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GC Myers- The Old Man smNone are so old as those who have outlived enthusiasm.
Henry David Thoreau

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This is a new painting that measures 12″ by 6″ on panel and is part of my show at the West End Gallery that opens in about two weeks, on July 22.

I  call it The Old Man.

For me it symbolizes someone in their final years and days of life who has lost enthusiasm for this world, who sees it as a place that has changed beyond all recognition or comprehension.  It is no longer their world, which feels like an alien landscape in which they are stranded.

They feel detached from the lifeblood of the now and of the future, clinging to what remains of the past in their memories and connections, both which grow smaller and smaller with the passing of time.  After a time, even pulling from that field of memory brings no joy.

It becomes a painful waiting game beneath an unblinking sun.

That sounds sad, I know.  But there is something positive in it as well.  I see this as a cautionary piece, one that warns against disengaging from the world even as it changes from that which we have known and accepted.  The world keeps on moving and we must remain enthusiastic and find new joy in this ever changing world.

That’s my take on this painting, most likely formed from some personal observations. Perhaps you will see something other than this when you look at this image, something that jibes with your view of the world.

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GC Myers- The PauseThe right word may be effective, but no word was ever as effective as a rightly timed pause.
Mark Twain

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The painting shown here is titled The Pause and is 16″ by 16″ on paper.  It is included in my upcoming show, Contact, at the West End Gallery which opens on July 22.

I am a big believer in the pause as a form of communication.  That brief moment of silence between words said and words not yet spoken, that small period of inaction between actions, is often filled with a great and ponderous anticipation of what might come next.  In that tiny span of emptiness there is both a look backward at all that has come before and ahead at all that the future might bring.  The pause allows for contemplation of both.

Okay, now that may be putting the importance of a pause in larger than life terms.  Not every pause holds all the past and all the future.  But every pause allows consideration and thought of the immediate past and future, giving that moment a certain degree of importance.

I learned the lesson of pausing from the many gallery talks I have given over the years.  Halting for just a moment to ponder the question asked or the statement made is far more effective than simply beginning to speak.  That was a difficult thing to do at first when it sometimes seemed like every moment needs to be filled with sound and content to cover my insecurity.  But I learned that that moment of silence was not a bad thing at all.  It showed an appreciation of the question or statement, showed that I heard what was being said and showed that I wanted really consider how I would answer.

Moving back to larger terms, the pause works in much the same way.  The pause takes the past and brings it into the present and makes it part of the decision for the future.  The pause consoles us as to what has failed us in the past and what has succeeded.  It cautions us against rash and impetuous actions.

The pause is a deep breath that freshens us, allowing us to take in the world around us and to refocus, to reconsider our words and actions.  The pause allows us to see other paths leading forward.

The pause can be a potent force, if only we choose to use it.

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GC Myers- Listener (The True Music)Mr. Twigley’s eyes glowed behind his spectacles as he thought of all the lovely things he would put in the musical box.

“But you can’t hear trees growing,” protested Michael. “There’s no music for that!”

“Tut!” said Mr. Twigley impatiently. “Of course there is! There’s a music for everything. Didn’t you ever hear the earth spinning? It makes a sound like a humming-top. Buckingham Palace plays ‘Rule Britannia’; the River Thames is a drowsy flute. Dear me, yes! Everything in the world — trees, rocks and stars and human beings — they all have their own true music.”

P.L. Travers, Mary Poppins Opens the Door

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Think what you will but I love the Mary Poppins stories.  It seems like every chapter has a philosophical lesson or message, an urging to see the world in a different way.  There is usually a reminder that things are not always what they seem, that what we see and know is only a small part of the whole, that there are worlds and worlds around and beyond us.

Fittingly, it’s very much the theme of my recent work and upcoming show at the West End Gallery.  The painting, a 24″ by 12″ canvas, shown at the top is part of that show and is titled Listener (The True Music).  I  had Mr. Twigley‘s workshop, and that particular snippet from the book above, in mind when I was working on this piece.  The idea that everything has its own true music, its own truth, resonates with me.

I don’t exactly know what my own true music might be.  There have been songs and sounds that often bring me to tears so my guess is that my true music might reside in the chanter of a bagpipe, in the low vibrations of a cello or in the twang of a guitar string.

Or maybe it’s in the sounds of a lone voice singing Amazing Grace.

Or the voices of a large chorus united in Ode to Joy.

Or maybe it is simply in the sound of the wind as it moves the top of the grasses of the fields and in the leaves of trees.

Sometimes, as I walk through the woods to my studio, the trees moving in the wind rub and seem to make loud squawks and voice-like sounds that make me stop and try to hear what they might be saying.

Maybe that’s my true music.

I am not sure but I will continue listening.

What is your true music?

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GC Myers- sm



The world is full of magical things patiently waiting for our wits to grow sharper.

Eden Phillpotts, A Shadow Passes (1919)



These handful of words from the British author Eden Phillpotts succinctly sums up the idea behind my current show at the Principle Gallery as well as that of my next West End Gallery show, Contact, which opens July 22.  And that is that there is a world of wonder within our grasp if only we make the effort to recognize the patterns and forces of which they are comprised.

I have said before that we are part of a greater pattern.  I believe that it can be found in two simple ways– either looking inward or looking outward.  Since we are are formed from this pattern we can find parts of by examining our own inner world, our thoughts and dreams.  Or we can examine the world immediately around us for the hints of the pattern that are everywhere if only we can identify them.

Unfortunately, in this busy modern world we too often  find ourselves doing neither.  We live in a sort of limbo where we are mesmerized by the glossy lure of technologies that occupy our every moment.  It’s hard to look inward or outward when our eyes and thoughts are fixed on the screen in our hands.

Don’t get me wrong– I’m no technology-resisting Luddite.  I embrace the wonders of this technology when it serves a real purpose, when it expands our knowledge and sends it to the far corners of the world.  The possibilities for good things are seemingly endless.

But none of it matters if we lose contact with the greater powers and wonders that surround us every day, forces and patterns that patiently wait for us to unravel the magic that makes them invisible to us.

I know to some, this sounds like a bunch of mumbo jumbo.  Maybe the idea of great forces and patterns surrounding us seems a bit loony to some.  I get that.  But set that aside, if you must, and  simply consider the benefits of looking away from your smartphone or laptop for a short time each day to examine the inner and outer world outside of that screen.  Maybe if we do this on a regular basis our wits will sharpen to the point that we will better see that world of magical things as Bertrand Russell pointed out.

The painting above is 11″ by 16″ on paper and is called Point of Contact.  Part of the upcoming July show at the West End Gallery, I believe this piece very much mirrors the thoughts above.

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GC myers- Joyous One smThis is the true joy in life: the being used for a purpose recognized by yourself as a mighty one, the being thoroughly worn out before you are thrown on the scrap heap, the being a force of nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy.

-George Bernard Shaw

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Joy was the word that first came to mind when I finished this new piece, a 16″ by 20″ canvas that is part of my show that opens next month at the West End Gallery.  There was just a feeling of realized joy and happiness throughout it, the kind that Shaw described above in his play Man and Superman.

I think the feeling he describes must be one of the greatest joy in this world: to find a purpose into which you can fully throw your whole being for all of your time on this planet.

 A purpose that gives you a place to stand and rise above the selfishness and pettiness of those, including yourself, who would drag you down.

A purpose that allows you to tap into some greater force in order to gain energy for your toils.

A purpose that lets you deny the cynicism that sometimes shows up in abundance in this world.

A purpose that serves you endless joy in what seem to be empty moments.

A purpose that even finds the joy in tears.

I think there is a purpose for each of us.  Finding it is not always a simple matter and some of us will never find the one purpose that is truly our own.  We may not be willing to give enough of ourselves to something that is beyond our own needs and desires.  We might still find some joy in our life but it will no doubt be short lived.

For me, it has been painting.  At first, I found this surprising because I often viewed it as being selfish in nature.  My perspectives.  My emotions.  It was even called self-expression.  But the purpose came from having others find comfort and happiness in their reactions to my expression.  Their joy fed my joy.

But there are days when I still find myself losing sight of this purpose, when it is a struggle both in the studio and in the outer world and I feel drawn back down to less positive feelings.  But I will be somehow reminded of that purpose and that joyful feeling returns.

That happened the other day.  A gallery owner called and told me of a person who had bought a painting of mine that they had desired for quite a long time.  In fact, this person had come into the gallery for this painting and it was gone, having been returned to me.  I sent the piece back to the gallery and when the person returned to get it, they started crying in joy.  I can’t even express how this makes me feel outside of saying again that their joy fed my joy, their tears became my tears.

Those moments make my time alone in the studio seem more special and filled with purpose.  They make me that joyous one, if only for a while.

And that is good enough for me…

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GC Myers- Bearable VastnessShe had studied the universe all her life, but had overlooked its clearest message: For small creatures such as we the vastness is bearable only through love. 
Carl Sagan, Contact

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This year’s title for my annual solo show at the West End Gallery, which opens July 22, is Contact.  It has nothing to do with the famous Carl Sagan novel of the same name about our first encounter with an advanced alien life form, which was also made into a film with Jodie Foster.  But even though there is no real relationship between the Sagan story and this show, I did come across the quote above from the book that meshes very well with what I see as the theme of this show and much of my work in general:  how we cope with our role is as small and insignificant creatures in an endlessly vast and cold universe.

The painting above is from the show and is a 20″ by 30″ canvas titled Bearable Vastness.  I think, going back to the quote, that the Red Tree here has come to realize that the only thing that will bring it the peace of mind to accept its place as a tiny being in a vast universe of powerful forces beyond its comprehension is to work to achieve love in some way in its own time and place.

Put simply, love is the answer.

I know that in the current environment of terror, anger, hatred and outright stupidity that these words sound absolutely naive.

Maybe.

But I have never known of a time when anger and hatred and violence and ignorance have spawned anything but more of the same.  Never has a lasting peace risen from hatred and intolerance of others.  Nothing positive has ever been built on a foundation of hatred, anger and fear.  Only demagogues and dictators rise from that swamp.  For them, love is always replaced with fear and cynicism.

Maybe you still will call it naive.  So be it.  That’s your cross to bear.  As for me, while the universe is vast and uncaring I will always choose love as the way to somehow endure it.

It’s the only choice I could possibly make.

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GC Myers- To the Watchtower smI’m a little tired, mainly of talking about my work and myself, and want to keep this short today.  I thought I’d show another painting from the show at the Principle Gallery and couple it with the song that spawned it.  The painting above is titled To the Watchtower  which I derived from the old Bob Dylan song All Along the Watchtower.

I thought it might serve as a good metaphor for what will be my final plea for your help in our efforts to raise funds for the Soarway Foundation, a campaign that ends today.  By donating, you can possibly win a painting of mine but the more important thing is that you are reaching out to those in need, people who don’t expect your help, don’t feel entitled to it but desperately need it.

Like the Red Tree in the painting, we often place ourselves on islands, seemingly insulated from the rest of the world and hopefully immune to the ills and woes of it.  I openly acknowledge that I am prone to this.  But we are not islands.  We are connected to the world.  It’s knowing that we are part of a greater whole that is the basis for the empathy that keeps this world together.  So, even while we try to stay put on our island we must man that watchtower and stay vigilant to the suffering of others.

Reach out.  Help someone.  Maybe you don’t give a tinker’s damn about people on the other side of the globe.  So be it.  Then help someone in your neighborhood. Your town. Your country.

Just help someone…

But I am asking for your help today by going to the link at the bottom.  If you can or if you already have, I thank you mightily.  If not, like I say, help someone else.

Reach out.

Thanks.  Here’s the classic Jimi Hendrix version of Dylan’s song.

https://www.crowdrise.com/artists-engaging-nepal
 

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GC Myers 2016 Principle Gallery CardWell, it’s all out of my hands and hanging in the gallery now.  I’m talking about my show of new work, Part of the Pattern,  opening tonight at the Principle Gallery in Alexandria, VA.

There are always some jitters and a little uneasiness for me at these openings even when I feel strongly about the work, as I do with this show.   But time has taught me that so long as I know that I have put full effort into my work things will work out.  And I know that’s the case with this show.

Please come out to the gallery tonight for the opening.  I will be glad to talk with you about the work and answer any question you might have.  Just don’t ask me about particle physics– I can’t help you there.

Part of the Pattern opens tonight at the Principle Gallery with a reception (open to all, of course!) that runs from 6:30 until 9:00 PM.

Hope to see you there.

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ONLY A FEW DAYS REMAIN TO REACH OUT TO NEPAL

AND

GET A CHANCE TO WIN THIS PAINTING!

Enraptured” is a 30″ by 40″ Painting valued at $5000

Event ends Monday June 6 at 12 Noon ET

For more information go to:  ARTISTS ENGAGING NEPAL

https://www.crowdrise.com/artists-engaging-nepal

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 GC Myers- Part of the Pattern Paintings 2016GIFPart of the Pattern , which opens tomorrow, June 3, is my 17th solo show at the Principle Gallery in Alexandria, VA.  It’s been a great run since that first show back in 2000 that introduced the Red Tree into my body of work.  I’m not even sure that I had a body of work at that point.

But through the years this annual show has given me the desire as well as a platform to continuously move my work forward.  It has often reflected my own small steps forward as I sought to find answers in my own life.  This desire  to discover how I fit into this world has been a driving force in my life and the work I have produced over the last 17 years, producing small incremental steps forward  in both.

I don’t know that I will ever reach a point where I will be totally satisfied on either front.

But through this time I have come to believe that the world we know is but a small part of the larger whole, that there are forces and energies that swirl around us without our knowledge of them.  They move in seemingly chaotic ways that occasionally reveal a glimpse of their underlying patterns to us who are fortunate to be looking at that moment.

What it is, what it means, how we fit in—I don’t have any answers.  But just catching that glimpse convinces me that there is a place for us, for me, in that pattern.  Every being, every life, including my own small and seemingly inconsequential life, is included in that pattern and somehow fills a need  by playing its role.

I think a lot of the work from this show reflects this belief that the forces and powers that seem far removed from us are actually within reach.  They affect us and we affect them.

You know, this is a really hard thing to express in words without sounding like I’m dancing on the outer fringes.  Maybe that’s why I work in color, lines and shapes.  I hope you’ll stop in at the Principle Gallery and take a look at this show.

Maybe you will see what I mean.

Part of the Pattern is now on view at the Principle Gallery at 208 King Street in Alexandria, VA.  The show opens Friday, June 3, with an opening reception that runs from 6:30 to 9:00 PM.  Hope to see you there.

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ONLY A FEW DAYS REMAIN TO REACH OUT TO NEPAL

AND

GET A CHANCE TO WIN THIS PAINTING!

Enraptured” is a 30″ by 40″ Painting valued at $5000

Event ends Monday June 6 at 12 Noon ET

For more information go to:  ARTISTS ENGAGING NEPAL

https://www.crowdrise.com/artists-engaging-nepal

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GC Myers- Archaeology- The Golden Age Beyond smThe past slips from our grasp. It leaves us only scattered things. The bond that united them eludes us. Our imagination usually fills in the void by making use of preconceived theories…Archaeology, then, does not supply us with certitudes, but rather with vague hypotheses. And in the shade of these hypotheses some artists are content to dream, considering them less as scientific facts than as sources of inspiration.

-Igor Stravinsky, Poetics of Music in the Form – Six Lessons

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This is a new Archaeology painting that is included in Part of the Pattern, my solo show at the Principle Gallery which opens Friday June 3.  It is titled Archaeology: The Golden Age Beyond and is an 18″ by 24″ canvas.  It is the first new true Archaeology piece that I’ve done in several years and this piece really seems to connect with the original group of this work for me in its narrative element and dramatic effect.

I absolutely love the thought that the great composer Igor Stravinsky shares above.  It seems to fit so well with what I was thinking when I was working on this particular Archaeology painting.  Each bit of detritus seems separate and unconnected with the next yet my mind was always trying to see what the hidden connection between them might be or how they came together in a larger narrative.

It’s that interesting area between what is fact and what is its truth.  We may determine fact but we can’t always know context and connection.  An item may not hold the same meaning in every circumstance.

But we can imagine and create a narrative that seems to make sense of fact and, in many cases, may come close to the reality.

Perhaps archaeology is as much an art form as it is a science.  Or an artist is sometimes a sort of archaeologist.

Hmm, let me think about that.

Anyway, I hope you’ll come out to the Principle Gallery on Friday evening.  The opening reception begins at 6:30 PM at the Alexandria gallery on historic King Street. I look forward to seeing you there.

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ONLY A FEW DAYS REMAIN TO GET IN ON YOUR CHANCE TO WIN THIS PAINTING!

Enraptured” is a 30″ by 40″ Painting valued at $5000

https://www.crowdrise.com/artists-engaging-nepal

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