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Posts Tagged ‘The Rising’

 “People like you and I, though mortal of course like everyone else, do not grow old no matter how long we live. What I mean is we never cease to stand like curious children before the great Mystery into which we were born.”

Albert Einstein, Letter to Otto Juliusburger, September 29, 1942 

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This is a new painting, at 30″ by 10″ on canvas, that is part of my current West End Gallery show, The Rising. I have titled this painting Eye to Eye and was considering at one point adding to Eye to Eye to Eye to Eye, et cetera.

In my mind, the idea of looking out at the stars in the night sky feels sometimes like looking into a multitude of eyes looking back at us, the flash of the whites of their eyes creating the starlight that we see. It is a benign feeling, not tinged with animosity or congeniality.

They are just there, dispassionately looking back at us. Perhaps they are seeing the flash of the light from our sun that reflects on our moon as being our eyes looking out at them. Who knows?

The sense I get from this painting is one of having this connection with the universe even in those times when we might feel absolutely alone in this world. Maybe the connection is in understanding that the Great Mystery, as Einstein calls it, may very well be the same throughout the cosmos. Whether here on Earth or a billion light years away, the night presents us with tangible evidence of this Great Mystery and our desire to know our place in it creates the curiosity that Einstein mentions.

And maybe that curiosity, that feeling that there is always more to learn from this Mystery, is the key in maintaining a youthful mind.

Who knows?

I used the words from Einstein above as they originally appeared in a letter to a colleague. The gist of his words were later paraphrased by others as this popularly quoted piece of advice:

Do not grow old, no matter how long you live. Never cease to stand like curious children before the Great Mystery into which we were born.

I like it better in its original form, not as advice but as simply an observation between friends.

 

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I just wanted to issue a heartfelt Thank You to those of you who were able to make it out to the West End Gallery for the opening of The Rising exhibit on Friday evening. It was a sticky hot evening so I am deeply appreciative of anyone who chose to spend some time with us. It was a good time and it was great to see a lot of old friends and many new ones.

The response to the work has been wonderful thus far which is gratifying. Hope you can make it out in the near future to see the show or maybe join us on for a Gallery Talk on Saturday, August 4, starting at 1 PM. The Gallery Talk is generally a lot of fun and there will be some pertinent details coming in the next few weeks.

In the spirit of gratitude, this Sunday’s musical selection is a throwback in time to the funk classic Thank You (Falettinme Be Mice Elf Agin) from Sly and the Family Stone. Give a listen and again, thank you to everyone from the show–falettinme be mice elf agin.

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Tonight is the opening reception for The Rising, this year’s edition of my annual solo show at the West End Gallery in Corning, NY. The reception begins at 5 PM and runs until 7:30 PM.

My history at the West End Gallery is well documented here. I would not be sitting here this morning, writing this blog about my work and this show, if not for a meeting back in January of 1995 where Tom and Linda Gardner saw something of value in the milk crate that served as my portfolio, with pieces of cardboard and paper jutting out from it. From that first glimpse, they gave me my first opportunity and followed it up with the encouragement that allowed me to grow as an artist.

You have to understand that this came at a time not too far removed from what I will describe without hesitation as being the lowest point in my life. Their acceptance and embrace of my work was a lifesaver thrown out to a drowning man.

So when I tell you that I try with all my heart to create work for these shows that is meaningful and at the highest level at which I am capable, those are not just words.

It describes an act of gratitude. a Thank You for a life saved and reshaped.  A Thank You for the opportunity to grow and evolve as an artist, to live a life I never could have imagined all those many years ago.

I hope that the work in The Rising displays that sense of gratitude as well as the growth that came with it.

Hope you can make it out to the gallery tonight. I’ll be there.

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The tragedy of life is in what dies inside a man while he lives – the death of genuine feeling, the death of inspired response, the awareness that makes it possible to feel the pain or the glory of other men in yourself.

Norman Cousins

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This is a new 18″ by 18″ painting that I call A Rising Awareness which is included in my show, The Rising, that is now hanging and opens Friday at the West End Gallery.

I think the words above from the late journalist Norman Cousins capture what I feel the representative Red Roof house is rising above in this painting. It is a constant battle for us humans to hold on to those things– genuine feeling,inspired response and an empathy with the pain or glory of others– as we live our lives on this planet. We sometimes become self-centered and guarded in our response to many things and emotionally distant in our dealings with others. Instead of feeling their pain or glory, we sometimes experience envy at their successes and a pang of relief that their failures are not ours.

Our humanity dulls and much joy is lost to us.

But the idea that we can recognize this dulling in ourselves and somehow fight against and rise above it intrigues me. I have come to believe that we can make conscious decisions to raise our awareness, to feel and respond in more positive ways, that we are enriched by maintaining a spirit of generosity and empathy towards others.

I like to think that the Red Roof here represents one who has taken this higher road and has made the decision to listen to its better angels. There’s a feeling of a letting go of angry and mean-spirited thoughts and an acknowledgment of a unity of sorts with the universal human spirit.

Warmth and tranquility. Maybe that is what I am seeing. You judge for yourself.

 

 

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Just a short video preview of some of the work from my show, The Rising, that opens this coming Friday, July 13, at the West End Gallery in Corning.

One of the paintings not included in the video is this painting on the right, Generosity’s Bounty. At 24″ by 12″ on canvas, it’s a painting that really jumped off the easel with its warmth and the depth and richness of its layered colors.

The feeling I get from it fulfills its title.
https://spark.adobe.com/video/nmupmpDR3al5f/embed

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Discovery consists of looking at the same thing as everyone else and thinking something different.

― Albert Szent-Györgyi 

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My annual show at the West End Gallery opens a week from today, on Friday, July 13. This show is called The Rising based very much on the number of rising moons and suns along with trees that rise boldly into the sky. It also refers to a rising awareness of the worlds in which we live and our relationship with these worlds.

I use the plural worlds because I believe there are layers in this world, some physical and some extending into the realm of the metaphysical, the psychological and the spiritual. I also believe we have the ability to live in multiple layers. I can’t say that many of us do or if I do myself. Most days I feel like I am barely existing in the surface layer we all know.

But I think the gateway for discovering comes as Albert Szent-Györgi, the Hungarian biochemist who discovered Vitamin C, states in the quote at the top. We all see the same things on a daily basis but it is only when we think of those common things in other terms that we make discoveries.

That willingness to see the commonplace in another light is the basis for science, for mythology and for art. I think the art that remains vital and continues to speak through time has the ability to illuminate the extraordinary that exists in the commonplace.

I know that this is what I hope occurs in my own work. My hopes and words mean nothing because only time will tell if it was a successful effort.

The painting at the top, a new 18″ by 24″ canvas from the show that is titled Gems Revealed, is an illustration of this thought. It is a simple scene, a group of fields under a night sky lit by a rising moon. But the light brings out colors and forms in the fields as well in the sky an don the clouds that have an otherworldly quality, one that seems to be teeming with life and color and motion. The path that winds through the field takes on the quality of a snake or a stream and the clouds appear to be swimming through the ether of the night sky.

Perhaps a new layer of being is revealed in this light?

I cannot say myself. Only time will tell.

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The work for this show has been delivered and will be hung today and tomorrow so you can get a preview if you’re in the Corning area. The opening reception for the show is next Friday, July 13, from 5-7:30 PM.

 

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I think it’s much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of uncertainty about different things, but I am not absolutely sure of anything and there are many things I don’t know anything about, such as whether it means anything to ask why we’re here. I don’t have to know an answer. I don’t feel frightened not knowing things, by being lost in a mysterious universe without any purpose, which is the way it really is as far as I can tell.

― Richard Feynman

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I have been greatly intrigued by this new painting, a 24″ by 24″ canvas, for several weeks in the studio, regularly stopping in front of it. Maybe it’s the color or the texture or the simplicity of the way it’s put together but something compels me to stop and try to find an answer.

Looking at it made me believe that it was about asking for guidance in some way. Perhaps a prayer, a plea sent out into the darkness, by someone who is uncertain of their own faith and wisdom in this world but stands in wonder of the sky and the vast universe beyond.

This world is ruled by those with absolute certainty, however unfounded that certainty might be, and can be a troubling and puzzling place for those who possess much less.

That I can say with certainty.

Asking for guidance and clarity from outside the miasma of this world seems appropriate. That the only answer received might be the silence and calmness of the scene might be appropriate as well.

I call this painting Please… which I chose over a A Prayer of Uncertainty.

It is part of my solo show The Rising which opens next Friday, July 13 at the West End Gallery.

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