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Posts Tagged ‘Memory’

GC Myers- And Dusk Dissolves sm

And Dusk Dissolves – At the West End Gallery



It was that hour that turns seafarers’ longings homeward- the hour that makes their hearts grow tender upon the day they bid sweet friends farewell…

― Dante Alighieri, Purgatorio



Dante had it right– dusk is that hour of recollection, some warm and some less so. As I age, I see this more clearly, most likely as a result of simply having more to look back on than look forward to at this stage in my life.

Don’t jump too hardly on that last line. I feel there is still a tremendous amount of living ahead for me and others my age or older. It’s just math– the ratio of time lived to the expected or hoped for time left in one’s life– says that the greater part of our life is behind us for people of my age and older.

And I believe dusk does often remind us of this fact. It’s a time when we sometimes pause to look back on the day, to reckon what we have done and not done during that time and to measure what lies ahead for the next day.

And sometimes this recollection extends back further than the day that just passed due to the moment in which it takes place. Maybe it’s the warmth and color of the sunset. Maybe it’s the way the landscape around us changes in the setting light, as colors deepen and contrast to the narrowing light. Whatever it might be in that moment, something triggers flashes of distant memories.

Words spoken and unspoken. Maybe just a glance from a face you remember or the most innocuous detail from some moment that didn’t seem important when you saw it so long ago.

Sometimes these moments are full and make sense. Sometimes they are fragments that seem insignificant. Yet they remain in place in our memory.

And as that moment of recollection passes and we move to settling in for the night and looking ahead to the coming day, these recalled moments dissolve, much like the setting sunlight melts into darkness.

There’s a wealth of recollections to pull from as one ages and maybe I see that in the depth and richness of the colors here. Maybe every stroke of color in that sky is a fleeting and flashing moment from my memory. I don’t know.

It makes me think of when my dad was in his final years suffering from dementia. His memory was spotty at best and often large segments of it were absent. I remember one instance when he was disturbed and asked me with great seriousness to tell him who his mother was. I went to a photo of her from her college yearbook (Potsdam 1918!) that was on a bulletin board we had put up in his room. I pointed her out and explained in great detail her history. He listened to me more intently than any other time I can remember in my life, like he needed to know this and wanted to inscribe it deep into memory.

Looking back on that moment now, I can only imagine him as the Red Tree looking back and, instead of the richness of individual colors in that sky of memory, he is seeing a hazy grayness with occasional peeks of color. A recognizable tree or hillside whose color has faded to a duller shade, almost gray. And the distant deeply colored mountain that might have been his mother was not even visible.

Makes me appreciate every moment, every fleck of color, every drop of light, every insignificant recollection that remains with the hope that my dusk never fully dissolves.



This post ran a few years back. I came across the image of the painting at the top, And Dusk Dissolves, and remembered that this painting was still at the West End Gallery. I had forgotten that it was there. It’s a very large piece, 30″ by 48″, so it is often difficult to find space for it on the gallery walls. But it remains a favorite of mine. Seeing it and reading the post reminded me of my parents, who I have been thinking about in recent weeks.

Here’s a song about looking back, a version of a favorite Beatles song, In My Life, from 1965‘s Rubber Soul album. Hard to believe this song is almost 60 years old. This version is from the American recordings of Johnny Cash, done in the final months of his life. n a long and storied career, I’ve always felt it was among his most impactful work. His age and ailments changed his delivery and imbued the songs with real heart-felt emotion and purity. A powerful group of music. This version of the Beatles’ song is not so different stylistically, but it it is filled with his own personal meaning which, n a way, makes it his own.



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GC Myers- Suffering MemoryJust remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, don’t you?
Yes. You forget what you want to remember and you remember what you want to forget.”
― Cormac McCarthy, The Road

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 Much of my work concerns itself with our memory, how we perceive our past and how the memory of that past affects our present and our future.  It often seems a treasure, this memory, but it also comes with the price of suffering as well.  After all, the word nostalgia is created from two Greek roots, nostos which means return and algos which means pain or grief.

We suffer in our desire to return.

I see that feeling in this new piece, an 11″ by 15″ painting on paper that I call Suffering Memory.  There is something in the color and the placement of the elements that has a bittersweet quality much like that feeling of looking back through time to a point that you know is long gone and will never come again.

You desire a return but too much has changed–  knowledge gained, the self revealed and innocence lost.

The strong chaos of the texture underneath gives this piece an effect that I think adds to the distance of the memory felt.  The texture acts as a distorting agent which represents the natural distortion that time casts over all of our memories. As we all know, while we would like to think that memory is an absolute truth, time often seems to bend it even further from reality.

The texture here creates areas of light and dark that represent for me the alternating facets of memory’s truthfulness.  While it would be nice to have all memories be completely faithful to the absolute truth of the moment, it is that texture, that flawed recall of our memory that gives it the meaning that it holds for us.

In reality, nothing is seldom as good or as bad as we remember.  But that doesn’t really matter because it is not the truth to which we react.  It is our memory of it, our personal version of that truth with its own color and texture that affects us, that causes us to suffer the memory.

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GC Myers-Memory Way smEvery man’s memory is his private literature.

-Aldous Huxley

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As I have stated in the past here, the Red Chair, an icon that often appears in my work, is a symbol to me of people and places and experiences from the past.  In short, my memory.  In this new piece, Memory Way, that is most certainly the case.  This little painting, 2″ by 5″ on paper, is another of my pieces from the Little Gems exhibit which opens Friday at the West End Gallery.

The road here represents to me the continuum of time.  The landscape is almost idyllic, perhaps representing my tendency to block out the worst parts of memory.  At least, to downplay them and keep them in the background and to put what good there was there in the best possible light.  I like to revisit the past occasionally and I have to make it a place where I am comfortable.  A past filled with nothing but dark and fear-filled memories is no place to venture on a regular basis.

Anyway, this little piece makes me happy and fills my mind with a feeling of good memories.  As Huxley said  above, our memory is our own private literature, filled with the memories of our lives and the lives of our ancestors.  I sometimes edit, embellish and redact my life’s literature, all to make it an interesting read for myself.

That’s what I see in this little guy.

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This small painting is titled Seat of Memory.  It’s a new piece on paper that measures about 6″ by 8″ and is due to be part of my upcoming show, Now and Then,  at the Principle Gallery in Alexandria, VA.  The show opens June 10.

The title of this piece and  show  refers to memory, a subject that has often been portrayed in my work recently.  Memory and history are often interchangeable in my thinking as I view both as that thread, that continuum, that ties our present and past.  That which gives our now definition and perspective.  The list of ingredients, the recipe, for the concoction we call the present time.

You hear a lot of people say that one must live only in the present and I see the wisdom in that.  But I think there is value in holding on to and examining that thread of memory and history, if only to see those patterns in our behaviors that remain consistent over time so we can avoid making the same mistakes over and over, in the present and in the future.  There’s a great quote on this but I can’t remember the exact quote or even whose words they are.  It goes something like: He who disregards history lives every day as a child.  Every step is a new step.  Every discovery a new discovery.  Every stumble a new stumble.

I view my painting as a way of bringing the past into a perpetual now.  I want them to always feel as they portray the present but are firmly rooted in a visible history.  By that I mean that I want people to see the work with childish eyes of discovery, as though it feels completely new to them.  But at the same time I want them to feel a sense of familiarity in the work.  Maybe the familiarity of a shared history, common memory.

I don’t know if that’s something I can do with my work.  I don’t even know if that’s something I should be trying to accomplish.  But when I look at a simply put piece like the Seat of Memory it gives me hope that maybe I am on the right road.

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This is a new painting that is called Vestige of Memory.  It’s a modestly sized piece on paper, a 5″ by 19″ image on paper that frames out at 12″ by 26″.  It’s part of my upcoming show, Facets, at the Principle Gallery.

I’ve always been interested in how our memory functions, how we organize and determine the importance of memories within our minds.  How we determine what remains intact and seemingly vital to us and how we figure out what gets tucked away in some distant corner or simply flies away.   Why do some innocuous moments remain vital in our memories while other more important ones seem to have no place there?

Is there a collective memory among us as a species, ingrained remembrances that give us our instinctual reactions?  If so, do we add to it even now?

Those are just a few of the questions that come to mind when I see this piece.  It’s a simple composition yet it says a lot with the little it possesses.  Perhaps it’s the motion of the tree or the fleeting leaves. Maybe it’s the hints of color in the background sky or the texture there that hints at some unknown entity or knowledge  that we can only see as chaos.   Maybe it’s the simple red chair, signifying a matter of importance, something to be held close.

Or maybe it’s just a chair on a mound as the wind blows a tree. 

It’s all a matter of perception…

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