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Posts Tagged ‘Constantin Brancusi’

Brancusi on Fame

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Brancusi The Kiss Phila Museum of ArtOne day in Switzerland, in front of a beautiful mountain there was the most beautiful of cows, and she was contemplating me in ecstasy.  I said to myself, ” I must be someone if even this cow admires me.”   I came closer; she wasn’t looking at me, and she was relieving herself.  That tells you what you need to know about fame.

–Constantin Brancusi

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This was a favorite anecdote of famed sculptor Constantin Brancusi(1876-1957) concerning an incident as he took the long trek on foot from Bucharest to Paris as a poor young man seeking fame and fortune. He found both but the influence of his peasant roots in Romania remained with him.

His story of the unimpressed Swiss cow is a pretty good reflection on the nature of fame, even the type acquired through great deeds. Fame is something created by other people, not something that is displayed on oneself. When all is said and done, we’re all pretty much the same– famous or not– in the eyes of that peeing cow.

It reminds me of when I first began showing my work in a gallery while I was still working as a waiter in a pancake house. I would go to openings and people would praise my work, telling me how great I was. I could barely get in my car to drive home because my head was so big by the end of the evening. But at 6 the next morning, there I was, pouring coffee for truckers and families who were less than impressed by the praise lavished on me the night before.

A big pin prick that brought my head quickly back to a more normal size.

Those folks at the restaurant were my peeing cows.

It’s a lesson that I try to remember when things are going too well and I find myself beginning to believe that I am something more than what I really am– a simple schlub watching a cow pee.

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Amadeo de Souza Cardoso-Corpus Christi ProcessionThere is an exhibit of paintings currently hanging at the Grand Palais in Paris that features the work of the early 20th century Portuguese artist Amadeo de Souza-Cardoso.  It is only the second major retrospective of his work and the first since 1958.  He is another of those artists who are probably not on your radar– I know I was unaware of his work.  But once I found it, I couldn’t shake the memory of it.

Amadeo de Souza Cardoso-Greyhounds 1911He was born in the north of Portugal in 1887 near the small city of Amarante.  While still a teen he made his way to Paris where he absorbed the fertile art scene that was in place.  He began painting and drawing while becoming close friends with many artists and writers such as Gertrude Stein, Modigliani, Juan Gris  and Brancusi.

His work encompassed the Cubist, Modernist and Futurist movements, moving seamlessly among them while maintaining his unique voice in whatever style he was working at the moment.  When I viewed a large number of  his work, I was knocked out by the consistency and strength that ran through it.  Whether his work is in paint or in pen and ink, it is both vibrant and fully realized.

During the time of the first World War, Souza-Cardoso’s star was rising quickly.  But like so many other millions of people, he was struck down by the Spanish Flu pandemic of 1918.  He was only 30 years old.

What might have been…

In the fast paced and quickly changing atmosphere of the art world of the era, Souza-Cardoso’s work soon forgotten until a minor awakening in 1952 in his native  Portugal.  In Amarante, his work was given a room in the museum there and in the years since a small museum has been formed to feature it.

Hopefully, the greater public will soon know the name Souza-Cardoso.  I think it’s a name worth knowing.  I am showing just a few  pieces of his work here.  There were so many more that I could have chose.  Just great stuff.

AMADEO_S_CARDOSO-SEM_TIT(CLOWN_CAVALO_SALAMANDRA)191112 Amadeo de Souza-Cardoso-Parto Da Viola Bom Ménage Amadeo de Souza-Cardoso- The Kitchen at Manhufe House 1913

Eduardo Mota digitalizou "Le Saut du Lapin" de Amadeo de Souza-Cardoso

Eduardo Mota digitalizou “Le Saut du Lapin” de Amadeo de Souza-Cardoso

Amadeo de Souza-Cardoso-Three White Greyhounds Amadeo de Souza Cardoso-Le Tigre Amadeo de Souza Cardoso-La Dentate du Cerf 1912

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Brancusi The Kiss Phila Museum of ArtOne day in Switzerland, in front of a beautiful mountain there was the most beautiful of cows, and she was contemplating me in ecstasy.  I said to myself, ” I must be someone if even this cow admires me.”   I came closer; she wasn’t looking at me, and she was relieving herself.  That tells you what you need to know about fame.

–Constantin Brancusi

*************************

This was a favorite anecdote of famed sculptor Constantin Brancusi (1876-1957) concerning an incident as he took the long trek on foot from Bucharest to Paris as a poor young man seeking fame and fortune.  He found both but the influence of his peasant roots in Romania remained with him.

His story of the unimpressed Swiss cow is a pretty good reflection on the nature of fame, even the type acquired through great deeds,  Fame is something created by other people, not something that is displayed on oneself. When all is said and done, we’re all pretty much the same– famous or not– in the eyes of that peeing cow.

It reminds me of when I first began showing my work in a gallery while I was still working as a waiter in a pancake house.  I would go to openings and people would praise my work, telling me how great I was.  I could barely get in my car to drive home because my head was so big by the end of the evening.  But at 6 the next morning, there I was, pouring coffee for truckers and families who were less than impressed by the praise lavished on me the night before.

A big pin prick that brought my head quickly back to a more normal size.

Those folks at the restaurant were my peeing cows.

It’s a lesson that I try to remember when things are going too well and I find myself beginning to believe that I am something more than what I really am– a simple schlub watching a cow pee.

Read Full Post »

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