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Do not try to paint the grandiose thing. Paint the commonplace so that it will be distinguished.
—William Merritt Chase (1849-1916)
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Love these words from the great American painter William Merritt Chase. I echo the sentiment whenever I get a chance to speak with art students, telling them to focus less on subject and more on how they render whatever they choose to depict. Most of the greatest paintings are of very common things, people and places. It is how they are painted that lifts and distinguishes them.
Chase was one of the dominant figures of American art in the late 1800’s. He was a prolific and renowned painter and among the first American Impressionists as well as an influential teacher who established a progressive art academy in NYC, The Chase School, that today is the Parsons School of Design.
Some of Chase’s best known work is a great example of his words above. He painted the gamut of subjects– landscapes, portraits and still lifes– and is well known for each of these fields. His still life paintings with fish were among his favorite subjects, one that he often employed for painting demonstrations for his students. These pieces were done in a fast, wet into wet technique that relied on extreme contrasts of dark and light , setting aside detail for gesture and impression.
I don’t know how many of these fish pieces Chase painted but it appears to be quite a large figure. A number of years back, the Principle Gallery had one of his fish pieces in the gallery for sale and I remember being very impressed because whenever I thought of Chase his fish paintings always came to my mind.
Here are just a few examples.
The power of art to elevate common objects is real. Not only that, those same objects can be embedded in memory, and suddenly come to mind with the right trigger. If I can manage to focus my thoughts, I’ve got a post coming soon that will illustrate that perfectly.
I look forward to that.
I can’t help a little tease — you’re going to enjoy it more than you realize!
I hope that either his studio was chilly or he painted fast. I would think his models would become rather fragrant in a relatively short amount of time, especially in the summer.
Actually, it is said that, for the very reason you point out, he would paint very quickly then return the fish to his fishmonger. He had a very patient fishmonger, I presume.