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“The mantra becomes one’s staff of life, and carries one through every ordeal. It is no empty repetition. For each repetition has a new meaning, carrying you nearer and nearer to God.”
–Mahatma Gandhi
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I wanted part of my upcoming June show at the Principle Gallery to feature not only new growth, as the show’s title implies, but a few nods of acknowledgement back to my older work. The new painting above, one that I finished just yesterday and am calling Mantra, is such a nod.
I have periodically used multiple images in my work through the years. Some were quite large back in my earlier days, some having as many as 60+ images making up the piece. I am attracted by the look of these piece but also by the mindset required when painting them, one with a blank concentration, one that produces a repetition of thought and form.
This repetition of thought and form produces small incremental changes in each cell. Each is the same but slightly different.
That could be the mantra for my work.
Over the past twenty years of these shows, the work has always changed in small increments. Changes in colors and tones. Changes in strokes and textures. Additions and subtractions in elements and forms. Each is the same but slightly different.
Again, the mantra.
I guess that is why I chose that word mantra for the title. As Gandhi points out above, it is no empty repetition.
Each repetition is new and has its own meaning even though it is seemingly the same. Each is its own moment in time, its own coordinate on the grid of time and space.
Whether this repetition takes one closer to god, as Gandhi adds, I cannot say. I don’t know what that even means. But if it means that it brings one closer to understanding and a sense of unity with this world, then I agree heartily and this painting, this mantra, says everything I need to know.
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My new solo exhibit at the Principle Gallery , my 20th annual show there, is titled Red Tree: New Growth and opens June 7, 2019 at their Alexandria, VA gallery. The painting above, Mantra, will be included in this show.
That photo of the doe and fawn distracted me before I could say how much I like this painting. The painting is deeply appealing, and the photo is marvelous. You have to have one of the best studios in the world.
Yes, I like to think that my studio has some pretty darn good views.
[…] different. It creates a meditative loop, something close to what I described in a recent post, Mantra, that was coincidentally from the same date as Smith’s […]
[…] different. It creates a meditative loop, something close to what I described in a recent post, Mantra, that was coincidentally from the same date as Smith’s […]