illustration assignments he received throughout his career.  He painted to meet the desires of his clients and they wanted narrative images that were immediate and deep in their meaning, images that were not ambiguous in any sense.

Which is exactly what they got along with a magnificent chronicle of the last century.  Along with some incredibly beautiful painting, work that elevated these images from simple  illustration to grand art.

Norman Rockwell - The Four FreedomsI love  the immediacy of Rockwell’s work, the fact that you are easily swept into the narrative that he creates.  It is instantly accessible and speaks in a universal language of emotion.  But it’s the color of his work, the darks and lights and the way in which he handles them and places them within the compositions, that moves me.  They are something out of a rich and pure dream, colors that give me a deeply felt satisfaction.  I certainly don’t paint in any way like Norman Rockwell but I still long for his colors.

I remember seeing his scene of a farm family during a visit from the vet who is checking out the young daughter’s calf , shown below.  The painting was hanging at our local museum as part of a traveling exhibit and from a distance it was instantly recognizable as Rockwell’s work.  Tight and illustrative.  But as you came closer, you could see the beautiful marks, loose paint strokes that made up the ground on which they were standing.  It was just a wonder to see how he was able to put the piece together and have it read as it did.  It really made me more appreciate his work.

Norman Rockwell- Farm Family Scene

 

Rockwell’s life  (1894-1978) and long career  spanned perhaps of the great periods of change in the history of our world.   He captured us at our best and at our worst, with images that were often poignant as well as humorous.  We are so fortunate to have had such a masterful eye keeping tabs on us. Looking at his images, there are literally hundreds that I could have used for this little post.  I’m sure most of you will have images of his in your head that will immediately come forward.  It is a most remarkable body of work, one that inspires awe from my perspective as an artist.  I’m sorry it took so long to acknowledge your brilliance, Mr. Rockwell.

Norman Rockwell- The Problem We All Live With

 

Norman Rockwell- The Art Critic

Read Full Post »

« Newer Posts - Older Posts »