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Archive for the ‘Philosophy’ Category

 “People like you and I, though mortal of course like everyone else, do not grow old no matter how long we live. What I mean is we never cease to stand like curious children before the great Mystery into which we were born.”

Albert Einstein, Letter to Otto Juliusburger, September 29, 1942 

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This is a new painting, at 30″ by 10″ on canvas, that is part of my current West End Gallery show, The Rising. I have titled this painting Eye to Eye and was considering at one point adding to Eye to Eye to Eye to Eye, et cetera.

In my mind, the idea of looking out at the stars in the night sky feels sometimes like looking into a multitude of eyes looking back at us, the flash of the whites of their eyes creating the starlight that we see. It is a benign feeling, not tinged with animosity or congeniality.

They are just there, dispassionately looking back at us. Perhaps they are seeing the flash of the light from our sun that reflects on our moon as being our eyes looking out at them. Who knows?

The sense I get from this painting is one of having this connection with the universe even in those times when we might feel absolutely alone in this world. Maybe the connection is in understanding that the Great Mystery, as Einstein calls it, may very well be the same throughout the cosmos. Whether here on Earth or a billion light years away, the night presents us with tangible evidence of this Great Mystery and our desire to know our place in it creates the curiosity that Einstein mentions.

And maybe that curiosity, that feeling that there is always more to learn from this Mystery, is the key in maintaining a youthful mind.

Who knows?

I used the words from Einstein above as they originally appeared in a letter to a colleague. The gist of his words were later paraphrased by others as this popularly quoted piece of advice:

Do not grow old, no matter how long you live. Never cease to stand like curious children before the Great Mystery into which we were born.

I like it better in its original form, not as advice but as simply an observation between friends.

 

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I think it’s much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of uncertainty about different things, but I am not absolutely sure of anything and there are many things I don’t know anything about, such as whether it means anything to ask why we’re here. I don’t have to know an answer. I don’t feel frightened not knowing things, by being lost in a mysterious universe without any purpose, which is the way it really is as far as I can tell.

― Richard Feynman

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I have been greatly intrigued by this new painting, a 24″ by 24″ canvas, for several weeks in the studio, regularly stopping in front of it. Maybe it’s the color or the texture or the simplicity of the way it’s put together but something compels me to stop and try to find an answer.

Looking at it made me believe that it was about asking for guidance in some way. Perhaps a prayer, a plea sent out into the darkness, by someone who is uncertain of their own faith and wisdom in this world but stands in wonder of the sky and the vast universe beyond.

This world is ruled by those with absolute certainty, however unfounded that certainty might be, and can be a troubling and puzzling place for those who possess much less.

That I can say with certainty.

Asking for guidance and clarity from outside the miasma of this world seems appropriate. That the only answer received might be the silence and calmness of the scene might be appropriate as well.

I call this painting Please… which I chose over a A Prayer of Uncertainty.

It is part of my solo show The Rising which opens next Friday, July 13 at the West End Gallery.

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Big Bang

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“Astronomers… say there was a primordial explosion, an enormous bang billions of years ago which flung all the galaxies into space. Well let’s take that just for the sake of argument and say that was the way it happened.

It’s like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it’s dense, isn’t it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see?

So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting.

But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time.

Billions of years ago, you were a big bang, but now you’re a complicated human being. And then we cut ourselves off, and don’t feel that we’re still the big bang. But you are. Depends how you define yourself. You are actually—if this is the way things started, if there was a big bang in the beginning—you’re not something that’s a result of the big bang. You’re not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are.

When I meet you, I see not just what you define yourself as—Mr. So-and-so, Ms. So-and-so, Mrs. So-and-so—I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I’m that, too. But we’ve learned to define ourselves as separate from it.”

― Alan W. Watts

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