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The wind is blowing; those vessels whose sails are unfurled catch it, and go forward on their way, but those which have their sails furled do not catch the wind. Is that the fault of the wind? Is it the fault of the merciful Father, whose wind of mercy is blowing without ceasing, day and night, whose mercy knows no decay, is it His fault that some of us are happy and some unhappy? We make our own destiny. His sun shines for the weak as well as for the strong. His wind blows for saint and sinner alike. He is the Lord of all, the Father of all, merciful, and impartial.

–Swami Vivekananda

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This new painting in my Multitudes series is a 36″ by 24″ canvas and is titled Saints and Sinners. It’s headed out to the West End Gallery this weekend to be part of my solo show, Moments and Color, that hangs there until the end of August.

I came across the words above today from Swami Vivekananda, a 19th century Hindu monk/mystic, and they seemed an appropriate fit for this painting. Looking at this piece, the faces seem to form a sail of sorts, something I hadn’t noticed before this morning.

The imagery of our lives as being boats appeals to me. Like sailors on boats, our decisions set our course. Two boats on the same body of water may react differently on the water due to the actions of the sailor aboard each. Sometimes these are small and subtle actions. Similarly, the differences between the saint and the sinner are often small and subtle.

The saint may let go of anger where the sinner holds fast to it. The saint may see hope where the sinner sees despair. The saint may give mercy where the sinner might seek vengeance. The saint bears responsibility for their own decisions while the sinner places the blame on others for their own mistakes.

Written down, the differences seem greater than they do to the eye. The saint and the sinner may be indistinguishable at first glance. And maybe that is as it should be. We have the possibility of each– saint and sinner– within us. We have all made bad decisions but we live with the hope that we may make better ones in the future.

Like Oscar Wilde said: Every saint has a past, and every sinner has a future.

Or in the words of Nelson Mandela: I am not a saint, unless you think of a saint as a sinner who keeps on trying.

Or maybe there are neither saints nor sinners. Just simple sailors in boats, some running fast and some foundering in their wake.

Hope you’ll stop out and see this new piece.

You can see it if you come to my Gallery Talk at the West End Gallery on Saturday, August 17, beginning at 1 PM. I’m sure it will be part of he discussion and maybe you’ll take home a prize! Details coming soon!

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Well, the opening for Moments and Color, this year’s edition of my annual solo show at the West End Gallery, is here. The reception begins tonight at 5 and runs until 7:30 PM at the gallery on Corning’s Market Street.

The show hangs in the gallery from tonight, July 12, until August 30. I hope you can make it tonight but if not, there’s plenty of time to see this show.

My annual Gallery Talk at the West End is on Saturday, August 17, beginning at 1 PM. There will be plenty of details on the Gallery Talk in upcoming weeks. It’s always a popular event and one that I think is a lot of fun. That’s just my opinion but folks keep coming back so maybe I’m not too far off base with that assessment. While there will be snacks and prizes, I am thinking of doing this year’s talk completely in yodels so take that into account when making your plans.

I want to take a moment to thank Jesse, Lin and John Gardner (and Tom Gardner who gave me a critique that changed my life) at the West End. It has been my pleasure to be part of the gallery now for what will be 25 years next February. Without the start they gave me and without the encouragement they have offered over the years, my life would certainly be much different than it is at the present time. For example, you most likely wouldn’t be reading my blog– unless you are prone to reading the blogs of a Walmart greeter.

I thank them for welcoming me into a world that I could barely imagine at the time and for allowing me to grow on my own terms. All an artist can ask for. Hopefully, we will be able to work together for many more years ahead. That would be a wonderful thing.

That being said, I believe this exhibit might be near the top of all the shows I’ve done at the West End, especially in terms of variety and consistency. I think this show has a real presence– each piece with its own evident vibrancy and life– in the space.

Again, all an artist can ask for.

Hope you can make it in.

 

 

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“You say I am repeating 
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own 
And where you are is where you are not.”

― T.S. Eliot, East Coker

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This is a another painting from my upcoming solo show, Moments and Color, at the West End Gallery that opens Friday. It is called Meditatio and it is a painting I have shown here before. It was painted last year but as it sat here in the studio awaiting this show, I saw things in it that made me want  to change the painting a bit.

I lightened the center of it with a few small additions of new paint to the moon and Red Tree, giving it more light. That very much changed the attitude of the piece but it transformed even more when I changed the plain black band that had surrounded the central image to a bronzed burgundy. This new band color altered the experience of the painting, giving the whole thing a warmer glow.

I thought it was strong painting before, one with a meditative presence that definitely stood out in my mind. But these seemingly small changes transformed it greatly. It still feels meditative, as the title implies, but in a more welcoming way.

I see these words above from T.S. Eliot’s East Coker as part of a conversation between the Red Tree and the rising sun/moon, who points out that it repeats its lesson with each new rise. And though it is repetitive, it is no less meaningful and instructive.

I will let you read into it what you will but I particularly love the last line here– And where you are is where you are not.

That could very well sum up my work.

Hope you get a chance to see this piece at the West End Gallery. The opening is Friday, from 5-7:30 PM.

 

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“And He will judge and will forgive all, the good and the evil, the wise and the meek . . . And when He has done with all of them, then He will summon us. ‘You too come forth,’ He will say, ‘Come forth ye drunkards, come forth, ye weak ones, come forth, ye children of shame!’ And we shall all come forth, without shame and shall stand before him. And He will say unto us, ‘Ye are swine, made in the Image of the Beast and with his mark; but come ye also!’ And the wise ones and those of understanding will say, ‘Oh Lord, why dost Thou receive these men?’ And He will say, ‘This is why I receive them, oh ye wise, this is why I receive them, oh ye of understanding, that not one of them believed himself to be worthy of this.’ And He will hold out His hands to us and we shall fall down before him . . . and we shall weep . . . and we shall understand all things! Then we shall understand everything! . . . and all will understand” 

Fyodor DostoyevskyCrime and Punishment

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This new painting is an 18″ by 36″ canvas that is included in Moments and Color, my annual show of new work at the West End Gallery that opens this coming Friday. It was completed for quite some time before I finally settled on a title for it. Every title that came to mind seemed too trite or too well worn for this piece.

The Red Tree and its placement here give me the impression of someone standing before a group while delivering some sort of moral or spiritual instruction. Sermon on the Mount sort of stuff. The setting here has a placid feel and the location of the Red Roofed houses give the impression that they are rapt listeners.

It all gives this piece a feeling of great serenity.

With this in mind, I finally settled on The Homily as a title. A homily is a story that is often part of a religious sermon that demonstrates a moral or spiritual lesson in practical terms and contemporary settings. And I can see that here. Without it espousing the tenets of any religion, it has a spiritual feeling for me, one that serves as a practical illustration of peace and acceptance. It’s as though the Red Tree is calmly telling those around it to see the beauty and tranquility that surrounds them even in times of chaos.

There’s a sense of certainty to this piece that feels religious to me. It’s the kind of certainty I never had for myself or fully understood in others. But looking at this now, I can almost understand that certainty. Its actually beyond religious. I see it more as an inner belief that one has that allows them to remain calm in dire times, knowing that they have the ability to persist.

That even though the world around them changes, that they can adapt and prosper because their core values remains intact.

And maybe what this, a representation of those core values, whatever it is that brings us inner peace and serenity.

It’s early and my eyes and mind are still trying to focus so these few paragraphs may not be a homily. But they are an attempt, like this painting, to point out our need for peace, for those moments of tranquility that allow us to continue onward in a world that often seems out of our control.

Maybe its the understanding that Dostoyevsky speaks of at the top.

Hope you find it for yourself.

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This painting, The Homily, is part of Moments and Color, my exhibit of new work now hanging at the West End Gallery in Corning. There is an opening reception this Friday, July 12, running from 5-7:30 PM. Hope to see you there.

 

 

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Let the New Day Begin- at the West End Gallery Now

The work for this year’s edition of my annual solo show, Moments and Color, is now hanging in the West End Gallery, all ready for the opening this coming Friday, July 12. I put together a video slideshow of the work from the show which is below.

This was an interesting project, in that it was hard setting the lineup for the images in this video. I couldn’t frontload the video with what I might consider the best pieces because I couldn’t rank them. There’s great consistency across the board that made deciding difficult. Each time I tried to move a piece up or down in the lineup, it didn’t seem to make a difference in the quality or feel of the video. I think you could watch this backwards and would get the same visceral experience from it.

And I like that. That consistency has always been a point of pride for me. I like to think that every piece, from the smallest and simplest up to the largest and most complicated, has the same level of consideration and effort.  After all, big or small, they all represent me out in the world and to skimp on one in effort or any other way diminishes them all.

This show has a lot of facets, a lot of familiar and new looks, but it just hangs together well. It’s a show that gives me a lot of satisfaction on a number of levels. Please take a look at the video and if you’re in the Corning area, please stop in for the opening on Friday, from 5-7:30 PM. I look forward to seeing you there!

 

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Stopped in at the West End Gallery yesterday to see how the work from my new show, Moments of Color, looked on the walls.

I was pleased.

You can only get a small sense of how the work for a show will hang together when it’s still in the studio. The paintings are scattered all over, some in different rooms and some obstructing others. Almost none of them are in frames. I never get to see them fully presented, hanging clearly in direct relationship to one another.

So it’s always interesting to see how the show comes together on the walls, to see if a unifying theme emanates, and to see what pieces jump forward. In this case, the color mentioned in the show’s title is made abundantly clear. It is a show filled with color.

I’ve written here before about coming to painting because I wasn’t seeing the paintings I wanted to see, wasn’t experiencing the colors I wanted to feel. This  show comes close to meeting that desire for color, especially the fully saturated deep tones. They show themselves well on the gallery walls and actually serve as the unifying theme for the show. Even in the Multitudes pieces that feature masses of faces, it is the color of those pieces that binds them to the other works in this show.

One of the pieces, along with so many others, that seemed to jump off the wall for me was the piece shown above, La Belle Vie. That translates from French as the good life or the beautiful life. Either works for me. With its clarity of line and color in its skies, hills and flowerbeds along with its size, 36″ high by 18″ wide, it is a piece that has a real presence on the wall for my eyes.

As an artist, sensing that presence in a piece is an extremely gratifying feeling. It’s a feeling of completeness, as though I have done as much as I am capable of in this piece at this point in time. And that makes it a statement of who and what I am as an artist– and a person– at this point. I guess that kind of sums up my feelings on this painting.

Jesse and Lin have done a tremendous job hanging this show. Hope you can make the opening reception at the West End Gallery this coming Friday. It begins at 5 and runs until 7:30 PM. If not, hope you can stop in and take a look.

For this Sunday morning music, I have chosen a song called Beautiful Tango sung by Hindi Zahara, a Morocco born singer that is based in Paris. Love the feel and pace of this song. It seems to jibe well with La Belle Vie above. I could see the Red Tree dancing a tango here. Give a listen and have a good day.

 

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“Whereas the beautiful is limited, the sublime is limitless, so that the mind in the presence of the sublime, attempting to imagine what it cannot, has pain in the failure but pleasure in contemplating the immensity of the attempt”

― Immanuel KantCritique of Pure Reason

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The painting shown at the top is titled Sublime. It is a new 24″ by 48″ canvas that is included in my show, Moments and Color, that opens a week from today on Friday, July 12, at the West End Gallery.

I struggled finding a title for this piece for a long time. There was a quality in it that attracted me immensely, that spoke volumes to me. But try as I might, I could never quite put my finger on what exact quality that might be. I just knew that if felt like something bigger than any single emotion. It had, for me, an immensity of feeling.

So, the word sublime came up in my search for a title and it immediately felt right. The feeling I was sensing and trying to describe was sublime, at least in my understanding of the word which put it at a point beyond beauty. Maybe beauty plus several other layers of feeling.

Every word that came to mind seemed limited to one emotional ray but sublime was a wide spectrum of feeling.

It was already titled when I came across the words at the top from the philosopher Immanuel Kant. His idea of the sublime being limitless and beyond our attempts at imagining it described perfectly my own frustration in the struggle to find words for the wide range of feeling I was sensing in this piece.

It seemed a bit like serendipity that the painting’s title was already Sublime. I still feel frustrated in describing my response to this piece but that word, sublime, covers the bases for me.

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Moments and Color is the title for my annual show at the West End Gallery, located on historic Market Street in Corning, NY. The exhibit opens Friday, July 12, with a reception that is open to all and runs 5-7:30 PM. The show is currently in the gallery and available for previews.

 

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Well, the work for my upcoming show, Moments and Color, is out of the studio and at the West End Gallery. The show will be completely hung sometime today well in advance of next Friday’s July 12 opening.

It always feels a little weird the first morning back in the studio after delivering a large group of work for a solo show. While it’s a relief to have the work gone and the task met, it is a bittersweet sensation. The paintings that have surrounded me, that have called out at me, that have occupied my mind for months are suddenly gone. It feels hollow here even though the place is far from empty and the work that is gone seems to have left behind an echoing presence.

Some pieces definitely leave behind reverberating waves. Like the one above, a 16″ by 20″ painting from the Multitudes series that I call Soul Boat. It’s a piece that I miss now when I scan around the studio. There are faces in it that I had gotten used to locating and focusing on, like the one here on the right that reminds me of Henry Miller. Maybe he’s sailing out on the Tropic of Cancer or Capricorn.

Don’t know but I kind of miss having him staring out at me.

If you want to have this Henry Miller stare at you for a bit, Soul Boat is now at the West End Gallery for next week’s opening on Friday, July 12. Please stop in and get a sneak peek at the show.

Anyway, here’s an oldie from Grand Funk Railroad that might kind of line up with this piece– if you squint your eyes and try real hard. It’s I’m Your Captain/Closer to Home.

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I am moving right along with my prep work for my new solo show at the West End Gallery, Moments and Color, that opens in a little less than two weeks from now. I deliver the show early this week, before the July 4th holiday on Thursday, so this weekend has been a busy one as the work goes into their frames and mat and glass are cut.

I think I’ve probably described this final prep time preceding a show before. Even though I can easily imagine how a painting will appear, actually seeing the work fully presented in their frames brings a fuller dimension to each piece. It also gives me a better idea of how the show will coalesce and hang together on the gallery wall.

Hopefully, it’s a very satisfying feeling. And with this group of work, it definitely is, leaving me eager to see it on the wall.

Anyway, got lots to do still and I am a little frantic. Thought this Sunday morning’s musical selection should reflect that. It’s a neat version of the Ramones punk classic I Wanna Be Sedated from Tim Timebomb, whose music I featured here just a week or so back, along with Lindi Ortega. It’s kind of an unexpected take on the song and one that I find highly entertaining. There are two versions below, the first being the full version and the second containing just the instrumental track, which I liked enough to include here.

The image at the top is a new small piece, The Soloist, that I just finished for this show. Moments and Color opens Friday, July 12, with an opening reception from 5-7:30 PM, at the West End Gallery in Corning.


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“A man must dream a long time in order to act with grandeur, and dreaming is nursed in darkness.”

― Jean Genet

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I came across this quote and it made me stop. When he said that dreaming is nursed in darkness, was Genet saying that we must sleep more in order to be able to dream more? That didn’t sound right to me.

More likely he saying that we must stumble through much darkness, not sure of where we are or where we are headed, in order to achieve our dreams. Maybe it is this time spent maneuvering in darkness that gives us the courage to act on our dreams.

That makes more sense. Following that dream for a long time, never seeing it fully in the darkness, makes that elusive dream more precious and gives one a sense of urgency in achieving it. When the possibility of the dream coming to fruition is finally upon them they are not afraid to take action. They can then act with grandeur, as Genet put it.

That sounds better but what do I know? It’s 6 AM, I am tired to the point I can feel the dark rings under my eyes, and I am thinking about Jean Genet and dreams. Even the tiniest act of grandeur doesn’t seem too probable at this point.

But I think I understand this struggle to follow our dreams, to become what we truly want to be. It’s easy to lose sight of our dreams when we are stumbling in the inky darkness. Once they move away from us, they often are lost forever.

That’s sort of what I am sensing in the new piece above that is included in my upcoming West End Gallery show. It’s a smaller painting, 6″ by 10″ on paper, that I am calling Dream in Sight. It’s one of the pieces from this show that are a nod back to my earlier work. Perhaps the moon represents the dream here, rising and falling through the darkness. Sometimes it doesn’t show at all. Other times, it only shows a smaller part of itself.

And it always seems so distant yet so near.

Hmm, I have to think on this. Or take a nap and dream a bit more.

Have a great day.

 

 

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