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Posts Tagged ‘Leonard Cohen’

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Dance me to your beauty with a burning violin
Dance me through the panic till I’m gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love
Dance me to the end of love

Leonard Cohen, Dance Me to the End of Love

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The painting above, 8″ by 16″ on canvas, is a smaller piece headed to my upcoming solo show at the West End Gallery. The intertwined trees in this piece refer back to my Baucis and Philemon paintings which are are symbolic representations of the Greek myth of the poor elderly couple who show the god Zeus unlimited kindness when he shows up in their village dressed as a beggar. He spares their lives alone when he destroys the village and rewards them with an eternity bound together as two trees on a hill.

This piece definitely reminds me of the tale. Maybe it’s the deep and dark threat that is posed from the clouds. Perhaps these clouds represent the wrath of Zeus while the clearing sky on the horizon represents eternity.

I don’t know for sure.

But it is a striking piece, one that is very simple to take in yet has the depth I want for it.

I am calling it Dance Me to the End of Love after the song chosen for this Sunday morning music. It is from Leonard Cohen from 1984. Interestingly, the song has Greek roots, its composition following that of a Greek folk dance performed through the centuries by members of the butcher’s guilds. It is often referred to as the Hasapiko, translating to the Butcher’s Dance.

So, give a listen. Have a good day, okay?

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Moments and Color, my annual solo exhibit at the West End Gallery in Corning, NY, opens on Friday, July 12 with an opening reception running from 5-7:30 PM. It is, as always, open to the public.

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ChoirChoir Choir Hallelujah 2016 with Rufus WainwrightJust came across a really nice video that was filmed in late June.  It was part of the Luminato Festival in Toronto, which has become one of the largest arts festivals in North America since beginning 10 years ago.

The film shows an event organized by Choir!Choir!Choir! which is a Toronto based open choir.  It requires no commitment and meets twice a week in the back of a local pub.  Over the years it has performed publicly in many venues with an expanded choirs made up of folks who just want to get out and sing in a communal kind of way.

The song shown here is Hallelujah from Leonard Cohen, a magnificent song that has been interpreted by many artists–I think that the late Tim Buckley’s version is extraordinary.  This particular version is filmed in a decommisoned power plant with an assembled choir of 1500 people with Rufus Wainwright singing the lead.

Just a lovely version of the song and not a bad way to kick off a Tuesday morning.

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GC Myers- Until the Sea Shall Free ThemAll the Men will be sailors then, until the sea shall free them…

Leonard Cohen, Suzanne

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I call this new painting, a 7″ by 5″ piece on paper, Until the Sea Shall Free Them, which is taken from the lines of the Leonard Cohen song Suzanne.  The song’s sound, pace and feeling really jibe well with what I see in this piece so I felt taking the title from one of its lines was very fitting.

This is one of those pieces that has a composition that I connect with on an emotional level before it actually says anything to me on an conscious or intellectual level.  In other words, I like it before I can figure out why.  And there is something very satisfying in that.

And mystifying.  I generally want to know the why behind something.  But sometimes it is just better to enjoy the now and forget the why.  And that is what I am doing with this painting.

Here’s Suzanne from Cohen.

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 GC Myers- Brighter Days Ahead sm

GC Myers- Brighter Days Ahead

It’s New Year’s eve tonight and we’ll shake off the dust  of yet another year and move into the next, all clean and shiny with that new year smell.  Well, that’s the popular belief.  We are, of course, who we are and no amount of calendar voodoo will alter that.

But that’s okay.  We should be okay with ourselves and just ride along on the tides of time.  Good and bad things happen along the way and both can be tolerated if we just can understand and accept who we are.

I think that’s why I chose this painting at the top and the song below to end 2014.  The painting is titled Brighter Days Ahead and has a brightness and optimism that jibes well with its title.  But the darkness underneath gives it some balance that keeps it from being too giddily gleeful.

Yes, there are brighter days ahead but there are some darker ones as well.  But having a belief in who we are, believing that we have the balance and strength to withstand troubles and accept the good with grace makes this brightness seem more tangible and less wishful thinking.

The song, New Year’s Prayer, is from the late Jeff Buckley who in his short life left us a remarkable version of the Leonard Cohen song, Hallelujah, and much more.  This song has a mantra-like feel to it with the phrase … feel no shame for what you are… as a refrain.  It doesn’t look forward or back with any hope or regret– it is just in the moment.  And that’s how I feel about the turning of this year.

Wishing you all a good New Year with the hope that feel no shame for what you are.

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9914-152 Purifying Light smWell, the work for my  fifteenth show, Traveler, at the Principle Gallery has been delivered and now there is some time to exhale a bit before the opening this coming Friday, June 6.  It was a good trip yesterday with no complications during the drive , stunning weather and a really nice time at the gallery–  such a warm and upbeat group of  people there. While there, a  friend  popped in for a good visit and I also  met a few other  interesting folks, including one who also had a family connection to the early logging trade in the Adirondacks.  There is a good possibility that our great-grandfathers knew one another in those days of the late 19th century when that part of the mountains was abuzz with lumbermen.  But that is a story for another time.

Delivering the show brought the usual feeling of relief that comes with completing a task but without the anxiety that often accompanies it as I wait to see if the show will be successful.  I suppose I have enough experience with this scenario to know that things always work out if I have put in the effort.  And I have.  This show was very satisfying, during the process when I was the creator and in the aftermath when I became an observer.  There were pieces that came from hard fought struggles and some that seemed to fall from the hand with no effort, each ultimately achieving that life of their own to which I often refer.  In the end, it all seemed to come together very well.  I will be eager to see how it hangs in the space.  I hope that if you are in the area, you can stop in and see the show.

It’s a Sunday morning , which means it’s time for a little music and I thought today I would feature something from Leonard Cohen.  I chose the song Anthem simply because of the chorus that goes  Ring the bells that still can ring/ Forget your perfect offering/There is a crack, a crack in everything/ That’s how the light gets in .  That has long been a theme in my work.  My second show at the Principle Gallery was titled Seeking Imperfection because I felt it was the imperfection  in the work that made it brought it to life, that gave evidence of the imperfect person behind it.  To me, perfection was cold and sterile concept, far from the human experience.  I wanted the blood and heat of humanity in my work.  Maybe that’s why red has been such a vital color in my visual vocabulary.  Perhaps the piece shown at the top is a good example of this.  Purifying Light, a 20″ by 60″ canvas, is part of the show.

Anyway, here is Anthem from Leonard Cohen.  Have a great Sunday!

 

 

 

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Louis Jordan Caldonia Lobby CardThis past week the Library of Congress announced this year’s 25 entries into its National Recording Registry, which is a preserved collection of songs (and other recordings including spoken word) that are considered culturally, historically or aesthetically significant.”  It’s always interesting to read through to see what they consider significant and, for the most part, I generally agree.  There are always the obvious choices but it’s the lesser known choices that always interest me most.

Among the musical highlights from this year was the late Jeff Buckley’s luminous and haunting cover of Leonard Cohen’s Hallelujah, Cathy’s Clown from the Everly Brothers, Fortunate Son from Creedence Clearwater Revival and the entire Joshua Tree album from U2 as well the Isaac Hayes album  , Shaft.

Among non-musical selections were the vast Presidential recordings of LBJ (Nearly 850 hours of them!), recorded interviews with baseball pioneers of the late 19th and early 20th century and The First Family, a hugely popular comedy album from Vaughan Meader  that spoofed President Kennedy and his family.  It was pulled from the shelves after JFK’s assasination.

There are plenty more to check out on this list but the one that caught my eye and made me smile was the song Caldonia from the great Louis Jordan.  Jordan was one of the most successful African-American artists of all time yet his name probably doesn’t mean much to many folks today.  But his swinging sound and showmanship made him a crossover hit in the late 30’s and 40’s and set the table for the coming age of rock and roll.  He was massive influence on the early rockers and many of songs  and moves were covered by them.  Jordan deserves to be well known today and its wonderful that the Library of Congress chose one of his  songs for the registry.  It’s  a move in the right direction.

Here’s a rockin’  1946 version of Caldonia to start your Sunday morning off with a bang.  Have a great day!

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It’s always a little disconcerting to come across someone, a performer or artist, that is well on their way to a brilliant career yet remains completely off your own radar. That’s how I felt the other day when I saw a segment on the CBS Sunday Morning show, where a reporter, Bill Flanagan,  was talking about music to give this holiday season.  He talked about the new box sets from the big names then he talked for a brief moment about a 21 year-old British singer/songwriter named Laura Marling who he said, “ Is not only wiser than her years – she’s wiser than MY years.”

He also said that older listeners would hear echoes of Joni Mitchell and Leonard Cohen and that young listeners would hear the voice of a new generation coming into its own.

Pretty high praise.  I decided I had better check out this person.

Wow.

I was knocked out.  There were tons of videos out there and going through several, I couldn’t find one that wasn’t verging on brilliant from this very young looking girl with a sad, detached blankness on her face.  You could hear traces of the artists he mentioned in the easy phrasing of her lovely voice which made it somewhat familiar but there was indeed something new in her synthesis of what she had absorbed in  her very young life.  Something well beyond her years.  It was all just wonderful, even the music from her earliest album released just days after she turned 18.  I couldn’t believe I hadn’t stumbled across a talent this big before now.

But thankfully, I have.  As I said, there is a great number of her  songs out there online and I have yet to find a clunker.  Here’s a newer song called Sophia.  I was captured by the line from its chorus–… I am wounded by dust… 

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