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Posts Tagged ‘Andre Derain’

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Fauvism was our ordeal by fire… colours became charges of dynamite. They were expected to charge light… The great merit of this method was to free the picture from all imitative and conventional contact.

-Andre Derain (1880-1954)

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Les Fauves translates from French as the Wild Beasts. Fauvism was an art movement in the early 20th century that focused on color, line and a painterly surface, breaking away from both traditional representational painting and the Impressionist movement of that time that maintained many of the same values as traditional realism. It was a short lived movement, lasting only a few years, but its influence down through the years has been great. It was led primarily by Henri Matisse and Andre Derain, both artists who I greatly admire.

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Maurice de Vlaminck- Houses at Chatou 1905

Maurice de Vlaminck- Houses at Chatou 1905

When I get my hands on painting materials I don’t give a damn about other people’s painting… every generation must start again afresh.

— Maurice de Vlaminck

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I have to admit I don’t know much about French painter Maurice de Vlaminck  (vlah-mink)  who lived from 1876 until 1958.  His work is best known for a short period  in the early years of the 20th century when he was considered one of the leading lights, along with Andre Derain and Henri Matisse, of the Fauve movement.  Fauve translates as wild beast and the style of these painters was very much like  that to the sensibilities of that time.  It was brightly colored with brash brushwork and little attention paid to detail.  It was all about expression and emotion.

I recognize some of his early Fauvist work, mainly for the obvious influence of Vincent Van Gogh  it exhibits, and none of his later which becomes less colorful and exuberant, perhaps shaped by his experiences in WW I.  But his name is one that I have often shuffled over without paying too much time to look deeper.

Maurice de Vlaminck At the Bar 1900

Maurice de Vlaminck- At the Bar 1900

But I came across this quote and it struck me immediately.  It was a feeling that I have often felt  when I immerse myself in my work.  All thoughts of other painters– of their influence, of comparisons and artistic relationships– fade into nothing.  It is only me at that moment faced with the task of pulling something new and alive from the void.  I can’t worry myself at that moment about what other painters are doing.  Their whats and hows and whys  are all moot to me then because I am only trying to express something from within.  It might only exist and live for me in that instant, though I hope it transcends the moment, but that is the whole purpose and all of the works of all the painters throughout time can’t change this singular expression of this moment.

This single, simple quote brought me into kinship with de Vlaminck and made me promise myself to explore more deeply into his work and life so that when I come across his name in the future I don’t simply skim past without a thought.  But when I am painting, rest assured I will not be thinking of Maurice de Vlaminck.  And that is as it should be…

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