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Posts Tagged ‘Sunday Morning Music’

Cabbage Row- Catfish Row Charleston SCFirst things first, a happy Father’s Day to all you fathers out there, including my own living down in Florida.  I was going to say more about him today and some recent cognition troubles he’s been experiencing but I think I will keep it simple and just send out my wishes for a Happy Father’s Day.

Being Sunday, it’s time for some Sunday Morning Music.  I was going to play something with a father-y theme but this week’s tragic event down in Charleston has been on my mind.

In the late 1980’s, my parents lived  for a couple years on one of the sea islands outside of Charleston so we were able to visit a few times.  It was hard not to embrace the place with all its charms, its people and history always on display.  I’ve had a soft spot for that area ever since and when the Principle Gallery opened a new location there two years ago I was thrilled in that it might give me an excuse to visit that place once more.

So when a hate-filled , weak-minded coward given  power through a gun takes the lives of nine innocent people in that city, I am filled a multitude of emotions.  Sadness for the families and friends of those victims, for the city itself and for this nation that seems to accept this type of tragedy more and more as the norm.  Anger at the killer and at ridiculous hatred he possesses.  Anger at the societal mindset that incubates or tolerates this hatred, especially in a state where the Confederate flag brazenly flies about the state capital.  Anger at those people who believe that this is somehow “their”country and that it is their duty to somehow take it back.  Anger at politicians who give lip service but little else in the aftermath, only looking to put the event in a perspective that suits their own agenda.

How many more times will we tolerate this?  Many, many more I am sure because there is no easy answer here, no magic pill that wipes away racism, especially in a society where the constant thinly-veiled racism shown  in the contempt and disrespect for our president is accepted as the normal.  We can’t continue the way we have int he past, simply accepting this as the everyday event it is quickly becoming.  We must not tolerate intolerance. We must choose to change.

But Charleston will survive, will get past this time as it has so many other dark days.  This morning I am playing a song that has a foot in those earlier days of Charleston.  It’s a song from George and Ira Gershwin’s opera Porgy and Bess based on the Dubose Heyward novel, Porgy, set in the the real Cabbage Row area of Charleston.  This became Catfish Row in the story so that it could be relocated to the seafront.  The photo above with the Catfish Row sign is the actual site of Cabbage Row where families of freed slaves lived in the late 1800’s and ealry 1900’s, selling cabbage from the windowsills.

The song is I Loves You, Porgy from the late and oh so great Nina Simone.  She was one of the greatest and most distinct interpreters of song ever.  I don’t think I’ve ever heard her sing anything that didn’t become hers once it was sang.  This song is a tour de force among many version of it from a wide range of singers. Enjoy and have a great Sunday and a great Father’s Day.

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Lost World Photo by Mikko LagerstedtThe other day I came across this luminous photo from Finnish photographer Mikko Lagerstedt.  Titled Lost World, it shows a sailing ship partially sunk in shallow water beneath a densely star-filled sky.  All of the elements of the image– the color, the composition, the reflection on the water and the glow of the sky– give this photo a mysterious and intriguing vibe.  Just a great photo.

Mikko Lagerstedt is a self-taught photographer who specializes in what he terms atmospheric photography with an emphasis on simplistic landscapes and  night scenes.  They have a brilliance in them that plays well off the sparseness of the landscape and the immensity of his skies.  For more images and info, go to his site by clicking here.

I thought I would find a piece of music to go along with it for this week’s Sunday music and one of the first things I stumbled across had the feel that I was looking for.  It’s The Shining by Badly Drawn Boy from back in 2000.  It’s a song that pops up on my playlist every so often and always pulls me in with its opening moments that feature a mix of cello and french horn.

Enjoy.  Hope your Sunday goes swimmingly.  Not exactly sure what that means but I’m sticking with it.

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GC Myers- Twixt Home and the Horizon smSunday morning and I’m back in the studio after a couple days down in the Alexandria/DC area.  And even though it was a very enjoyable time and a great opening for the Native Voice show, it is, as always, truly wonderful to be back in the studio this morning.  Back to my center.

I thought the work for this show looked very good on the walls of the Principle Gallery.  There’s more warmth in the wall color than the photos that have been posted show and the work seemed to really stand out against it.  This show consisted mainly of works on canvas because I wanted those solid blocks of color to dominate and push out into the space rather than have matting around the image soften the impact and put distance between the viewer and the painting.  I think this was the right decision based on the very enthusiastic response to the work.

2015 PG Show GC Myers-The Next Generation

The Next Generation

Of course, the best part of the evening is seeing friends, old and new, and catching up a bit.  The theme this year seemed to be the next generation, with a number of new additions to families making their first visits to an opening.  I love hearing how small children respond to the colors and forms in the paintings. Plus I like the idea that these paintings will in some small way be a part of the environment that influences their lives in the years to come.  Hopefully, they will prove to be positive influences.

Thank you to everyone who came out on Friday evening.  Some traveled some distance and for that I cannot be more appreciative.  It is that sort of enthusiasm that inspires me and makes my job so much easier.

And of course, very warm thanks to Michele, Clint, Jessica and Pamela at the Principle Gallery for  both your tremendous professionalism and your friendship.  Both equally mean the world to Cheri and me.

So, as I settle back into my treasured routine on a Sunday morning, it is once again that time when I play a little music here on the blog.  Today I am in the mood for something mellow and nothing is better at that than the voice of the great and ever elegant Nat King Cole.  Here is his beautiful version of Hoagy Carmichael‘s classic Stardust.

Thanks once more and have a good Sunday…

 

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GC Myers-  À La Mer smIt was a good trip down to Alexandria yesterday.  I was there to deliver the the work for my show, Native Voice, which opens this coming Friday, June 5, at the Principle Gallery there on historic King Street.

It’s always a good feeling to get the work safely into the gallery for any show.  There’s a sense of relief  in this step in the process of letting the work move on to their new lives but there is also a bit of excitement in seeing the work in the gallery environment, to have the staff get their first look and to see how the work itself looks within the space.

For the entire time I have shown with the Principle Gallery, in my 19th year now, the walls of the main gallery space were painted in a burnt orange color, one that really highlighted and complemented the color of my work and may have even, in some small way, influenced the direction of my work’s color palette over the years. But a freshening makeover of the space this past year brought a new wall color, a slightly warm shade of white.

At my first look at it in September, I was fearing that the color would be too cool, too stark.  But seeing it again yesterday, alleviated those concerns and it seems to have gained warmth and I am excited to that the new work, mostly deeply colored with a number of larger pieces, will definitely pop on the new walls.  In fact, the wall color is not to far removed from the wall color of the Fenimore Art Museum gallery where my work hung in 2012 and I was very pleased with how that worked out.

One of those pieces is the one shown at the top, a 24″ by 24″ painting on linen that I call À La Mer which translates from the French as To the Sea.  I like the mix of motion and stillness in this piece with its sky that could almost be an extension of the sea’s movement with ripples of color running through it.  There’s just something tranquil in the way the eye moves toward the sea in this piece, a feeling that very much reminds me of the tone of the old French song La Mer (The Sea) which is better known here in the US by the wonderful version in English from Bobby Darin, Beyond the Sea.

So, of course, for this Sunday’s musical selection I have chosen a version of La Mer, this one by French Canadian singer Chantal Chamberland.  I hope you’ll enjoy it and take that feeling into the rest of your day.  Have a great Sunday!

 

 

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black coffeeTime for some Sunday morning music and since I was up extra early this morning the idea of something to pick me up seems like a good idea.  Something like some black coffee.

Not the drink, though I am sipping my coffee as I write. I mean the song.

The sultry Black Coffee was written in 1948 by Sonny Burke and originally recorded by Sarah Vaughan and a few years later by Peggy Lee. There have been many, many covers of this song and most are very good. But there are four versions that really stick out for me, all very distinctly different. They are Vaughan’s original, the one from Peggy Lee, k.d. lang‘s darkly twangy version and the one I am featuring this morning from the great and grand Ella Fitzgerald.

Her version is elegantly spare with her voice and piano interweaving beautifully. It is darkly tinged but there is such strength in her phrasing that it keeps the song feeling surprisingly upbeat. Just a great, great song.

A little bit of trivia about this version: It was the favorite song of Nobel Prize winning poetess Wislawa Szymborska , who requested it be performed at her funeral. You might remember Szymborska from a blog entry here last month that featured her poem Possibilities.

So,give a listen as you sip the morning beverage of your choice.  Maybe a little black coffee…



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