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Archive for the ‘Neat Stuff’ Category

I am busy this morning and thought I would replay a post from several years ago. No reason except that I came across it yesterday and it really caught my eye again. The work of Arcimboldo always does.  But I did add a video that shows more of his work so it’s really a replay plus. Take a look– I think you’ll like it.

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You don’t often think of work of art from an Italian Renaissance painter as being whimsical. Generally, they seem to focus on themes of religion and myth or on portraiture of wealthy patrons of the time, most beautifully painted.  Then there is the work of Guiseppe Arcimboldo, who was born in Milan in 1527 and died there in 1593, although much of life was spent in the service of  the Hapsburg courts of Vienna and Prague.

Arcimboldo was trained as stained glass designer and painter and initially worked in these fields in a traditional manner.  Much of the work from this time has faded into oblivion, although there are examples of his windows and a fresco or two.  However, it was his other work that gained him fame in his time and which has came through the ages as a constant source of fascination.

Arcimboldo-Winter 1573

Arcimboldo- Winter 1573

The other work was creating portraits, sometimes of his patrons such as the portrait at the top of Rudolf II, Holy Roman Emperor from 1576 until 1612 , that are composed using all sorts of objects to create the figure and features of the subject.  He used fruits, vegetables, birds, books, fish and many other objects in creating these unusual figures.  The final result was always striking, colorful and whimsically imaginative.  And sometimes grotesque, even a bit spooky– I’m thinking here of a series of pieces that Arcimboldo created portraying the Winter season as a person, such as this example on the right, painted in 1573.

Arcimboldo’s work always brings a smile to my face while also stirring my interest in how he must have worked at the time and how he was perceived in that era.  I am sure he was both admired and disliked for his unique work.  Whatever the case, the work remains a fascination.  I am showing several example here but you can go  a site– Guiseppe Arcimboldo: The Complete Works— that features a broader view of his work.  Very interesting.

Arcimboldo-TierraArcimboldo-The WaiterArcimboldo-AirArcimboldo- The LibrarianArcimboldo- The Admiralarcimboldo-winter_1563

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The other day I received the new Summer issue of Acrylic Artist magazine that hits the newsstands and bookstores on June 6.  It contains an article featuring my work and how I arrived at my “signature style.”

I have to say that I am pleased at the way it came out. Writer Zack Hatfield did a great job transforming our interview into a well written article covering ten pages along with numerous images. Many thanks to Zack and the editors at Acrylic Artist for being such pros and for a job well done.

The magazine is available at newsstands on June 6 but if you would like a copy you can order a print or downloaded copy by clicking on the magazine cover shown here on the right.

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I came across this unusual short animation and it caught my eye.  It’s made by Australian cartoonist/artist/animator/whatever Felix Colgrave and it’s called Double King. Colgrave describes it simply as “A film about love and regicide.

For me, it reminded me of the unrelenting greed of so many. I think back to the financial crisis of 2008, the Great Recession caused by housing derivatives that seems to have slipped from so many folks’ minds already. I remember hearing an interview with a hedge fund manager at that time. He admitted that he had enough money and wealth to sustain his family at a high comfort level for many generations to come. The interviewer asked if he ever thought that it was enough.

He laughed and said that it was never enough, that it only created a drive in him to get more.

That comment stuck with me. It spooked me. It served as evidence for my belief that supply side, trickle down economics was a sham and that the wealthiest of us would never willingly share or help the impoverished masses rise out of that state. They would, with a few exceptions, rather strive to gain more and more and more.

And that’s what this great little film brings to my mind.  You might see something other than that. I hope you do.  But it’s definitely worth several minutes of your time, if only to take in Colgrave’s imaginative animations and great illustrations. Take a look.

You can learn more about Felix Colgrave by clicking here.

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I think I have seen this before but it caught my eye this morning.  It’s a video of Turkish artist Garip Ay who works in the art of ebru, known to us as paper marbling.  In this video he takes on Van Gogh’s Starry Night but that is only the start. What turns out in the end is a bit of a surprise although you may see it coming in the process.  Just a neat video and a wonderful display of total craftmanship.

I’ve also included another video of Garip Ay at work.  Just seeing the process and the manipulation of the colors and the way they move on the dark water is fascinating. Mesmerizing.


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kate-owwen-gallery-tony-sorby-journey-tracks-to-sacred-sites

Tony Sorby- Journey Tracks to Sacred Sites

Whenever I come across a piece of Australian Aboriginal art online it just stops me cold. I am immediately pulled in amid the dots and forms and earthy colors.  There seems to be something beyond what I am looking at, something deeply rhythmic and pulsing, something that connects me to a bigger pattern.

And that makes sense as even the most contemporary of this art is directly connected to the very beginnings of these people, documenting their paths, ceremonies and customs through the ages. It tells who they are as a people and perhaps, in its own way, does the same for even us non-aboriginals, connecting us in our humanity.

It has an organic authenticity that artists in other genres strive to capture in the voice of their own work. It is new and ancient at the same time. It has a modern abstract feel yet has representational symbology that comes through. As has been said, most of this work could hang in a modern art museum or in a museum devoted to anthropology– it is art and history.

I just find it fascinating and have nothing but great respect for these artists. I spent about an hour looking at the site of  a wonderful gallery devoted to Aboriginal art, the Kate Owen Gallery, based in the Sydney area of Australia. I could have spent many more hours on the site.  I urge you to take a look.

I’m showing a few pieces that jumped out at me and I barely scratched the surface of all the great work there

kate-owen-gallery-helen-mccarthy-tyalmuty-awurrapun

Helen McCarthy Tyalmuty-Awurrapun

kate-owen-gallery-eileen-napaltjarri-tjiturrupa

Eileen Napaltjarri-Tjiturrupa

kate-owen-gallery-alma-nungurrayi-granites-yanjirlpirri

Alma Nungurrayi Granites-Yanjirlpirri

kate-owen-gallery-helen-mccarthy-tyalmuty-family-tree

Helen McCarthy Tyalmuty-Family Tree

kate-owen-gallerychristine-nakamarra-curtis-mina-mina-jukurrpa

Christine Nakamarra Curtis-Mina Mina Jukurrpa

kate-owen-gallery-joylene-napangardi-reid-womens-ceremony

Joylene Napangardi Reid-Women’s Ceremony

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false-news-1903I’ve been saying for while that fake news is a dangerous thing.  And it turns out that it has been killing people for over a century.

And I have the proof.

While going through some old family genealogy, I came across this story about a great-uncle of mine from three generations back.  His name was Sylvester Odell and he was a fairly well-to-do farmer in Central NY  who was about 77 years old in 1903.   Like the Britney Spears item from earlier this week, a rumor began and spread through social media that Sylvester had died. Of course, social media at that time consisted of the mail, telegraph, an occasional telephone and yelling out to your neighbor.

But even so, the rumor spread quickly.

Friends and family gathered and headed out to Sylvester’s farm where they found him alive and well.  In fact, he was doing his normal chores in his barn.  Everyone breathed a sigh of relief then shared a big laugh.  A few hours after everyone in the party had left, a still surprised Sylvester sat in his chair and passed away.

He just couldn’t take the news of his own death.

Damn fake news!

The news of his actual death after the false report made all of the newspapers around the state.  Even when reporting the facts, some of the newspapers still got parts of the story wrong.  For example, the item above is from the Syracuse Telegram.  It gives the location of the story as Dresden when in fact Sylvester lived ( and died!) in Dryden. False or not, we seem to have trouble getting the story straight.

So there you have it, proof positive that fake news kills.  Be careful out there, folks.

 

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yayoi-kusama-all-the-eternal-love-i-have-for-the-pumpkins-2016Well, October is the time for pumpkins.

Over the last day or so I keep coming back to the photo above after seeing it on the I Require Art page.  Titled  All the Eternal Love I Have For the Pumpkins, it’s from an installation from the Japanese artist Yayoi Kusama.  Now 87 years old and still highly  productive, she has long been at the forefront of the avant-garde and conceptual art movements.

yayoi-kusama-portrait-w-pumpkinI can’t write much about her as I don’t know much about her.  But the imagery I have come across with all its densely packed patterns consisting often of her trademark polka dots swirling and twisting on multiple surfaces.  Like the pumpkins above or the photo here on the left  with her becoming part of the installation in a most wonderful way.  It’s mesmerizing.

One of the ways I quickly judge the direction of an artist’s work is to do a Google image search.  Below is a quick shot of a search done with her name and the word pumpkin and below that is one just using her name.  Great continuity, great pop off the screen.  I just love the look of this work.

I urge you to look more into the work and life of Yayoi Kusama.  I know I will look further.

yayoi-kusama-pumpkinsyayoi-kusama-images

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lake-wanaka-nz-lone-tree-2I don’t know much about New Zealand, have never been there and most likely will never get to see that country.  But I have long heard about its spectacular natural beauty with its soaring mountains and forests.  Out of all of this beauty, I recently came across a photo of what is considered perhaps the most photographed and beautiful spots in all of New Zealand.

lake-wanaka-nz-lone-tree-5-bwIn the foothills of the Mount Aspiring National Park on New Zealand’s South Island, beneath the snow-capped peaks of the southern alps, there is an alpine lake and on the shore (and sometimes in the lake itself) stand a willow tree.  It is the Lone Tree of Lake Wanaka.

It started its life years ago as a hewed off willow branch acting as a fence post.  The tree sprouted from that post and stands alone now, the fence line long gone. That’s determination, a will to exist.

It’s a powerful image, this single tree standing amidst all the powerful glory of nature.  While it may attract crowds of tourists to snap pictures of the tree and themselves beside it, it is obviously the solitary determination of the tree that speaks to those who see it.  I think that is something that speaks to most of us, this need to know that we can withstand this world, can stand alone.

I know it sure speaks to me and certainly looks familiar to much of my work.  I did  a quick search and chose a few great images out of the many out there of the Lone Tree.  Take a look.  It is peaceful yet strong and defiantly determined.  Heroic.

If only it were red…

lake-wanaka-nz-lone-tree-7 lake-wanaka-nz-lone-tree-1 lake-wanaka-nz-lone-tree-3 lake-wanaka-nz-lone-tree-6 lake-wanaka-nz-lone-tree-4

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gc-myers-defiant-heart-smThis coming Saturday, September 17, is my annual Gallery Talk at the Principle Gallery in Old Town Alexandria, VA.  This is my 14th Gallery Talk at the Principle and it’s been a lot of fun through the years.  There’s generally a lot of give and take between the audience and myself in the form of questions and comments and something new and unexpected often comes to light.  I almost always find myself saying something I didn’t expect to say or learning something new about my own work from the comments from someone at the talk.

It’s a surprising dynamic and I am always grateful for the folks who turn out at these talks.

But deep down I know they come for what has become a tradition– the giving away of one of my paintings at the end of the talk.  We have a lot of fun with this and I really do struggle in trying  to choose a painting that holds meaning for me,  one that  that I think deserves attention in someone’s home.

And the painting shown here at the top fits that bill nicely.  It is titled Defiant Heart and is about 14″ by 14″ on paper.  It’s one of those paintings that I felt strongly about but seemed to have bad timing in those times in which they hit the galleries, never coming before the eyes of that person to which it would speak some sort of truth.  There is much that I like about this painting and think it has much to say to the person who connects with it.

It will be my pleasure to have it find a home this coming Saturday.  Maybe it will be you.

So this Saturday, September 17, please come on in to the Principle Gallery in beautiful Alexandria.  The talk runs starts at 1 PM and generally runs about an hour. We’ll have a conversation, I’ll tell some of my secrets and maybe a lie or two and at the end of it, someone will take home their own Defiant Heart.  Oh, as always, there will be a few surprises along the way. Hope to see you there.

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Hugette Caland-- Boat Race on the Potomac

Hugette Caland– Boat Race on the Potomac

I am not going to be able to write much here today but I did want to at least share a few images from artist Hugette Caland.  Born in Lebanon in 1931 to a father, Bechara El Khoury, who was to become the first President of that country in 1943, Hugette Caland, now 85, lives and works in .  Over the past five decades she has created a wonderful and diverse body of work that has become very celebrated in recent years.

I am showing the pieces that struck me but be advised that this is only a tiny glimpse of the range of her work.  I was immediately struck by the piece at the top, Boat Race on the Potomac, a very large piece measuring something in the area of 5′ high by 11′ wide.  Many of the pieces shown here, such as this piece, are very large textile wall hangings that are done with markers.  It set off all kinds of fires in my brain when I saw it and during the past few trying weeks has been an image that I often return to when I get a chance to move my mind away from the situation at hand.

As I said, I don’t have time today to spend much time giving all the background info that Hugette Caland and her work deserves but I just wanted to share these images as I feel they have something to say to me at this moment, something that I will use moving forward.  Please take a look and I urge you to seek out her story and some of the other images and videos available online.  Great stuff.

Hugette Caland-Rossinante Under Cover III diptych 51x84  mixed media on canvas 2011

Hugette Caland-Rossinante Under Cover III diptych 51×84 mixed media on canvas 2011

Hugette Caland-Rossinante Under Cover IV

Hugette Caland-Rossinante Under Cover IV

Hugette Caland-Out of Venice 58.5x76

Hugette Caland- Out of Venice 58.5″x76″

Hugette Caland-The Purple One 65x165

Hugette Caland- The Purple One 65″ x 165″

  Golden Daisies

Hugette Caland- Golden Daisies

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