These words from Adolph Gottlieb, the late Abstract Expressionist painter, ring true for me. I believe that art should acknowledge the presence of powerful forces that guide our lives, good or bad. As he points out, it is this awareness that fueled the myths and symbology that have lived with us since time immemorial.
For me, it is displayed in the underlying darkness of much of my work which is evident in even my most optimistic works. This darkness gives the work, at least to my way of seeing it, a sense of tension, a counterbalance that keeps the work centered. The most optimistic work still has a wariness in this darkness that acknowledges the dangers ahead and the hardships endured in the past.
Triumph of any sort is seen as a transient emotion, one that is to be savored in the moment and recalled in the future but short-lived in the present. The darkness is always hovering nearby, presenting a potential threat or a challenge or even a dramatic change that comes with both the possibility of utter defeat or a new triumph. It is this mystery that makes the darkness so appealing and necessary.
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