The Floating World— Now at Principle Gallery
Living only for the moment, turning our full attention to the pleasures of the moon, the snow, the cherry blossoms and the maples, singing songs, drinking wine and diverting ourselves in just floating, floating; caring not a whit for the poverty staring us in the face, refusing to be disheartened, like a gourd floating along with the river current: this is what we call ukiyo.
–Asai Ryōi, Tales of the Floating World (1661)
Back in the studio this morning. The paintings for my new show, Entanglement, have been safely delivered to the Principle Gallery and will soon to be on its walls in time for Friday’s opening. All that’s left for my part with the show is to write several blogposts this week before making my way back down to Alexandria on Friday. And figure out how to proceed with the Painting Demonstration that follows on Saturday.
A relatively easy week. Well, if I could just shake the anticipatory anxiety that comes with such shows as I wait to see if my hard work will create sparks within others or if what I see in it is but an illusion only visible to myself.
But it’s out of my hands now and I will just do what I can. Maybe I should adhere to the words above from the novelist Asai Ryōi who wrote in the early Edo Period of Japan (1660’s) about the ukiyo or Floating World.
You may have seen the term ukiyo-e in reference to the beautiful Japanese woodblock prints, of which I am a big fan and have shared many on this blog over the years. These prints were first produced at a time when there was a strict class system in Japan with the merchants being low on that particular totem pole. In a time of prosperity, these merchants attained great wealth but were unable to move beyond their low rank in the class system, so they began to show off their wealth through lavish lifestyles and conspicuous consumption, including attaining what little art was available to them, which is where these prints found their way into their culture.
This lifestyle of earthly pleasures– brothels and excesses in food and drink were all part of it— was described by the word ukiyo which meant for them this transient world in which one should live for the moment, taking in all that this world has to offer. Grab for the gusto, in other words.
Their use of the word derived from the same word in the Buddhist religion which meant the Floating World, which referred to the earthly plane of death and rebirth from which Buddhists sought release. The Buddhist use of the word encouraged using the time spent in this earthly plane in ways that would be of use when one is finally released from it into the ethereal and eternal planes of being. Living the ukiyo lifestyle as it was seen in Edo Period of Japan might actually hinder one from release from this plane of existence.
Though I love the Japanese ukiyo-e prints depicting scenes of the earthly pleasures of that era, it’s this Buddhist definition that I feel better suits the new painting shown at the top, The Floating World. That thought was not in mind when I painted it but it soon became evident that, for me, those small islands represented our tenuous and temporary existence here. The basketlike weave or entanglement of the sky represents our ultimate destination, a return to our place in the harmony and rhythm of that universal energy.
Our true home, if you will.
Our time here is short and fleeting. Ultimately, we are but tourists, visitors, and sightseers in this world. It is what we take home with us when our visit here is done that matters.
That’s my reading for this painting. Actually, when I look at this painting, I find myself barely noticing the islands, instead losing myself in the entanglement. I find it very calming and reassuring.
It does exactly what I need it to do for me. For you? I can’t say.
The Floating World is 20″ by 20″ on canvas and is now at the Principle Gallery, for my annual solo show, this year called Entanglement, opens this coming Friday, June 13. As I wrote, the work for the show is now in the gallery and is available for previews.
I will be attending the Opening Reception for the show that runs on Friday from 6-8:30 PM. I look forward to chatting with you.
And the following day, next Saturday, June 14, I will also be giving a Painting Demonstration at the gallery. The demo, my first there, should run from 11 AM until 1 PM or thereabouts. Hope you can make it.
Redtree Times 