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Archive for September, 2017

Solitude is not something you must hope for in the future. Rather, it is a deepening of the present, and unless you look for it in the present you will never find it.

Thomas Merton
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I am doing my annual Gallery Talk at the Principle Gallery next Saturday, September 16.  As I mentioned in yesterday’s post, this will be fifteenth year for this talk at the Principle.  One of the challenges in doing a talk like this year after year is keeping it fresh and interesting so that every version has something new to offer. A new story. A new idea about the work. A new thought on perception and art. Just something new.

It’s sometimes difficult and I have found that some years are more successful than others in accomplishing this goal. It seems that the ones where I am at my most open and honest are the ones that flow and resonate best. And those ones seem to come when I am most at peace with myself, comfortable in my life of solitude.

At the moment, I feel pretty good and expect that to show in the upcoming talk but time has taught me that this inner peace can evaporate in mere moments. But for now, all signs indicate a good talk.

As with all of my talks, there is some conversation,hopefully some laughs and a few prizes at the end. Plus, I generally try to bring a small group of new work and a few hand-picked pieces from the studio that are available only on the day of the talk. Many of these are pieces that I feel have been overlooked and have meaning for me. having them at the talk allows me to talk a bit about them and give a little insight into how I view them. Context, I guess.

One of the new paintings is the small piece at the top, 4″ by 7″ on paper, with a title, Deepen the Present, that is taken from the Thomas Merton quote above. I like the thought behind his words, that solitude is not something that you can plan for in the future, that it must be taken hold of in this present moment.

And why wouldn’t you? The future is a perilous voyage away, with no guarantees. The present is at hand with all you need. Find your solitude now.

Hoping you can get into the Principle Gallery for the talk…

 

 

 

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September Happenings

Hey, here are a few things happening in the coming month:

Gallery Talk/ Principle Gallery

On Saturday, September 16, I will be in Alexandria, VA at the Principle Gallery for my annual Gallery Talk. This year marks fifteen years for this event and I am really looking forward to having an engaging talk.

There will be PRIZES and SURPRISES, as always, with the main prize being an original painting of mine. I try to make it fun and informative and give you a little more than you expected.  I hope you can make it.

The talk starts at 1 PM. Come early to get a good seat!

 

Painting Workshop on Keuka Lake

Sunny Point

On September 28 & 29, Thursday and Friday, I will be leading a workshop for the Arts Center of Yates County at Sunny Point, their lovely cottage/studio on the shores of beautiful Keuka Lake.

This is my third year teaching this workshop and I think this year’s edition will be the best yet. We’ll have some fun, good conversation, lots of painting and gorgeous fall scenery on the Finger Lakes. Always a few surprises!

The workshop runs each day from 9 AM until about 4 PM. You can get more details by clicking here.

 

 

Acrylic Artist Magazine

Plus, the Fall issue of Acrylic Artist comes out with a short interview that deals with the pros and cons of being a self-taught artist.  On the flip side artist Matt Cauley speaks on following the path of traditional learning.

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Labor Day weekend and I thought I’d share a song from many years back that asks for a little help for working folks from the nation’s chief executive, who normally (an odd word these days) advocates for working class.

History never repeats itself exactly, every time and setting changing the pattern ever so slightly. But there are some parallels in this song from Randy Newman back in 1974. He didn’t name a president in the song but it is implied he was referring to Hoover in the time of the Depression as well as President Nixon , pleading with them to do something about the expanding rate of poverty and wage stagnation for the working classes, something that hasn’t changed in the forty-some years since the song came out.

Some of the lyrics seem eerily prophetic for these times, as well:

Maybe you’re cheatin’
Maybe you’re lyin’
Maybe you have lost your mind
Maybe you only think about yourself

Too late to run, too late to cry now
The time has come for us to say good-bye now
Mr. President, have pity on the working man
Mr. President, have pity on the working man

So, have yourself a good holiday. Here’s Randy Newman and Mr. President (Have Pity on the Working Man) from 1974.



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Labor Day weekend and I wasn’t planning on posting anything today, figuring that I was due a break because at heart I always considered myself more under the label of worker than artist. Even in my terminology paintings are more often referred to as works or pieces. And when I was starting out I felt my ability to labor, focused and on task, wold provide a big boost in pursuing this path. And it did.

So Labor Day remains a favorite holiday for me in theme. I like the idea of work and the meaning and purpose behind it. I like the history of the holiday, how the growth of  Labor and Unions being celebrated coincided with the growth of this nation and the middle class, how these movements gave us the protections and guarantees that we all too often take for granted these days. We forget that these  things were not given to the workers– they were demanded and fought for.

Bled and died for.

So have a great weekend. Picnic. Parade. To my friends in Texas, you don’t have to be reminded about work– you have much ahead of you. But take a minute and think about the work you do, the life you live and those earlier people who worked and fought hard so that you might have a better life than their own.

Here’s a great piece of classic jazz from Cannonball Adderley. It is titled Work Song. Jazz might not be your thing but you have to admit that these guys are working it. Oh, and the little piece of work at the top is a new small painting, Sound & Silence, that is now at the West End Gallery.

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It’s the first of September and I let out a sigh of relief that August is behind me. I have confessed my dislike of August here in the past. For me, it’s usually a month of heat and anxiety, a month in which every bad thing seems to find me.

But this August was kinder and gentler and I am truly thankful. I know that this has not been the case for others across the country. Most notably, a storm of biblical proportions named Harvey that swept across the Gulf Coast of Texas and Louisiana. You know the story too well.

If you can, reach into your pocketbooks and send what you can to help them out in some way. It’s the right thing to do.

September always gets me a little melancholy but in a good way. More wistful and nostalgic than sad. It’s a feeling that seems more pronounced as I find myself actually in what could be the September of my life. When this time comes I feel like looking at black and white photos and listening to September Song, which, if you think about it, is a very black and white song.

I acme across this photo of my old studio which stands up the hill from my home and current studio. It is slowly being reclaimed by the forest around it and will someday no longer exist. I like that idea of impermanence for this studio. It was almost meant to be that way as an indicator of how small we are in the face of nature, as Harvey is currently showing us.

I have included an early blog entry from 2008 that describes it along with this year’s version of September Song, which is from Johnny Hartman, jazz vocalist that is probably unknown to most of you. I know that he was off my radar. But his voice is beautifully strong and smooth and this is a lovely, faithful version of the iconic song.

  This is a photo from a book, In Their Studios: Artists & Their Environment  from the photographer, Barbara Hall Blumer.  It was a project that she carried out in 2007 documenting the studios of visual artists in the general area of the southern Finger Lakes, centering on Corning, NY, which has a vibrant artistic community.  The result was a beautiful book that gives insight into the work spaces and habits of many artists.  For me it was interesting to be able to peek into a bit of other artists’ lives.  I highly recommend the book for anyone interested in the process of art.

This is my first studio, one that I built in 1997 and worked in until January of this year [2008], when I moved into a much larger and slightly better appointed studio.  This first studio was located in the woods that above my home and gave me what I called the best commute around, a short walk each morning up the hill through dense and fairly young forest of mixed hardwoods and white pines.  Sometimes I would stop and wonder at my good fortune to have the luxury and pleasure of this walk each day.

It was a very rustic space without running water (and the facilities associated with running water!) or a lot of heat for that matter but it served me well for ten years and its setting had a presence in much of my work.  It was very tranquil and from its windows I had great views of the woods and wildlife–  deer, gray and red fox, coyotes, raccoons (who at one point made their way into my roof) and even a weasel chasing after a rabbit. In the winter it would be spectacular as the snow would cling to the white pine branches almost to the ground.

Again, I wondered how I was so lucky…

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