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To appreciate a work of art, is it okay to like what you like, and the heck with the art critics and experts? Absolutely.
–Thomas Hoving
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I came across this quote from the late Thomas Hoving and thought it would be a good opportunity to show off an illustration of him done by the late David Levine, the famed illustrator/artist whose distinct caricatures adorned the New York Review of Books for many years, along with many other publications. The original drawing now hangs in a corner of my studio, obtained from the estate of Thomas Buechner who was friend to both Levine and Hoving.
Hoving was primarily a museum director. Now that sounds pretty blasé on its surface but among his peers he was a rock star,writing bestselling books and ushering the Metropolitan Museum into a renaissance of sorts as its director. He was big personality in what is often a low key position.
His words above definitely ring true as good advice to anyone who has ever felt anxious about purchasing or even sharing their opinion on a piece of art. Feel free to buy and admire work that speaks to you, regardless of what critics might say. Art is based on an emotional elicitation and nobody can dictate how anyone should respond to any one piece of work. A critic may have a response to a work of art and write effusively about that work, perhaps even making cogent points about the validity of the work. But if I don’t feel that same emotional response, all the eloquence in the world telling me why I should like it cannot make me suddenly adore that work.
In short, we like what we like.
I’ve seen people in high powered positions, people who normally ooze confidence, suddenly turn to jelly when trying to decide whether they should buy a piece of art. Art is such a nebulous and subjective thing that many of these folks feel a bit lost and out of their depth. They are afraid of making a mistake and lose all trust in their own opinion. They forget that they should simply like what they like and trust that feeling.
So, if you see something you like sometime, don’t be shy about showing your admiration for it. Maybe that means purchasing it or maybe it’s just letting the artist know that it moves you somehow.
Both are appreciated by every artist I have ever known.
Redtree Times 
I didn’t know Thomas Buechner, but now I see why you’d have his likeness hanging on your wall. It occurred to me while reading a review of his book How I Paint: Secrets of a Sunday Painter that it seems remarkably similar to your blog: at least at the point where it illuminates the relationship between painter and materials.
As for liking what we like? That’s a lesson I finally learned, thanks to Brussels sprouts. Don’t send me your favorite recipe. I don’t like them.
While I love Brussels sprouts, I will not try to convert you. I am not a fan of mangoes and resent people always telling me I should like them. Thanks for the comparison to Buechner. I didn’t know him well but respected his work in the many fields he mastered and his continuing influence after his death. As a side note, a painting of his that we have was featured as a preliminary cover for the book you mentioned on the publishers website but it was changed to another upon publication.