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Posts Tagged ‘Erik Satie’



GC Myers- Deep Right Field

Deep Right Field- At Principle Gallery

I said: “Baseball is the hurrah game of the republic!” He was hilarious: “That’s beautiful: the hurrah game! well — it’s our game: that’s the chief fact in connection with it: America’s game: has the snap, go fling, of the American atmosphere — belongs as much to our institutions, fits into them as significantly, as our constitutions, laws: is just as important in the sum total of our historic life.”

–Horace Traubel, conversation with Walt Whitman (4 July 1889)



I wrote recently about the anxiety I have been experiencing from my concerns over the upcoming election and its implications. One would think a good way to alleviate the stress would be to divert one’s attention somehow, maybe watching a leisurely game of baseball.

One would be wrong.

The NY Yankees defeated the feisty Cleveland Guardians last night to move on to this year’s World Series, winning four of five games in the best of seven series. That is kind of misleading, making it sound like they had an easy time with the Guardians.

It was anything but that.

After winning the first two games in New York, the series moved to Cleveland for the next three games. Each of the three games there were absolute classics. Two were decided in the 10th inning, including last night when Juan Soto hit a decisive three-run homer for the Yankees to drop the final curtain on the Guardian’s season.

Each game was tight and stressful, the outcome of each coming as the result of one or two plays. A great pitch. A bobbled ball. A long and loud home run. The Guardians could have easily won all three. They certainly deserved to win. The stress of watching these last three games was extreme. I took to doomscrolling political posts on social media during the games– it produced less angst!

But in the end, the Yankees prevailed, much to the dismay of Guardians fans and Yankee-haters everywhere. You might think that I’d be happy. I am, of course. However, now the next two weeks will have the stress of what promises to be a very difficult World Series stacked on top of the gut churning anxiety of the election.

I don’t know if my gut can take it. I can only hope that in a little over two weeks that I will be able to celebrate, one way or another. It might be sacrilege to other Yankee fans, but I would easily trade a World Series victory for the Yanks for an abject beatdown at the ballot box for that other New Yorker.

Though a humiliating loss for him and a Yankee victory would be the best hurrah of all.

Okay. For this week’s Sunday Morning Music selection, I am going for some real stress relief. This is one of my favorite compositions, Gymnopédie #1, from Erik Satie. I may have to listen to it a lot over the next couple of weeks…



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GC Myers- In Radiance sm

“In Radiance”- Now at the West End Gallery



gnossienne – n. a moment of awareness that someone you’ve known for years still has a private and mysterious inner life, and somewhere in the hallways of their personality is a door locked from the inside, a stairway leading to a wing of the house that you’ve never fully explored—an unfinished attic that will remain maddeningly unknowable to you, because ultimately neither of you has a map, or a master key, or any way of knowing exactly where you stand.

The Dictionary of Obscure Sorrows

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I don’t have much to say this morning. I just wanted to share a little music from the French composer Erik Satie, someone whose work has always spoken to me in its elegant spareness. It was a great influence on some of my earliest works. In fact, I even titled an early piece or two after the composer but I can’t locate the images at this point.

I thought I’d share his  Gnossienne no. 1 as played in this fine video from the contemporary Italian pianist/composer Alessio Nanni. The word gnossienne was created by Satie.  He sometimes created new terms or appropriated terms from other fields to describe his compositions. Gnossienne is generally thought to simply denote a new form although I like the alternative definition at the top from the website The Dictionary of Obscure Sorrows.  It seems to fit the composition very well.

I ran this in a post several years back but since I am busier than expected this morning and didn’t want o spare the time to write too much, thought it was worth sharing again, if only to point out the The Dictionary of Obscure Sorrows website. Well, and to couple the beautiful Satie piece with the painting, In Radiance, at the top.

Now, off to a very full day.



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I have been going through my files lately, trying to find some misplaced or lost images and somewhat organize twenty plus years of chaos. I came across this video which I thought I had shared at some point but couldn’t find any evidence anywhere of having done that. So I guess today is a good time to do so.

This slideshow is a group of the images from my Exiles series set to one of my favorite pieces of music, Gymnopédie #1 from composer Erik Satie. I believe this was put together back in 2006.

I’ve written about the Exiles series a number of times here. It was created around the time of my mom’s death back in November of 1995 and focused on how I saw her suffering in the last several months of her life as lung cancer ravaged her body. It’s a personal series, one that was important to me in many ways.

This film is flawed and doesn’t contain all the series images but it captures the series perfectly, at least in how I saw it then and see it now.

 

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GC Myers- Possessed in the Light



gnossienne – n. a moment of awareness that someone you’ve known for years still has a private and mysterious inner life, and somewhere in the hallways of their personality is a door locked from the inside, a stairway leading to a wing of the house that you’ve never fully explored—an unfinished attic that will remain maddeningly unknowable to you, because ultimately neither of you has a map, or a master key, or any way of knowing exactly where you stand.

The Dictionary of Obscure Sorrows



I don’t have much to say this morning.  I just wanted to share a little music from the French composer Erik Satie, someone whose work has always spoken to me in its elegant spareness.  It was a great influence on some of my earliest works.  In fact, I even titled an early piece or two after the composer but I can’t locate the images at this point.

I thought I’d share his Gnossienne no. 1 as played in this fine video from the contemporary Italian pianist/composer Alessio Nanni.  The word gnossienne was created by Satie.  He sometimes created new terms or appropriated terms from other fields to describe his compositions.  Gnossienne is generally thought to simply denote a new form although I like the definition at the top from the website The Dictionary of Obscure Sorrows.  It seems to fit the composition very well.

Anyway, give a listen to Satie’s beautiful sounds and have a great Sunday.

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GC Myers-  In the Pocket of Time sm This coming February marks 20 years that I will have been showing my work at the West End Gallery.  It has been my pleasure over these two decades to be able to exhibit my work in my home area, to be able to share what I do with those folks who live in close proximity to me.

You would think this would make for an easy-going time when it comes to mounting a show each year, as I have done for the last twelve years.  After all, many of these people know me, have watched the evolution and growth of the paintings through this time and have supported me in so many ways that I will never be able to fully express my gratitude.

Maybe it’s that last point that makes this such a nerve-wracking show for me.   They have done so much for me that I don’t want to disappoint.   Like any performer or athlete, you always want to do well in front of a home crowd.

I feel very good about this show, feel that it will the space with deep glow of  saturated colors., feel that it really is a full expression of  myself in my work.  Hopefully, this will prove true.

Below is a short video that gives a preview of all of the work from my upcoming show, Layers, which opens this coming Friday, July 25th, at the West End Gallery in Corning, NY.   The music is  a guitar interpretation of Gymnopedie #1 from composer  Erik Satie.  The painting at the top is from the show.  Called In the Pocket of Time, it’s a 24″ by 30″ canvas that was one of the first inspirations for the show’s title.

Have a great Sunday…

 

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Hiroshige -Clear Winter Morning at KameyamaIt just feels like one of these Sunday mornings.  It’s clear and crisp, the colors of the sky outside my studio looking very much like something from a Hiroshige print.  Quiet outside.  Hardly a rustling through the forest as I made my way to the studio this morning.  In my head, I begin to hear those simple quiet notes from the first of  the Gymnopédies, that elegant group of quiet and moody music from composer Erik Satie.

Hearing this music always slows me down, makes me breath.  Ponder  things, both big and little.

But despite all my pondering, don’t ask me the meaning behind the word gymnopédie.  My little bit of research turns up no clear consensus on the meaning from any number of sources.  It could mean almost anything actually.  And maybe that is why Satie chose it– it sounds likes so much more but is vaporous and edgeless.

It fits the music.

Here’s a snip of Gymnopédie #1 to start your first Sunday of 2014.  I think it is interesting that the maker of this video chose images of the universe to illustrate this music.  Big things.   I think an image of a snow flake falling gently against a slatey sky would fit as well. Small things.

Have a good day.

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