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Posts Tagged ‘New Painting’

GC Myers - The Outlier's Home 1200- 72Yesterday on the blog, I showed one of my small pieces from this year’s Little Gems show at the West End Gallery, which opens February 6.  I thought I might show another today, this one a little 4″ by 6″ painting called The Outlier’s Home.

It’s a simply constructed piece that features the intense color of the foreground set against the placid blue gradation of the sky with a red-roofed homestead alongside a Red Tree set between the two contrasting forces.  It has a feeling of distance and separation but without anxiety or fear.

Maybe that is where the title originated, in this separation.  I like the idea of the outlier, that thing or being that is apart from the normal set.  An aberration, something slightly outside the norm in one way or another.  I think that is why I envision the Red Tree standing alone apart from other trees in many of the paintings.

I like the idea here of  a place outside the normal that seems peaceful and accepting of itself, not caring what the world  that looks at them from across that purple field  thinks.  I think that’s what we all hope for in this world– an acceptance for ourselves as we are without having to put on a mask to fit into the crowd.

It’s a lot to see in a simple, little piece.  But that’s my take.

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GC Myers In the Time of DreamingI’ve been looking for a while at this new painting, a 24″ by 30″ canvas.  It has a calming effect for myself.  Maybe it’s the placid blues and violets or the softness of the moon’s light–I don’t know yet.  I just find myself letting go and being pulled into the central geometry of this piece, that triangle formed by the moon, the Red Tree and the group of Red Roofed houses atop the rise.  There’s a sense of mystery in it from which I can’t look away.

I call this piece In the Time of Dreaming.  Maybe it’s the mystery aspect that brings the title to mind, in way we sometimes find our own dreams– puzzling but somehow pointing to something that we just can’t quite put a finger on.

I also thought of the Australian Aborigines’ Dreamtime when the title came to mind.  Their Dreamtime is the basis for their entire belief system, the eternal time in which creation occurred and where the individual exists before and after their worldly life.  It is the time where their ancestry exists as one resulting in their belief that they accumulate worldly knowledge through the wisdom gained by their ancestors.

This results in a knowledge of the world that is passed down through word and song.  They can travel great distances through their lands guided by the Songlines,  paths that are traveled while singing specific songs that point out direction and landmarks.  It’s a beautiful system that very much ties the Aborigines to their ancestry and the land in which they live.  The late Bruce Chatwin wrote an interesting book, The Songlines, in the 80’s that gave a great account of this culture and belief system.

But whatever the reasoning, conscious and unconscious, behind it, I find myself continuing to look at this piece.  And dreaming.

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GC Myers  Heat of the Dance 2015-13° F overnight here.  So this morning I decide I need to show something to counter that frigid temperature.  Something with a little warmth.

That being said, here’s a new piece, a 12″ by 36″ canvas that shows a lot of heat here in the studio.  It has great saturation in the warm reds and yellows and even the purple at the bottom has a warmer quality. This is one of those pieces where the image flattens a bit when being photographed and doesn’t show the complete depth in the colors so I hope this quality comes off well on your screens.

To look at this painting then shift my gaze to the iced world outside my windows is a study in contrasts.  While I like the snow and cold as a rule, the temperatures today make this piece even more attractive to me this morning.

I am still up in the air as to what to call this painting. It is tentatively titled Heat of the Dance but that is just off the cuff and I am not sure that I am completely sold on it.  The curves and rhythms of the two tree entwined tree trunks suggest an embracing dance and the heat is definitely there but there seems to be something beyond this obvious title.  Maybe about a search for something with the path that leads towards a beckoning sun?  Perhaps with the two trees are seeking some sort of emotional warmth as well?

Maybe it should be simply Seeking Warmth.

I’ll have to just keep looking at it and try to figure this out.  On a morning like this, that is not a chore at all.

Oh, and if you have any suggestions for a title, feel free to let me know.

 

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Majesty

GC Myers Majesty  smAfter a short break, I am finally finding a rhythm in the studio, the first of the new year.  It brought me this new piece, a 24″ by 24″ painting on linen that I am calling Majesty, settling on that because some form of that word came up whenever I would try to determine what the painting was saying to me.

At first I thought of Mountain King.  Then King’s Road.  Then Mountain Majesty, especially once the color of the mountains began to come about.  It reminded me of the verse from America the Beautiful—  O beautiful for spacious skies, For amber waves of grain, For purple mountain majesties Above the fruited plain!

It just seemed to fit.

For me, the strength of this piece is in its simplicity and lack of detail and in the purple bands of the mountains’ profiles and the manner in which they bisect  the warm colors of the sky and plains.  I see it as being almost abstract in the way it shows itself while still maintaining a representative feel, which is what I want for my work.

For the first step into the new year, it feels good.  Hopefully, a precursor of a good year ahead.

We shall see…

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GC Myers- Delicate Balance  smMy solo exhibit, Into the Common Ground, opens at the Kada Gallery in Erie this Friday, December 5th.  While much of my work centers on the unique voice of the individual, the theme of this show is about finding those common bonds and experiences that we share with others.

Actually, I’ve always thought that my work succeeds when it communicates as a mix of those two things– individual expression of a common theme or emotion.  Art for me is communication, about reaching out and finding validation in my own humanity through contact with others.  I  feel that art should be expansive, not exclusive or reserved for wealthy insiders.  While art is often an inward search, it should always be reaching out to engage the world.

And maybe that is what I see here in this new painting, Delicate Balance.  Creating work that reaches out and finds common ground is a sometimes delicate balance.  It comes down to identifying what is really at the base of what you are or hope to be as a human and pushing aside those negative feelings– envy, greed and hate among many other negatives– that cloud your judgement.

Its not always an easy thing to accomplish.  That bridge across to others can be sometime wobbly.  But when it does happen, that simple crossing seems like the 8th wonder of the world. A miracle.

 

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GC Myers-Refuge of the Heart smMy solo show, Into the Common Ground, has been delivered and is now at the Kada Gallery in advance of its opening next Friday, December 5th.  This painting, Refuge of the Heart, a 10″ by 30″ canvas, is one of the last pieces to be completed for this show and has the same sort of warmth in its color that runs through the entire show, a warmth that permeates the scene with a feeling of confidence and security.

And that is the feeling that I think we all desire for ourselves and our own hearts.  We want to be safe and sure in our lives, to be needed and vital to other lives.

And there is something in this piece that holds that feeling for me.  It could be the color.  Or maybe it’s the light over the horizon or the rolling field rows or some other aspect that I can’t quite put my finger on.

Maybe its the shape of the small island on which the Red Tree grows that looks like a semi-submerged heart.  It was seeing this shape that triggered the title, after all.

It could be any number of things but whatever the case, it is a piece that feels like a perfect place in which to let my own heart dwell.

 

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GC myers- Memento MoriAccording to its Wikipedia entry, Memento mori (Latin ‘remember (that you have) to die’ ), or also memento mortis, “remember death”, is the Latin medieval designation of the theory and practice of the reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits.

I was originally going to use the term for the title of this new painting, a 16″ by 20″ canvas.  It has that sort of feel, from the Red Tree’s skull-like shaped crown  ( the skull is the classic symbol of a memento mori) to the darkly clad figure in the field looking downward.  It surely could be a reflection on our own mortality and the transient nature of earthly pursuits.

But I instead opted to use the flipside of this term, memento vivere which means remember to live.  I see the Red Tree here acting as a vibrant symbol of life, of glorying in the moment despite the constant specter of our inevitable mortality.

Actually, it just occurred to me that there is a yin/yang thing working here with the Red Tree and the figure acting as opposing forces.  I hadn’t noticed this before but it appears even in their physical relationship in the composition.  The Red Tree is the light, the imperative to celebrate life and the lone figure is the dark, the admonition to remember the ephemeral nature of our existence.

And with most things, treading the middle path between two opposing forces is the healthy way to go.  And maybe that is the message here– that we must remember our own mortality in order to live each day as fully as we can.

This painting, Memento Vivere,is part of Into the Common Ground, my solo show at the Kada Gallery which opens December 5, 2014.

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GC Myers- Chaos and Order smIn its simplest terms, this painting is about all that we don’t know, individually and collectively.

I call this 20″ by 24″ canvas Chaos and Order.  In it, the Red Tree dwells in a land that is apparently in order, a clean landscape of neat rows in the fields and a clear path that takes one through it.  It is seemingly the master of its domain, possessing knowledge of all things within its reach.

Yet, by merely looking into the night sky and seeing the great patterns of chaos written upon it, the Red Tree realizes the limits and boundaries of its knowledge.  It tries to make it fit into some sort of orderliness, something that it can understand on its limited terms but the patterns are too great and come at it like the cacophony of a thousand different languages being spoken at once.

What is the message here?  That we are small and weak before the power of the universe?

Yes and No.  Yes, without knowledge, with only a fear of what lays in that chaos, we are weak and small.  But I don’t think that is the message I see here.   It is that we are merely searchers, still learning the secrets and languages hidden right before our eyes.   The great chaos we see before us might be daunting but we will always try to make order from it in order to find our place within it.  That is simply who we are.

This is another painting that will be at my show, Into the Common Ground, at the Kada Gallery in Erie, PA,  opening December 5.

 

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GC Myers- Far Above It All smThis is a new painting, a 20″ by 24″ canvas , that is called Above It All, part of the show opening December 5th at the Kada Gallery.  I felt from the time this painting was complete that with its intertwining tree set apart from the village below that it was about some form of love.  But what sort of love and how to describe it in words?
It seemed like a from of eternal love, one bound together through time, much like that in the myth of Baucis and Philemon that I have described here on  several occasions.  But I thought I would look to the words of someone else to perhaps give a new perspective on what I was seeing in this.

That brought me to the poems of Rupert Brooke, the British poet who was just in his ascension as a major poetic voice when he died at the age of 27 in 1915.  He was in the British naval forces of WW I on the way to Gallipoli  when he developed sepsis from an infected mosquito bite.   He was buried in an olive grove on the Greek island of Skyros.   An odd casualty of the war but still a casualty that deprived the world of what might have come from his hand.

The poem of Brooke’s that hit me the most fitting for this piece was one titled The Call, written when he was only about 20 years old.  It has the intensity of youthful love, like a flaming torch held high.  And that’s what I see in this painting.  So, if you can tolerate poetry, and I know some can’t, give a read to the verses below from Rupert Brooke.  It’s powerful and straightforward. And fitting, or so I think.

                      The Call

Out of the nothingness of sleep,
The slow dreams of Eternity,
There was a thunder on the deep:
I came, because you called to me.

I broke the Night’s primeval bars,
I dared the old abysmal curse,
And flashed through ranks of frightened stars
Suddenly on the universe!

The eternal silences were broken;
Hell became Heaven as I passed. —
What shall I give you as a token,
A sign that we have met, at last?

I’ll break and forge the stars anew,
Shatter the heavens with a song;
Immortal in my love for you,
Because I love you, very strong.

Your mouth shall mock the old and wise,
Your laugh shall fill the world with flame,
I’ll write upon the shrinking skies
The scarlet splendour of your name,

Till Heaven cracks, and Hell thereunder
Dies in her ultimate mad fire,
And darkness falls, with scornful thunder,
On dreams of men and men’s desire.

Then only in the empty spaces,
Death, walking very silently,
Shall fear the glory of our faces
Through all the dark infinity.

So, clothed about with perfect love,
   The eternal end shall find us one,
Alone above the Night, above
   The dust of the dead gods, alone.

            -Rupert Brooke

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One day Alice came to a fork in the road and saw a Cheshire cat in a tree. Which road do I take? she asked. Where do you want to go? was his response. I don’t know, Alice answered. Then, said the cat, it doesn’t matter.

–Lewis Carroll

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GC Myers- The Moment of Decision smMaybe I should call this new painting The Cheshire Cat Tree instead of The Moment of Decision, which is the title I  gave to it.  There is a sort of  built-in grin in the curve of the lower path, as though it is all that remains after the Cheshire Cat has disappeared and the advice he offered Alice in the quote at the top seems to fit so well with anyone coming to any fork in the road.  And the Red Tree offers only, like the Cheshire  Cat, enigmatic advice and guidance at best for it knows that we alone are responsible for our decisions and the path that we will ultimately follow.

For me, this painting also has an interesting interplay between the direction of the two paths,  the lower one being more earthly and the other heading upward  toward a light filled horizon and the heavens above.  It seems to break the painting in two parts, opposing forces that co-exist in harmony.  Yin and yang.

Just a thought.

The Moment of Decision is 24″ by 36″ on canvas and will be part of my show at the Kada Gallery in Erie, PA opening December 5.

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