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Posts Tagged ‘Robert Louis Stevenson’

GC Myers -Fulfilled smTo be what we are, and to become what we are capable of becoming, is the only end of life.

-Robert Louis Stevenson

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To me, this new small painting, a piece about 7″ square on paper that is titled Fulfilled, feels totally peaceful.  The road with its winding tracks that disappear over a small rise signifies a journey at its end for me and the Red Tree that appears on piece of land across the water represents the intended  destination that is reached.  The horizon here feels as though it might represent time or eternity.

Whatever the case, it has a great feeling of tranquility, one that feels very satisfying to me.  Fulfilling.

This was one of those pieces that came easily, as though it fell from my hand without any thought or struggle.  This is a sensation I have described in the past, saying that when it occurred earlier in my painting life I would not trust the ease with which it came.  I still felt that struggle was necessary.  Little did I know that what I sought required no struggle,  In fact, this inner wrestling only took me further from the desired end, confusing me and obscuring the destination.

No, what was required was an acceptance of the moment and what I was.  And am.  And in this simple, quiet painting I think I see that.

PS– This painting, Fulfilled, is going to the Kada Gallery in Erie as part of my upcoming solo show there, Alchemy.  The show opens  Saturday, November 16th.

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Treasure Island

People travel to wonder at the height of mountains, at the huge waves of the sea, at the long courses of rivers, at the vast compass of the ocean, at the circular motion of the stars; and they pass by themselves without wondering.

–St. Augustine

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GC Myers- Treasure Island  This is a new painting, a 12″ by 36″ canvas that is titled Treasure Island.  For me, this has nothing  to do with the Robert Louis Stevenson book of the same title  with Long John Silver and his pirate crew.  Oh, there’s an element of treasure in this piece, from the golden tones of the crown of the central figure of the island tree to the rich and regal  color of the sky.

But what I see in this piece is really more about introspection and the discovery of  an inner wealth.  It’s a theme I often see in my work, this idea of finding what we are and are not , celebrating those qualities we possess rather than lamenting our deficiencies.  This evaluation of self creates a sovereign realm within us, one that is a safe haven from the intrusion of the outer world, one that lets our strengths flower and grow in an unfettered way.

That sounds like a lot of mumbo-jumbo and maybe it is. But I do see this as a painting that speaks about inner strength and celebrating what we are on our own terms.  About controlling those things we value in ourselves and not letting others define us.  We are all small islands containing all different sorts of wealth, if only we would take the time to look.  Look inward then let your own wealth shine outward, whatever it might be.

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NC Wyeth The GiantIn an earlier post I talked about the great American painter Andrew Wyeth on the day after he died.  His father was NC Wyeth who was the preeminent illustrator of the early 20th century, illustrating some of the great books of the time.

Throughout his life, he wanted to be known not as an illustrator but as an easel painter, a fine artist.  There seemed to be this fine distinction that because an illustrator brought the scenes and ideas of others’ stories to life that they were somehow below the work of those who painted solely their own ideas.  I never understood that concept because it was still Wyeth who composed the paintings and created the colors and brushstrokes that distinguished the work.  Wasn’t this very much the same as many Renaissance artists who painted many of their great works for the Church?  Are they not considered fine artists?

NC Wyeth- Rip Van WinkleI’ve always been attracted to the work of NC Wyeth having seen it innumerable times in print.  There was a real dynamic quality, punch, in his paintings.  However, it wasn’t until I saw his work in person that I truly appreciated how beautiful his work truly was.

He treated many of his illustrations as fine paintings, with glorious paint appplication that created beautiful surfaces within the painting.  His colors were complex, hardly ever a pure single color.  His blues often had glazes of red, his whites tinged with yellows.  All of his colors had an  earthy base that gave them a dark edge and weight. His compositions were bold and inventive, highly contrasting and dramatic to best illustrate many of the adventure stories on which he worked.  In person, many of these paintings are even more stunning than on the printed page.

NC Wyeth Last of the MohicansHis non-illustrative work was much more mundane, less dramatic but well executed.  His real spark seemed to be from the stories he was bringing to life.  The Arthurian legends, the Leatherstocking tales of Cooper, the pirates of Robert Louis Stevenson–  all seemed fresh and new in his paintings.  Unlike many artists, I think being freed from having to create a narrative of his own actually gave him the opportunity to fully exploit all the knowledge of technique and composition he held.  As though having the decision of what to paint taken from his hands allowed that energy that would be expended to be used on making the painting stronger.  Whatever the case, whether you choose to call it fine art or illustration, the resulting work was memorable and deserves a nod.  It continues to inspire to this very day.

NC Wyeth Blind PewNC Wyeth

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