This is a new painting titled Out Into the Wide World. It’s painted in the same manner as my Red Roof series, in a style that I call obsessionism.
This piece uses some familiar icons that appear frequently in my work. There is the path that winds through the scene and there is the ever present red tree, this time being wind blown. The tree is often placed on a small mound that lifts it above the surrounding landscape, giving it a sense of importance in this context.
In this particular painting, I see the red tree as a guide or mentor, indicating here that one must follow the path that lays before them and must get past the trees in the foreground which might obstruct the view ahead. I suppose this is really about keeping one’s focus on the bigger picture and not getting caught up in the smallness and pettiness of things which might prevent one from moving on in their path to growth.
Now, this is only an interpretation made after the fact of the actual painting. I never intend such meaning or message beforehand and am never sure what will emerge. Generally, when a painting succeeds visually it is fairly easy to read meaning into it. The elements that create an effective painting for me- depth, texture, contrast, mood- are the very things that create thoughtful evaluation. For me.
For others, it may (or may not) be just a pleasant little picture and nothing more. And that is fine and equally correct. That is the subjectiveness and beauty of art.
Redtree Times 
