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Archive for December, 2020



And now let us believe in a long year that is given to us, new, untouched, full of things that have never been, full of work that has never been done, full of tasks, claims, and demands; and let us see that we learn to take it without letting fall too much of what it has to bestow upon those who demand of it necessary, serious, and great things.

― Rainer Maria Rilke, Letters of Rainer Maria Rilke, 1892-1910



Gosh, I wish Rilke was sending me letters. I always seem to find something in his collected letters that speaks directly to me, something that helps me better understand my own place in the world.

Give me his letters and the Peanuts comic strip and I am all set for advice on how to live my life.

Rilke’s words above on the New Year speak loudly this year. Let us look at 2021 as a clean slate, a tabula rasa, that that is filled with new potential. The time ahead may be filled with hard work and stressful times but we should use every available minute of it in attempting to make 2021 far better than its predecessor. 

I know that these words can sound like empty platitudes but I truly hope they ring true this year and that we don’t waste the gift of time we are given.

Have a happy and quiet New Year’s Eve. Stay safe and perhaps next year at this time, we can truly celebrate the end of a wonderful year.

For those of you who don’t buy into my hopeful look forward and plan on partying your brains out tonight, here’s a song from Wynonie Harris, the great blues shouter who many consider the father of rock and roll. His style, his stage moves and provocative hip gyrations were swiped and adapted by Elvis, who some thought was the G-rated version of Wynonie Harris. His stuff really rocks and this song, Don’t Roll Those Bloodshot Eyes at Me, reminds me of the best work of Louis Prima, which is pretty high praise.

So, enjoy and bid goodbye to 2020 tonight in whatever way you see fit. May we all have a happy New Year in 2021.



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Invincible Summer

“Calidum Frigus”- At the West End Gallery



O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.

–Albert Camus, Return to Tipasa



Camus wrote the much quoted line above after revisiting the Roman ruins at Tipasa in Algeria in the aftermath of World War II. He had visited that site a number of times and finally recognized that unlike the modern Europe still reeling from the effects of war and fascism, there was a freshness there in those seaside ruins, an elemental dimension in them that couldn’t be smothered by time or modern events.

A sense of newness and the joy that comes with it was part of that place, was something that couldn’t be eroded by time and the elements. 

He was able to equate that with the part of our nature that we all carry, that being our will to go on, our will to find joy and meaning.

An invincible summer contained within us all.

Here’s an expanded version of the excerpt from Camus’ essay:

I discovered once more at Tipasa that one must keep intact in oneself a freshness, a cool wellspring of joy, love the day that escapes injustice, and return to combat having won that light. Here I recaptured the former beauty, a young sky, and I measured my luck, realizing at last that in the worst years of our madness the memory of that sky had never left me. This was what in the end had kept me from despairing. I had always known that the ruins of Tipasa were younger than our new constructions or our bomb damage. There the world began over again every day in an ever new light. O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.

In these crazy times, it’s especially easy to fall prey to the somber melancholy of winter, to forget that you carry your own invincible summer within you when the sky is slate gray and the cold winds blow.

But it remains there in this winter and in other dark times of our lives. Our invincible summer.

So, hold on to that and have a good day.

 

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The past slips from our grasp. It leaves us only scattered things. The bond that united them eludes us. Our imagination usually fills in the void by making use of preconceived theories…Archaeology, then, does not supply us with certitudes, but rather with vague hypotheses. And in the shade of these hypotheses some artists are content to dream, considering them less as scientific facts than as sources of inspiration.

-Igor Stravinsky, Poetics of Music in the Form – Six Lessons



I was looking through some older posts and came across the quote and painting above which caught my eye. It was probably because the painting, Archaeology: The Golden Age, was the last piece I had painted in the Archaeology series and may well be the last of that series.

It is one of those pieces that still live with me here in the studio, having never found a home. While I want it to find a place where it can satisfy someone other than myself, I am happy to have it here. From the time it was completed, I considered it one of the stronger pieces in the series. That might even be the reason it has continued to be the last in the Archaeology series.

Maybe the series had reached its potential, its endpoint, with this painting. I don’t know.

I also was captured once again by Stravinsky’s thoughts on the artistic process, how we use our imagination and what little knowledge we have to fill out the blank spots among our scattered fragments of memory to create something new. He equated it to archaeology which is a similar process, taking bits and pieces from the past and filling in the blanks with imagination and knowledge to create a theory of what might have been. 

As he says archaeology does not supply us with certitudes. There are too many voids to fill before one can deal in absolutes.

And so it is with art. Art seldom deals in strict factual representation. Art comes together as a mixture of the facts of the work, the imagination and process of the artist, and the emotions and imagination of those who take it in. 

It’s as much alchemy as it is archaeology.

Whatever it is, I am happy to deal in this strange world of imagination, one that often offers me more questions than answers.

Reading the older post this morning also reminded me of an old Jethro Tull tune that I haven’t heard or thought of in many years. Probably decades. Here’s a blast from the past, as the old AM deejays used to say. This is Living in the Past.

Have a good day.



 

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“Culmination”- Now at the West End Gallery



Each man is always in the middle of the surface of the earth and under the zenith of his own hemisphere, and over the centre of the earth.

-Leonardo da Vinci



As we count down the last four days of this excruciatingly long year of 2020, I was looking for a a painting that had to do with the endpoint of things. I immediately thought of the piece shown here, Culmination, that is currently at the West End Gallery.

Its title came about because I saw the path in it as being the trunk of a tree with the paths going off each side as its limbs. The Red Tree at the top was the endpoint of this tree much like each of us are in our own genealogies.

Genealogically, each of us sits at the very top of a pyramid where everyone below us in that pyramid has endured wars, illnesses, pandemic and plague, persecution and imprisonment, and even slavery and holocaust just to get us to this place and time. We are the culmination, the very pinnacle of our family tree. 

For now.

Eventually, we are just part of the trunk with a branch that goes on and on. Or one that breaks off and abruptly ends.

I thought this piece would fit well with the end of this year. So many of the things that came to bear in this strange and awful 2020 were the culmination of events, lives, and organisms that developed and grew– and often worsened– in the years and decades before.

They all seemed to converge to make this year feel like an endpoint, a culmination of some sort.

For some, it was the ultimate endpoint, maybe the end of days as the evangelicals call them. For some, it felt like the end of democracy was all too close to its end here. And this year certainly felt like it marked the end of civil discourse and civility in general.

And of course, for hundreds of thousands of families, the pandemic brought an end to the lives of all too many loved ones. 

2020 was a year that sits atop a pyramid of horrors and atrocities. Hopefully, as it draws to a close later this week, it’s a position it maintains for a long time to come. The year that pushes it further down this monstrous pyramid is not one I wish to endure.

Have a good day, okay?

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“Sublime”– Now at the Principle Gallery



Come senators, congressmen
Please heed the call
Don’t stand in the doorway
Don’t block up the hall
For he that gets hurt
Will be he who has stalled
The battle outside ragin’
Will soon shake your windows
And rattle your walls
For the times they are a-changin’

–Bob Dylan, The Times They Are A-Changin’



I’ve heard this Bob Dylan song hundreds of times over the decades since it first came out in 1964 and a particular line in it always jumps out at me, even in idle listening. The line is: Don’t stand in the doorway/Don’t block up the hall/For he that gets hurt/Will be he who has stalled.

I have always read it as being about the inevitability of change and that those who try to stand in its way rather than trying to adapt are the losers in the end. The fact that it is used in a verse that refers to senators and congressmen makes it pointedly topical, especially in times when the present Senate Republican majority leader has been heard telling a group of big donors in recent days that he will oppose and stall every bill put forward by the Democrats, even bills he considers good bills. He said he would not allow them any victories.

That means he also will not allow the American people any victories, any gains, as he darkly tries to stall progress and change. We have seen this act before and have suffered from his mean-spirited intransigence.

But try as he might, change will come, in one way or another. It can be slowed or stalled but it is only temporary and eventually it bursts through all obstacles, usually obliterating them in the process. Like the lines from the Dylan song.

So, for this last Sunday in this monumental and often awful year of 2020, I thought it fitting that I play a version of this song, probably one you haven’t heard before. It’s from a 1969 album called Dylan’s Gospel from a group called The Brothers & Sisters of L.A., which was a group of L.A. based studio backup singers organized to record an album of Dylan covers in a gospel format. The group included some pretty high profile studio singers including Merry Clayton who I have wrote about here in the past. She is best known for her searing vocals on Gimme Shelter from the Rolling Stones. She is the lead on today’s song and knocks it out of the park.

The album was not a commercial success so this was the only effort from the group but it left behind several powerful versions of Dylan’s songs including The Times They Are A-Changin’.  So, let’s wrap up this year with some gospel firepower, brush aside the barriers and let the times a-change as they surely must.

Have a good Sunday.



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And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”

Then pealed the bells more loud and deep:
“God is not dead, nor doth he sleep!
The Wrong shall fail,
the Right prevail,
With peace on earth, good-will to men!”

Henry Wadsworth Longfellow, Christmas Bells



The lines above are the last two stanzas of a poem Longfellow wrote in 1863 during the height of the American Civil War. Several years later, in 1872, the poem was incorporated into the Christmas carol we know as I Heard the Bells on Christmas Day.

I am hoping that the last three lines hold true for us going into the future.


I ran the short bit above several years ago on this day, Christmas, in the pivotal year of 2016, just after a new president*** had been elected and there was still uncertainty as to what he would turn out to be.

As for the poem which later became the carol, there is a little more to add to the story which I thought I would add this morning.

At the time it was written, Longfellow was still deeply grieving the tragic death of his wife in July of 1861. She caught on fire while using sealing wax on an envelope and despite Longfellow’s efforts died the next day from her burns. Longfellow also suffered severe burns, to the point that he was unable to attend her funeral. It also left scars on his face which prevented him from shaving so that he wore a full beard until his death in 1882. 

After his wife’s death, Longfellow suffered extreme depression, turning at times to using laudanum to ease his sorrow. In the winter of 1863, as he began writing the verses above, he was deeply depressed by his continued grief, his worry over the war that raged between the states, and the fact that his son had been severely wounded in combat. As he wrote, he heard two church pealing for the holiday and he felt his demeanor changed by it, feeling hope that indeed wrong would fail and that right would prevail.

It made for a powerful bit of verse. This morning, I am filled with the hope that right has indeed prevailed and will continue to do so. Let’s hope that this Christmas day, taking place under the dark clouds of pandemic and disorder, offers us the light of hope on the horizon.

Below is a nice version of the carol with lyrics from the late folksinger and damn fine actor, Burl Ives.

Merry Christmas to you all. May you have a good and loving day. Peace.



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We’re so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology … But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.

― Haruki Murakami, Kafka on the Shore



Murakami’s words above are a continuation of yesterday’s theme, how early memory embeds deeply and remain with us forever. It’s one of those obvious truths that becomes more and more evident as the years pile up. I’ll probably revisit some deep recollections today, as I usually do around this time every year.

Polishing the touchstone.

Here’s a warm wish to all of you for a happy holiday. May you assist your young ones in creating their own touchstones of happiness or even create a new one for yourself.

Here’s a Christmas tune that goes back to the basis for the day, Christmas Must Be Tonight, from The Band. As with most everything they did, it feels right.

Stay safe out there. Merry Christmas.



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Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire.

-Jorge Luis Borges



It’s that time of the year when the young build up their stores of memories and the older folks delve into their own storage for past remembrances from this same time many years ago.

The memories that the young will bank this year will be so different from our own memories of holidays past that many of us may pull out this week or the next. And how could they not be different? The world is forever changing, for good or bad. But the relationships of families and friends remain constants so while circumstances and surroundings may change, the base on which memories are built remains much the same.

So these memories being formed in the next week or so will likely be as rich for these young people fifty years from now when they find themselves watching the youth of that time creating their first deep memories. These may end up being the richest they know because this year with all its awfulness created hardships that in many cases illuminates the good that is embedded in our lives, good that is often overlooked in the rush of life.

This year gave us time to reflect on such things and to see that our time here is all we really possess.

If you’re looking for a silver lining to a very dark cloud, maybe that’s it. Maybe time is, in the end, that substance, as Borges writes, of which we are made, that thing that sweeps us along and inevitably consumes us.

This seems a little more evident this time of year as I revisit my own richly detailed memories of this season from many decades ago. There are many remembrances from the intervening years but they most often lack the depth and detail of those early ones and some even have faded into seeming non-existent. Some are there but remain hazy, as though they don’t belong to me, like I am looking at the memories from another life. Like I was a different person at that point.

And maybe I was. Perhaps that’s another thing that comes with being made from time– it changes and as a result, we cannot help but change, as well.

Time…

Here’s a song about time. It’s not a holiday song but it is a great, great song from Tom Waits. I feel a bit sacrilegious in playing anything other than Waits’ iconic version but this one is lovely. Plus to add a festive touch, it is performed by a giant tragic clown who strokes his sleeping French bulldog as he sings. It’s a nice performance by Puddles Pity Party of a song that always slows my heartbeat a bit. I particularly always seem to hear the line And the things you can’t remember tell the things you can’t forget/That history puts a saint in every dream even when the song is playing in the background.

Have a good day. Enjoy your time here.



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Practice giving things away, not just things you don’t care about, but things you do like. Remember, it is not the size of a gift, it is its quality and the amount of mental attachment you overcome that count. So don’t bankrupt yourself on a momentary positive impulse, only to regret it later. Give thought to giving. Give small things, carefully, and observe the mental processes going along with the act of releasing the little thing you liked.

–Robert A.F. Thurman, American Buddhist author/professor



I like this bit of advice.

Give away things that mean something to yourself, something to which, as Thurman points out, you have a mental attachment that must be overcome. That’s always been the yardstick I use when giving away work at my talks or simply as a gift. It has to be something that hurts a bit to give away, something that you just want to hold onto a bit longer. 

But giving away the valued things of self brings on a feeling of magnanimity in myself, a feeling that seems so much larger and grander than that which usually comes along with clinging onto something. The feeling of generosity is warm and encompassing, like a field of fully opened sunflowers reaching toward the sun. On the other hand, miserly stinginess feels cold and all balled up, like a raisin sitting on a frigid garage floor.

And you most likely will find that the more that you give away, your desire to cling on to these things will fade away.

Let me clarify: I am not saying that you should give away all you have. Again, as Thurman also points out, don’t bankrupt yourself on a momentary positive impulse. First of all, a large or expensive gift doesn’t necessarily have any emotional attachment. Sometimes a small but thoughtful thing, even something that might appear trivial to someone from the outside, holds the most lasting meaning.

So, don’t equate price with meaning. But give when you can or when it it is needed and don’t be afraid to give of yourself, even if it’s only a few sincere words on a piece of paper. Those always ends up being the gifts that hold the most meaning for both the giver and the receiver.

But you probably knew this, right? So let’s listen to a song with a similar message from JD McPherson and his fun holiday album, Socks, from a few years ago. This is All the Gifts I Need.

Have a great day.



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Soul Cakes



Down into the cellar,
And see what you can find,
If the barrels are not empty,
We hope you will prove kind.
We hope you will prove kind,
With your apples and strong beer,
And we’ll come no more a-souling
Till this time next year.

Soul Cakes, Traditional British Folksong



Going to just play a tune this morning that is a bit seasonal. It’s a performance of Soul Cakes from Sting at Durham Cathedral from 2009. He also included the song on his If On a Winter’s Night album. 

The song itself comes from England in the early 1800’s, if not earlier. It was one of the souling or begging songs that were sung by the soulers— usually children or the poor– who went from door to door on Allhallowtide and Christmastide— Halloween and Christmas as we know them– offering songs and prayers for the givers’ departed family members and the givers themselves. In exchange, they were often rewarded with soul cakes which were often spice cookies with raisins or currants. Though the practice had pagan roots, the cakes were sometimes blessed by parish priests.

It’s a practice, much like mumming, that still exists in corners of the world. A little connection to our near distant past.

This is a really fine performance of the traditional song from Sting. Hope you’ll enjoy. Have a good day and if you hear me singing outside your door, you better have a cookie ready for me!



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