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GC Myers-  The Satisfaction smSatisfaction lies in the effort, not in the attainment. Full effort is full victory.

Mahatma Gandhi

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I often paint the rows of a freshly cut field in my work.  While this creates an interesting visual effect with its pattern of alternating colors, it also satisfies my own need to express the importance — and necessity–of effort for myself and for my work.

I have often pointed out at gallery talks that I spend huge amounts of time alone working in my studio, well over 50,000 hours in the past fifteen years.  I usually make a joke of this, saying that I just tell people I am hard at work during my time in the studio so they will not bother me and that its really not that much work.  Okay, maybe there is some truth there as far as not having people bother me.  But the fact remains that while I find my time in the studio enjoyable as well as enlightening, it requires great effort and work.

And I wouldn’t have it any other way.

I guess that’s because there is usually a moment after finishing a piece or a group of work for a show when I stop and look at the work in its state of completion.  In this moment there is a great sense of satisfaction at the result of my full efforts.  And that full effort gives the results a sense of completeness and their completeness brings me my own completeness, a fulfillment of some small purpose that I find necessary in order to persist in this world.

That small moment of satisfaction makes all the work, all the frustration and missteps, fade away and that which should have depleted me now serves as nourishment.  I find myself strengthened for another day.

Maybe that what I see in this new painting, an 18″ by 18″ canvas which is headed out to California.  It is called The Satisfaction, of course.  It very much reflects what I have written here, with the Red Tree representing someone looking back on the results of a long day of labor.  And again, they feel uplifted rather than worn down.

I know it’s not always that way.  There have been times when work has been very draining, definitely in my past and occasionally even now.  But knowing that  special moment of satisfaction that comes along every so often is out there makes me look forward to the task and the effort ahead.

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GC Myers-Archaeology- Rooted in the Past smOne of the interesting aspects of doing what I do is seeing where the images eventually finds their way. They have ended up in American Embassies in several countries, in magazines and on book covers here and abroad as well as on several CD covers.  One was even included in a recent history text book.  They have found their way to most corners of the globe, making them much more well traveled than their maker.  And in 2016 a couple of images from my Archaeology and Strata series will be part of the annual calendar for the Spanish Society of Soil Science

GC Myers- On the Shoulders of Time smIt’s gratifying for me to see the work spread out as it has.  You hope, as an artist, that your work has a wider appeal, that there is some common denominator in it that speaks across geographic and cultural boundaries.  You never know when you are in front of the easel if your work will be anything more than a blob of pigment on a bit of canvas destined for the trash or will take on a life of its own and move on.  So to see it move around the globe in some small way is a form of validation for the work, making the next crisis of confidence easier to fight through.  And that is no small thing.

Being Sunday it’s time for a little music and I thought I would play a song that kind of jibes with the soil theme of the work here.  It’s one of my favorite songs to sing along with from one of my all-time favorites, John Prine.  It’s called Please Don’t Bury Me and it’s about as upbeat a song on the subject of dying as you’ll ever hear.  Give a listen (and sing along if you know the words!) and have a great Sunday!

 

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I am preparing for my first experience as a teacher when I lead a two-day workshop next month.  I’ve been thinking what I want to say to the people who come to it.  And what I don’t want to tell them.  Mainly, I want to stay away from telling them that they should or must do something in any one way.  I will show them my process and my techniques but will stay away from all subjective judgments.   While I might like to see them render something in one way, their work should be their own creations with its own visual vocabulary and style, all based on their own perceptions.

This reminded me of a post from several years ago that addressed just such an issue.  It is one of my favorite stories about the late Ralph Fasanella, the one-time union organizer turned urban folk painter.  His enthusiasm for maintaining his personal vision is something I hope to impart to the folks who might be attending the workshop.  From back in 2011:

Ralph Fasanella- Stickball

Ralph Fasanella- Stickball

I came into the studio this morning and immediately sat down to read my emails.  Among them was the most recent post from  AmericanFolk Art@ Cooperstown titled Ralph’s Take On Rembrandt.  It concerned the late and great American folk artist Ralph Fasanella and his reaction to criticism and unsolicited advice.  I finished reading and burst out laughing.  Boy, did it hit close to home!

Over the years, I have been approached by several people who think they are doing me a great service by telling me that I should change the way I paint in some way or that I should try to paint more like some other artist.  Early on, when I was first exhibiting my work, I had another more established artist tell me that I should change the way I paint my figures, that they should look the way other artists paint them.  I responded to this artist and the others who offered me their advice with a smile and an “I’ll look into that.”  But  that one time,  I also mistakenly heeded the older painter’s words, being inexperienced and seeking a way as I was, and stopped painting figures for a while before realizing that this was not good advice at all.

Here’s the post about Fasanella and his response to such advice.

Ralph Fasanella had trouble painting hands. A lot of trained artists do too, so it is not surprising that a union organizer who turned to drawing suddenly at the age of 40 would struggle with hands early in his career. But he did have something that proved better than years of formal training: he believed that he was an artist and that what he was doing – painting the lives of working people – was a calling that deserved his complete attention and all-consuming passion.

And that made him react when anyone suggested that his paintings weren’t up to snuff. He said that he was painting “felt space,” not real space. His people and the urban settings he placed them in were not realistic in the purest sense of the word, but they sang with spirit and emotion. As Ralph said, “I may paint flat, but I don’t think flat.”

Rembrandt- The Jewish Bride (Detail)

Rembrandt- The Jewish Bride (Detail)

His most memorable quote, and the one that says the most about him, occurred very early in his artistic career, when someone told him that his hands looked like sticks. He ought to study Rembrandt’s hands, they said, in order to get it right.  His response is priceless: “Fuck you and Rembrandt! My name is Ralph!”

I may not really adopt Ralph’s approach but you can bet his words will be echoing in my head the next time someone says “You should paint like…”

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Ira Glass Thoughts on Beginning CreativityI came across this bit of encouragement from Ira Glass, host and producer of NPR’s This American Life.  It’s abridged a bit from a video of his about storytelling  and is primarily for writers/broadcasters but certain bits of advice and  inspiration, such as this,  cross over easily to most of the creative fields.  And whether  you write, draw, sculpt, sing, dance or play the accordion, one thing is true:  You must do a lot of work to get better.

This seems almost too simple and I think that’s why its the kind of thing that is sometimes overlooked by people as they start working in a new field or medium.  We all want immediate results, want  to have the tangible result of our efforts match that version of it that resides in our mind.  But it is never that simple and there’s a wide gap between our desired outcome and reality.  As Ira points out, you must do a lot of work to close that gap.

A lot of work.

And that is where most people draw the line.   Sometimes it’s just a lack of will and they move on to the next thing, hoping that new thing will meet their need for quicker results.  Sometimes it’s just life and a lack of time that keeps them from continuing ahead.

But if you can stick with it, fight past the stumbling blocks and frustrations, you will improve incrementally, getting better and better with more and more effort.

And the better you get the better you will want to be, the more you will push your own personal goalposts out in front of you.  In my time working alone in my studio I have spent well over 50,000 hours trying to close that gap and there have been times when I have thought I had reached that point where the reality before me matched the vision in my mind.  But I soon realized it wasn’t quite there and I needed to keep at it.

Just keep working and fighting through.

I’ve got to go do just that right now.

 

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GC Myers- Raised Up Practice kindness all day to everybody and you will realize you’re already in heaven now.

Jack Kerouac

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I am not sure what to do with these words from Jack Kerouac but I do like them and think they deserve to be passed along.  I am a firm believer of kindness in all forms and believe that it is a pathway to a better life here in this world.

When I was waiting tables I found that my own attitude and demeanor often dictated how others responded to me.  If I smiled and acted congenially, more often than not the person I was dealing with responded in the same manner.  We are reactionary creatures and we instinctively respond according to the tone we encounter– rudeness with rudeness and anger with anger.

And kindness with kindness.

It’s our choice.  If we can fight against our reactionary nature and choose to act and react with kindness, we can shape our world and then perhaps realize that a form of heaven might be within our grasp.

I have never had the faith or certainty of those who believe that there is an actual heaven waiting beyond this world.  I would like to but I just don’t have it within me.  So, for me, if there is to be a heaven it is something to be sought in the here and now.  By that, I mean creating an environment that is honest, kind and gentle.  A life that is peaceful and quiet–that would be heaven to me.

So, when you’re out there today and face rudeness and anger, make the choice to react in a gentler manner and be kind.  Your world might be one small step closer to heaven.

This quote reminded me of a song from one of my favorites, John Prine.  The title pretty much sums it up: He Was In Heaven Before He Died.

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pablopicassoskeletonYour willingness to wrestle with your demons will cause your angels to sing.

August Wilson

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As the post below from back in August of 2010 points out, most years I struggle with the month of August and this particular one is no different.  The doldrums set in and I am filled with an anxiety and a stifling restlessness that combine to create a sense of desperation within me.  If I hadn’t experienced this before, this feeling would seem unbearable.

But it’s not something new so I realize that it’s just a matter of hanging on and letting it pass, all the while trying to pull something from it that will show itself in my work.  I have found that such keen desperation is often the source of great work, much as playwright August Wilson a fitting first name!— points out so eloquently in the quote above.  So, while I find myself fighting through the cruel days and demons of August, I do so as I listen for the song of angels to begin.

And from experience, I know they will begin soon enough.  Sing, angels, sing!

From August 18, 2010:

This print from Picasso [ Above] very much sums up my feelings for the month of August. 

I have never been a fan of August.  Memories of the so-called dog days of summer spent as a child.  Hot from a relentless sun.  Bored.  Burnt grass crunching underfoot.  The coming school year hanging overhead like the sword of Damocles.

August has always had a faint aura of death around it for me.  I remember the death of my grandfather in ’68.  My beloved dog Maggie years later.  Several friends over the years, from a variety of causes. Elvis.   The bright glare of the August sun seeming to taunt the grief of the moment.

August.

We were watching something on television the other night, perhaps Mad Men– I can’t really remember.  Anyway, the character in the scene that was on said , “I hate August.” 

It made my ears prick up and I couldn’t help but mutter, “I’m with you there, brother.”

August.

Well, I’ve got a lot to do this August  morning.  It takes a lot of work to keep busy to ward off the cruelty of  August…

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GC Myers- Outlaw's VigilAt last weekend’s Gallery Talk at the West End Gallery I was asked if there was work that I do for myself alone and I replied that there is, that I sometimes do small pieces in moments of frustration or anger that I won’t share with the outside world.  I feel that even a person living the most transparent of lives should not share every waking thought.  And I probably share more than I should as it is.

This question led to a short description of the work from my earlier Exiles and Outlaws series, both of which I have written here a number of times in the past.  The Outlaws series probably was closer as an answer to the question posed to me that day, consisting of images that examined the darker aspects that make up the prism of our personality.  The central characters in these pieces were often armed with handguns and were definitely haunted by their past actions, existing in a state of fear.

At least, that is how I saw them.  Some others saw them as predatory stalkers who might be lurking outside their own windows.  It was an interpretation that I wasn’t initially expecting when I painted this work. But it might make sense, given the fear and sometimes paranoia that feeds our obsession with guns.

The piece above, Outlaw’s Vigil, is from that series and hangs in my studio now.  It is a prime example of the differing perceptions of the work.  Many have seen him as a potential danger, a symbol of imminent evil, while I see him as a person filled with absolute fear, always looking over his shoulder to see what is coming upon him from behind, from his past.  He is forever frozen in this instance of terror.  There is no looking ahead, no future.

Odd as it might seem, this small painting is inspirational to me.  It serves as an object lesson, an example of how I do not want to exist in this world.  I do not want to live in fear of the past or so fearful of others that I cling to a gun in my own home, peeking out my windows.  This piece lets me know that I want to live a fearless life.  It may ultimately be a fool’s mission but it makes this odd little painting priceless to me.

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I  was scanning the archives for the blog and came across this entry from four years ago, written in the immediate aftermath of that year’s West End Gallery opening.  It had the story of a young boy with a rare disease and a message that really touched me then and now.  Thought it deserved another run today:

josiah-vieraWell, the opening is over and the show continues to hang at the West End Gallery.  Good opening.  Talked to a lot of really nice people, many new to me.  Many thanks to everyone who came out.   You made the evening complete and  I could not be more grateful.

That said, I was sure glad when the night was over.  There comes a point near the end of an opening, especially in the aftermath of constantly promoting it by writing about it here,  where I am really tired of talking about me and can’t wait for that moment until I don’t have to say anything to anyone.

So later that night, we came home and decided to quietly watch that night’s Jeopardy,  a show I have watched intently since I was a child when Art Fleming was the host in the 60’s. Before it came on, I caught the end of the ABC Evening News and there was a story about their Person of the Week.  It was a young boy, Josiah Viera, from central Pennyslvania who suffers from Progeria, an exremely rare (something like only 54 cases in the world) disorder where the child begins prematurely aging, most having a life expectancy of between 8 and 13 years.  Josiah, now 7 years old, has the tiny body of a 90 year old, taking cholesterol and arthritis medications. He is 27 inches tall and weighs 15 pounds.

But Josiah doesn’t dwell on the hardships of his condition.  Instead he concentrates on his passion, that thing that brings him sheer joy: baseball.  He lives for the game, wanting to play it from the minute he wakes until the end of each day.  He approached a coach at the local t-ball league in Hegins, PA and told him that he wanted to play in the games.  They feared he might not survive more than a single game and indeed, after his first game, Josiah suffered a series of mini strokes and was hospitalized.

But he recovered quickly and his desire for the game was so strong that he was back after three weeks.  The news of this little boy and the joy with which he played the game captured the hearts of the local folks and by the last game there were several hundred fans ( not your usual t-ball crowd!) all cheering him on and chanting his name.  And as he stands on the bag at first base, which seems like a table under his small body, Josiah smile glows with the sheer and absolute joy of being safe.

Absolute joy.  How many of us allow ourselves to feel that?  Josiah’s time here is limited, as it is for all of us.  Yet his life is not sadder for that knowledge.  Instead he has somehow chosen to find joy in those few days, rejoicing in the moment instead of fearing the future or focusing on the  life that might have been under different circumstances, things which too many of us allow to take over our lives.

Life is now.  His pure joy is a lesson for us all.  Life’s too short to not revel in those things that make us happy.

What is your joy and if it’s not the biggest part of your life, why is that so?

Below is the longer version of the story from ESPN on which the ABC story is based.  It’s a beautifully done report.  Have a great Sunday and again, thank you for everyone who came out Friday night– you brought me a little of that joy that I speak of.

2015 Update:  Josiah is now 11 years old and still as much in love with baseball as ever.  He is the an honorary bench coach for the State College Spikes, the St. Louis Cardinal’s Class A minor league team located in central Pennsylvania.  He plays cards with the players before the game, gives the manager bits of advice on game moves and provides the team with much more than they could ever give him in return. He also went to spring training with the  major league St. Louis Cardinal, getting to hobnob and even play a pickup game with their star players.  Throughout it all, that joy sparkles and inspires.  As one player said after going through a particularly tough game, “When I see that little guy across the clubhouse, I know I’ll be fine.”

There’s a great article from MLB.com that gives all the updates on Josiah.  Click here to see it.

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GC Myers- In the Land of Many Colors sm

GC Myers- In the Land of Many Colors

I found I could say things with color and shapes that I couldn’t say any other way – things I had no words for.

Georgia O’Keeffe

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My show, Home+Land, opens tonight  at the West End Gallery with an opening reception that runs from 5-7:30 PM.  The West End was the first place to give me an opportunity to display my work, over twenty years ago, and has served as a home base for my painting in the years since.  I’ve written here in the past how different my life might be without that first opportunity.

As a result, I attach special significance to my shows here.  Maybe that played a part in my choice of Home+Land as the title for this year’s show.

I’m not sure.

But I do know that, no matter how widely traveled my work is beyond this area, it personally means a lot for me to have my paintings strike a chord with and be appreciated by my friends and neighbors locally– people who often know me in other ways than my being an artist.

And I hope that happens with this particular show.  It is a show that I feel explores the idea of home and place in many colors, textures and forms.  It is a show that I feel represents my work fully to this point in time and speaks for me in ways that words never could, much in the way Georgia O’Keeffe said her work did in the quote at the top.

It would be easy to sit here and write umpteen words about the two pieces from the show shown here, In the Land of Many Colors at the top and Lake Tranquil below, but they effortlessly say more than I could ever say with all my struggling words.  As they should.

So, if you’re in the Corning area tonight, stop in at the West End Gallery for a bit.  Have a glass of wine, stroll around the gallery and see the show.  I’ll be there to answer any questions you might have and would love to hear your comments.

GC Myers- Lake Tranquil

GC Myers- Lake Tranquil

 

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Grand Prismatic Spring Yellowstone Wyoming Photo by Jassen T.I am in the last full day of preparing my work for my show, Home+Land, for the West End Gallery before delivering it tomorrow. This last day is always one filled with a great sense of relief and just a bit of anticipation as I begin to envision the whole of it in the gallery.  Over the last several days, I’ve began to feel very good about this group and am eager to see it hanging together.

But this morning I didn’t want to think about it at all and scanned some of my favorite sites to see what’s new.  Well, new to me.  I went back to the National Geographic site and came across some photos by a San Francisco based photographer named Jassen T.  I wish I had more info to share on him but his work on the Nat Geo site is great, mainly aerial imagery including the one above, a shot looking down on Grand Prismatic Spring in Yellowstone National Park in Wyoming.  Love the jewel-like colors and the organic flow of the forms.  Just a great image.

Another of his aerial shots is the one at the bottom of a salt marsh in the San Francisco Bay.  It has a very painterly look, reminding me in some ways of another Bay area artist, Wayne Thiebaud.  I find myself constantly moving my eyes back to this image, taking in the forms.  I know what it is in reality but my mind wants to continuously interpret in many other ways.  It just sparks all sorts of thoughts which must be the sign of a good image.

Thanks, Jassen T., for the great images.  They were very refreshing this morning.  Hope to see more of your work in the future.

Salt Marsh San Francisco Bay Photo by Jassen T.

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