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Archive for May, 2014

We cannot live for ourselves alone. Our lives are connected by a thousand invisible threads, and along these sympathetic fibers, our actions run as causes and return to us as results.

–Herman Melville

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GC Myers-Interconnected

I guess Melville’s words above pretty much sum up what I see in much of my work, an interconnection between all beings and things that gives every life definition and meaning.  None of us live in a vacuum and every action has an effect of some sort.  Some we see and feel directly and  some, those reactions further out on those sympathetic fibers, we will never know.  It’s the pebble and pond effect.  We throw a pebble into the pond and we see the first large ripple that returns back towards us.  But it doesn’t stop there.  The initial splash continues to radiate outward in all directions, often beyond our sight.

It’s pretty basic stuff.  But that doesn’t make it any less significant.  We are all part of a larger one and the actions of each of us  creates ripples that touch many others.  So consider your actions and your words as they go out into the bigger pond.

The image above is a new painting, a 12″ by 12″ canvas called Interconnected.  It is part of my upcoming solo show, Traveler, at the Principle Gallery, which opens June 6.

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Save the BabyI spent this entire past week fighting a fatiguing  flu that just doesn’t want to say good-bye  yet somehow find myself at another Sunday morning, this one marking Mother’s Day for this year.  I am reminded of the old school cures my mom would administer when we kids were sick.  There was always a can of Cloverine Salve and a bottle of Save The Baby on hand.  It was a small glass bottle filled cloudy, camphor-based product that she would heat then dole out in a tablespoon along with a little sugar.  The grainy sweetness of the sugar couldn’t hide the pungent camphor taste but  acted as enough of a distraction to make it bearable.  Plus, there always seemed to be some sort of relief from the coughing afterwards.  You can’t buy this product now as camphor has been banned for internal use by the FDA but it will always have a place in my heart as a symbol for the care Mom offered when we were feeling under the weather.  Miss you, Mom.

Being Sunday morning, I usually offer some music and this week I have chosen a somewhat topical song.  It’s called Mother Knows Best and is from one of my favorite albums, Rumor and Sigh, from the great Richard Thompson.  Enjoy your Mother’s Day.

 

Cloverine Salve

 

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9913-222  Revelation in Blue  smJust a quick reminder that I will be  at the Flick Gallery at the Arts Center of Yates County  for the opening of the show, Earthworks.  As one of the featured artists for this show,which is focused on the use of earth forms in creative works, I am showing a representative group of  my work.

The opening runs from 5-7 PM and is at their location at  127 Main Street in Penn Yan, at the northern end of beautiful Keuka Lake.  Wine will be provided by Glenora Winery. The exhibit runs until June 15.

Hope to see you there!

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GC Myers-  There Is Still a Sun...I am still kind of reeling from the flu but seem to be gaining ground on it.  Yesterday, I was looking at some older work and came across an image of a small piece, something like 2″ by 8″ on paper,  that I hadn’t considered for several years called There Is Still a Sun.  It was from 8 or 9 years back and was part of a series of  small paintings with industrial skylines as the backdrop.  It was a short-lived series of work that had moderate success but was one that I really enjoyed painting.  It was all about the challenge of design and color and many of the things I observed while painting these pieces found their way into later works.

This particular piece was one of my favorites from the group, more vertical than the others with finer linework in the silhouetted forms of the skyline.  The colors and forms meshed well here, giving the piece a less representational feel.  It was more graphic and almost abstract.  For me, it just worked on many levels.

Looking back at pieces such as this is important for me as my style and process is changing almost constantly, never really settling into one distinct process.  These pieces remind me of how different colors were used, how certain pieces start differently and how design within the picture evolves.  It reminds me to trust my ability to create from reaction.  It fires me up, making me want to alter in small ways some of  the ways in which I am currently working, to get away from the groove in which my process has settled.

Funny how so much can come from glimpsing a little piece from years ago.  Perhaps if I hadn’t been ill, I wouldn’t have stopped to look at this piece, wouldn’t have taken the time to consider these things.

Now, I just have to get back to the paints…

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klee_southern-gardens

Paul Klee- Southern Gardens

I am feeling under the weather today but really wanted to post something, out of some sort of obligation to my own discipline.  I pulled out a post from back in 2010 that features some writing from the great Swiss artist Paul Klee, whose work I have always admired.  It was nice that his words also brought admiration.

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I was asked yesterday if I talked to my paintings.

Interesting question.

I talk to animals. I talk to trees and plants. I talk to my car. I talk to my studio, which actually has a name. I talk to ghosts, present or not. Whether any of these things or beings listens is another matter.

But talk to my paintings?

It immediately brought to mind a section of a famous lecture that I had been reading recently and had really resonated with me. It was On Modern Art, delivered in the 1920′s by Swiss artist and a personal favorite of mine Paul Klee :

May I use a simile, the simile of the tree? The artist has studied this world of variety and has, we may suppose, unobtrusively found his way in it. His sense of direction has brought order into the passing stream of image and experience. This sense of direction in nature and life, this branching and spreading array, I shall compare with the root of the tree.

……..From the root the sap flows to the artist, flows through him, flows to his eye. Thus he stands as the trunk of the tree. Battered and stirred by the strength of the flow, he guides the vision on into his work. As, in full view of the world, the crown of the tree unfolds and spreads in time and space, so with his work.
……..Nobody would affirm that the tree grows its crown in the image of its root. Between above and below can be no mirrored reflection. It is obvious that different functions expanding in different elements must produce divergences. But it is just the artist who at times is denied those departures from nature which his art demands. He has even been charged with incompetence and deliberate distortion.
……..And yet, standing at his appointed place, the trunk of the tree, he does nothing other than gather and pass on what comes to him from the depths. He neither serves nor rules–he transmits. His position is humble. And the beauty at the crown is not his own. He is merely a channel.

This very much sums up how I’ve always felt about art, especially my place as an artist. A mere channel or transmitter. And when I look at my paintings, it is not in the form of a conversation so much as listening to what the painting has to tell me. I paint because I question and, at best, the paintings provide some answers and insight that I might not find or see otherwise.

So, do I talk to my paintings? Not so much. But do they talk to me? Yes. And I do my best to listen…

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GC Myers-Apolitical BluesI’ve been getting a small group of work ready for a show that opens next week  in Penn Yan, NY, which sits at the northern end of beautiful Keuka Lake in the Finger Lakes.  The Arts Center of Yates County holds several shows a year in their Flick Gallery, which is a beautiful space .on the city’s Main Street.   I have been invited to be a featured artist in their upcoming show, Earthworks, which runs from May 9 to June 16.  Normally, I would not try to fit in a small show only a month before a major exhibit such as next month’s show at the Principle Gallery but after seeing the gallery and speaking with their director, Kris Pearson, I was impressed and decided to try to squeeze it in a crowded schedule.  I also thought it might serve as  nice introduction to people of the region who might not be familiar with my work or with the West End Gallery in Corning, hoping they might travel down for my show there in July.

The show consists of a mix of new and recent pieces that  I feel are representative of my body of work.  There are a couple of Archaeology paintings, a few Red Roofs and my signature Red Tree, of course.  The piece shown here on the left is a small new painting, 2″ by 8″ on paper, that I call Apolitical Blues, after the old Little Feat song of the same name.  It’s a simple blues with very simple lyrics–Well my telephone was ringing /And they told me it was Chairman Mao /I don’t care who it is /I just don’t wanna talk to him now —  but with the state of current politics, the idea of being turned off and tuned out to the noise of it all seemed to fit with the solitary figure in this piece, away from the chaos and constant talk of the world.

Being Sunday morning, it seems appropriate that I share Little Feat‘s song with you.  This is a live version that was recorded at the Rainbow Theatre in London in 1977 for their live album Waiting for Columbus, which is considered by critics as one of the greatest live albums in rock history.  I know that it has been one of my favorites since it came out in 1978, a year before lead singer  Lowell George died.  This version also features famed British guitarist Mick Taylor who had formerly played on some of the Rolling Stones iconic albums of the early 70’s.  It’s a great way to open your eyes on a Sunday morning in May.

Have a great day!

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“There is one single thread binding my way together…the way of the Master consists in doing one’s best…that is all.”

– Confucius 

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GC Myers- The Way of the Master

I originally had a different title in mind for this new painting,which is 24″ by 36″ on canvas.  I saw it as being about the end of a journey, about coming to a point that marked the highest level of emotional  and spiritual development.  But then I remembered this quote from Confucius and it had immediate resonance.

It all comes down to effort in the end.   Everything that comes to us, everything we desire and value,  ultimately depends on the amount of effort we choose to put forth.  Things done half-heartedly and with little attention never prosper or develop.   Those things you take for granted never grow into something more.  They only diminish with less attention.  You can witness  this in every aspect of your life. I know I can see it in my own.  Everything I value– my marriage, my work and my peace of mind– requires hard work  and maintenance, my very best effort.

This full effort ultimately leads to a deeper sense of connection with those things we value, emotionally and spiritually,  and I suppose that’s what this piece signifies for me.  I believe that any thinking person wants to reach their highest point of development, wants mastery over their own physical and spiritual life.  This painting reminds me that it is obtainable if I am willing to give my very best.

As Confucius says: and that is all.

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