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Archive for the ‘Recent Paintings’ Category

GC Myers- Here There Everywhere smI’ve done several paintings through the years using textured surface that has bands or strings that twist and turn throughout.  It’s an extreme texture, more pronounced on than my typical surfaces, and, as a result, takes center stage in these pieces.  They become the driving force in the painting.

These bands that run through these paintings always spur something in me, some sense of wonder at the great unknowns of our world and universe.  The new painting shown here, Here There Everywhere, certainly does this for me.  Looking at it, I am filled with questions about the world or worlds that lie just past our perceptions.  Are there other dimensions, other pasts and futures swirling around us at any moment?  And if so, are we connected in some way to this web of chaotic energy or are we merely physical beings, unwitting bystanders in the great dance of the universe?

In this painting, the Red Tree serves as the questioner, living in the moment but recognizing the forces that permeate everything and give that moment a discernible depth and meaning beyond the simple beauty it can physically observe.  I know that I have had that feeling.  I might be out driving and see a certain curve of a field, a bend of a tree or the filtering light from the sun and suddenly feel an intense emotional response that seems to have no basis of origin in my past , one so strong that I find myself asking why and where it came from.

Perhaps this indefinable emotional is a brush with these other worlds, these energy forces?

I certainly don’t know.  Part of me wishes it to be so but part of me simply wants to savor that moment and emotion without questioning it.  Something to ponder on a gray autumn morning.

This painting, Here There Everywhere, is a 24″ by 30″ canvas and is part of my show, Into the Common Ground, at the Kada Gallery in Erie, PA which opens in early December.

 

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GC Myers  Ever ReachingThree Rules of Work: Out of clutter find simplicity; From discord find harmony; In the middle of difficulty lies opportunity.

–Albert Einstein

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This Einstein is a pretty smart guy.

 Simplification, harmony and opportunity could be  ingredients for any recipe to success in any field but I think they apply particularly well to art.  I know that I can easily apply these three rules to my own work.

For me, its strength lies in its ability to transmit through simplification and harmony.  The forms are often simplified versions of reality, shedding details that don’t factor into what it is trying to express.

There is often an underlying texture in the work that is chaotic and discordant.  The harmonies in color and form painted over these create a tension, a feeling of wholeness in the work.  A feeling of finding a pattern in the chaos that makes it all seem sensible.

And the final rule–opportunity lying in the midst of difficulty– is perhaps the easiest to apply.  The best work always seems to rise from the greatest depths, those times when the mind has to move from its normal trench of thought.  Times when it has to find new ways to move the message ahead.   The difficulties of life are often great but there is almost always an opportunity or lesson to be found within them if only we are able to take a deep breath and see them.  These lesson always find their way into the work in some way.

Thanks for the thought, Mr. Einstein.

The painting above is called Ever Reaching, a new 16″ by 20″ canvas that is part of my upcoming show at the Kada Gallery in early December.

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GC Myers- Winding Through smJourneys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

-Lawrence Durrell

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This new painting, Winding Through, is making its own journey, heading out to the Just Looking Gallery in San Luis Obispo, CA along with a group of other new work.  The idea of journeying, inwardly and outwardly, is very much the theme of this  36″ by 24″ canvas and the above quote from Lawrence Durrell fits well with this theme.

We can set a course for a destination and make all sorts of plans toward arriving at that endpoint.  But plans seldom account for the obstacles encountered along the way and the way in which we react to and are changed by them.  These reactions and changes mold us, create a new version of ourselves.  And despite our best intentions to remain true to the course we set earlier, we may find our new selves on a completely different path headed to a very different endpoint, sometimes much better or worse than that originally intended.

But occasionally, we wind our way through the obstacles and changes and find ourselves at a place where we had hoped to be right from the start.  We are much different than we began as a result of the journey and how we see that endpoint may be slightly different than we first imagined.  In fact, it may only seem like our original endpoint because as we adapted to the bumps of the road our endpoint adjusted as well, moving to coincide with the lessons we were learning along the way.

We become what we are to become.

This is only a quick, early morning reading of what I see here.  Off hand, I can think of hundreds, maybe thousands, of exceptions and additions to the paragraphs above.  I may not even agree with it by the end of the day.

But that, too, is part of the journey…

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Into the Common Ground/ GC MyersCommon Ground

Blood tells the story of your life
in heartbeats as you live it;
bones speak in the language
of death, and flesh thins
with age when up
through your pores rises
the stuff of your origin.

These days,
when I look in the mirror I see
my grandmother’s stern lips
speaking in parentheses at the corners
of my mouth of pain and deprivation
I have never known. I recognize
my father’s brows arching in disdain
over the objects of my vanity, my mother’s
nervous hands smoothing lines
just appearing on my skin,
like arrows pointing downward
to our common ground.

–Judith Ortiz Cofer

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The painting above, a 36″ by 36″ canvas, is titled Into the Common Ground.  It is part of my exhibit of the same name that will open in early December at the Kada Gallery in Erie, PA.  I think the poem above from author Judith Ortiz Cofer fits very well with the theme of this show which is about recognizing the common bonds that are between us.

It seems that our world has become more and more fractured, the distance between people growing greater even as the world itself seems to be shrinking in so many ways.  We actively seek to find difference, something that distinguishes us from others.  And while I am an advocate of the individual and individualism, it should not come at the expense of losing the ability to identify the commonality that exists in all of us.  For to look in that mirror, as Cofer does in her poem, and not see the traces of your family and the influences of others written on your face is to lose empathy.

When empathy leaves, we fail to see the sufferings of others as our own, fail to imagine that such things could ever occur to ourselves.  The pain of others becomes dull and distant, unfelt to us as selfishness and greed pushes our empathy aside.  To lose empathy is to choose to live in a savage and ugly world.

And that is not the world that I see in this painting.

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GC Myers-FourShadowing ing Grouping

I recently painted the four  12″ by 12″ paintings, shown above, which is grouped as a set titled FourShadowing.  I wanted to have only the most subtle of differences between the pieces as far as subject and form so that there was a repetitive quality as your took them in, almost like the recurring chorus of a song.  The variations of colors acts as a sort of verse.

I try to not think to0 much about this, not wanting to contrive the outcome in a way that saps all of the energy from the work.  Just let the elements do their thing, let their voices be heard over the repeating imagery of the four pieces.

I saw the video below, a simple explanation of how we are affected by musical repetition based on the work and book, On Repeat: How Music Plays the Mind , of cognitive scientist Elizabeth Hellmuth Margulis, and it instantly made me wonder if repetition played the same part in visual art.  I believe that the  personal style of an artist is a form of repetition, that the more familiar a viewer is with the work of an artist, the easier they find themselves able to engage with it.  The repeating nature of their style and the body of work reinforces and reassures.

Of course, I am talking off the top of my head right now and I might read this later and ask myself what the hell I was talking about.  It’s a grain of a thought at the moment.

Anyway, take a few minutes to watch the video and think about it on your own:

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The task is…not so much to see what no one has yet seen; but to think what nobody has yet thought, about that which everybody sees.

― Erwin Schrödinger

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GC Myers-  New Dimension smI was looking for something to say about this new painting, New Dimension,  when I came across this quote from  physicist Erwin Schrodinger that deals with dimensional perception.

I have to admit to not knowing much about the  quantum physics to which he refers with these words but the sentiment behind it could be describing the driving force behind this painting and much of what I attempt to do as an artist.  I have maintained for some time that art is not about clever ideas or extraordinary subjects but in changing our perceptions of the ordinary, in trying to illuminate those dimensions of the world that remain unseen to us.

The example I often cite is of Van Gogh‘s painting of a vase of irises.  It is an painting of an extremely ordinary subject, a vase filled with flowers,  A common floral painting that has been the subject of perhaps a million or two painters over the ages.  Yet seeing it, one feels that unseen animating energy of nature and the force of Van Gogh’s perceptions of it.  It vibrates with energy.  It is no longer a simple vase of irises but has become a conduit to a new and deeper dimension, one that delivers us closer to the essence our being.  It is now the sacred ordinary.

This piece attempts to go there and does so for me.  But I am too close to it to  judge whether it hits it mark for others.  It is as ordinary as it gets- a horizon, a sky, a sun, a field and a tree.  Yet I am hoping that there is something in it that takes you beyond the mundane, something that sparks and allows your inner self to detect the essential forces at work in this simple scene.  To find the extraordinary in the ordinary, to feel more connected to our essence.  To find a new dimension in our selves.

This painting, New Dimension, is a 12″ by 36″ canvas and will be going with me to the Principle Gallery for my Gallery Talk there on Saturday, September 13th.

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GC Myers- Moonshadows

GC Myers- Moonshadows

I am in the midst of preparing a group of work to take with me when I go to Alexandria this coming weekend for my annual Gallery Talk at the Principle Gallery on Saturday.  It’s like a mini-show with some new paintings fresh from the studio including the piece shown here, Moonshadows.  It’s a smaller painting on paper, a 6″ by 9″ image, that moodily focuses on the moon and the  shadows cast from it by the Red Tree and the Traveler on the path.  It’s a simple and quiet piece, one that invites thought.

I have also narrowed down the field for the painting that will be given away in a drawing at the Gallery Talk.  There are two pieces that I am going back and forth on, both having real meaning for me.  As I pointed out before, it’s important to me to give away work that is real and alive at these events and I think either of the two pieces I am considering easily meet that requirement. I will reveal the piece in the next day or two so check back.

Being Sunday it’s time for some music and in keeping with the theme of the painting I chose an older song, Open All Night,  from Bruce Springsteen’s great 1982 acoustic album, Nebraska.  I find it hard to believe that this album is over thirty years old but when I consider how many times I have ran these lyrics through my head as I’ve been driving somewhere, I am less surprised.

Anyway, enjoy and have a great Sunday…

 

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GC Myers-Into the Valley of Color smThe summer shows are past now as I turn to the autumn months where there are a couple of things on my calendar.  First, on September 13th, I will be giving a Gallery Talk at the Principle Gallery in Alexandria.  It begins at 1 PM and runs for an hour or so.  There will be a drawing for an original  painting of mine to be given to someone in attendance plus there will be some other surprises.  I am going through my painting here in the studio trying to decide which piece will be the prize this year.  There are some strong contenders, all having some personal meaning for me.

I will also be bringing a small group of new work for the gallery.  Included is the piece shown above, Into the Valley of Color.  It’s a larger painting, measuring 36″ by 36″ on canvas, that I have been enjoying for the last few days here in the studio.  It has a real presence that draws me in when my eyes turn its way.

Next on the calendar is a new solo show, The Common Ground, which opens December 5th at the Kada Gallery in Erie, PA.  I have been showing at the Kada Gallery for going on 19 years and always enjoy my visits there.  I am pretty excited by the direction in which the work is headed as I prepare for this show.  I think it will be a very strong group.  I will be posting updates through the next couple of months.

So, if you’re in the DC area on September 13th, please stop into the Principle Gallery.  For my friend in Western Pennsylvania and NE Ohio, I will see you in December.  I had better get to work!

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GC Myers- Septemebr SongIt’s hard to believe that September is upon us already.  September always has a contemplative feel, a pause after the hustle and bustle of the summer months before making the transformation into the cooler, grayer months.  The leaves begin to turn.  The days get shorter. The air takes on a cool hardness that is a keen reminder of the coming coldness of the winter.

One of my favorite songs is the classic tune from Kurt Weill, September Song.  It’s been recorded by literally hundreds of artists through the years from many genres, from Jimmy Durante to James Brown to Lou Reed.  Willie Nelson does a rendition that is very delicate, maintaining the tenuous nature of the tune.  Just a lovely version.  I’ve included it at the bottom.

The image here is a new piece, a 6″ by 10″ painting on paper that I am calling September Song.  It is part of a group that will be accompanying me for the trip to the Principle Gallery on September 13th, when I will be giving a gallery talk there.  More info on that later. This painting has a wistful feel, as though the tiny figure is pausing on the path to reflect on where he has been, what he has seen and done.  The sun above and the churning rays of light emanating from it represent the inevitability of time, of change.   I wasn’t sure what to title this painting but when I realized that we were into September, the tune immediately came to mind and the narrative of the scene filled out for me.

Now, I am going to give a listen to Willie as he sings September Song:

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GC Myers- Allura smI am putting together a small group of work to take with me for my upcoming Gallery Talk at the Principle Gallery next month, on September 13th.  Among the paintings is this 24″ by 24″ canvas that I am calling Allura.   After finishing this piece, it seemed that the moon was the central focus, the tree and landscape holding an attraction for it.   I wanted something that described that but was sort of nebulous, not really well defined.  What better way to do that than with a word that sounds descriptive and perhaps from a foreign language but has little basis in its meaning.

You see this a lot in automobiles.  The Integra.  The Elantra.  My favorite is the Cadillac SUV, the Escalade.  Oh, its a real word in French but it means the scaling of a fortification’s walls with ladders such as in a military attack.  I’m not sure how this means anything to the vehicle perceived image.

But the word Allura stuck with me.  It had its base in the word allure and that was what I was seeing in it.  It was simple and efficient and even a bit elegant.  But looking it up just to make sure it didn’t have some other meaning I found that it is an girl’s name used mainly in the 18th and 19th century in England and America.

But even more interesting was that the name’s given definition was Divine Counselor.  I liked the name even more with this little bit of info.  It seemed to fit as even better for me than the vague word implying the moon’s attraction.  I could see the Red Tree here perching itself on that rise of earth and asking for some sort of guidance from the tranquil presence in the night sky.

I feel right with the name Allura now.  It sounds like it fits and ultimately, it does…

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