Feeds:
Posts
Comments

Archive for the ‘Uncategorized’ Category

Gallery Talk Today!

principle-gallery-talk-2014 GC Myers Phot by Jessica BraunI am on the road today, heading down to Alexandria for my annual Gallery Talk at the Principle Gallery,so this is going to be short an to the point.  I’m thinking it’s going to be a good talk today with a drawing for one of my paintings ( and maybe a few other goodies!) at the end.  If you’re in the area, please stop in and say hello.  I hope to see you there!

I forgot to mention yesterday when writing about the workshop that on Friday  the wife of Frank Bocek, one of the participants and a stained glass artist to boot, brought her harp into the Arts Center.  Meredith Bocek is a professional harpist and used the opportunity to rehearse a bit, the sounds of her harp serenading the painters in the second floor as they worked on their new skills.  It was quite a wonderful addition to the tone of the day.

So, I thought I’d play one of my favorite harp songs for the Sunday morning music.  It is, of course, from Harpo Marx in an appearance on I Love Lucy in 1955.  Take Me Out to the Ballgame never sounded more ethereal.  Have a great day and I hope to see you at the gallery today!

 

Read Full Post »

GC Myers- Lake Tranquil

GC Myers- Lake Tranquil

This Friday, September 4,  is the final day for my Home+Land show that is hanging at the West End Gallery.  If you’ve been waiting to see it, I hope you get a chance to check it out. Many Thank You’s to everyone who made this a successful show!

Also, I have mentioned that I will be leading a two day workshop where I will be revealing many of the techniques I use in my work.  It takes place at the YCAC in Penn Yan, NY on Thursday and Friday, September 17 & 18, which is just over two weeks away.

Speaking with director Kris Pearson, I discovered that while the workshop was initially filled there have been two cancellations so there are still two openings left.  So if you are interested, please contact Kris by email at info@artscenteryatescounty.org or by phone at 315-536-8226.  It should be a fun couple of days, so if you’re up for it, please come along for the ride!

Read Full Post »

Black Slacks

SparkletonesIn a hurry this morning but wanted to send out many thanks to everyone who came out the West End Gallery yesterday for the Gallery Talk.  Just a wonderful group which made the whole thing go very well.  The time seemed to fly by and everyone seemed to enjoy themselves.  Many thanks.

The photo here is not from the talk, in case you’re wondering. It’s a shot of the Sparkletones, a short-lived band from the 50’s whose hit is this week’s Sunday music.  It’s about a minute and half of get up and go called Black Slacks.  Now I have to get up and go.  Have a great Sunday!

Read Full Post »

David Hockney- Mulholland Drive 1980

David Hockney- Mulholland Drive 1980

It is very good advice to believe only what an artist does, rather than what he says about his work.

 –David Hockney
*************************
     When I first read this quote from artist David Hockney, a painter whose work I admire and find very interesting, I wanted to be offended.  After all, I am an artist who has said plenty about his work through the years– this blog and gallery talks being evidence of that– and have tried to be always transparent and forthcoming when talking about my work.  But even so, I nodded in agreement when I read his words.
     Part of my own desire to be honest and open about my work came from the frustration I felt in reading other artist’s writings that were filled with ArtSpeak, that way of seeming to say something important and meaningful without really saying anything at all.  The words danced around all form of meaning and never fully jibed with the images that accompanied the words, leaving me with a single word resonating in my mind.
     Bullshit.
     And I know bullshit.  I was a longtime bullshit artist.   I sold swimming pools and automobiles– yes, I was even a used car salesman!- to the public for quite some time.  I knew that you could sell by focusing on the strengths of the product and by dancing around questions about its drawbacks.  Fill any voids with words that sounded like they were filled with meaning but really made no commitment to anything.
     For me, there came a time when I was determined to not deal anymore in that manner of speaking and when I finally came to painting, I knew I didn’t want my work to fall into that pool of bullshit.  I wanted to tightly control how I represented my work and to be completely open about it.  It’s whole purpose for me was my own honest expression and I wanted people to be able to witness that without a filter of crap between them and the work.
     For the most part, I feel that I have been able to maintain that through these last several years.  Oh, occasionally I feel myself straying off the path but I simply remind myself that the product I am representing is the core of my self and once I cross that line I would be betraying everything art has provided for me.
    But these are just words and maybe you should take them with Hockney’s advice in mind.  If you want to judge for yourself, come to the Gallery Talk at the West End Gallery next Saturday, August 1, which begins at 1 PM.  Ask me anything and I promise you a straight answer.

Read Full Post »

Read Full Post »

Running Free

GC Myers- Running Free smIt’s been a kind of hectic week here in the studio, just plain busy mixed in with the unavoidable distractions that life sometimes throws at us.  In the chaos of yesterday, I realized that I was remiss in not mentioning that my nephew, Greg, had run in his first Boston Marathon on Monday.

He has run for quite some time now as a recreational runner and in recent years has blossomed, finishing near the front in some races and winning a few along the way.  Even in his early forties, his times have kept improving due to his hard work and dedication to his running.

So it was a thrill Monday to have the race on as he ran in the rain on those Boston streets.  Throughout the race, I kept getting text messages with his times at different points in the race and was impressed by the constancy of his pace which hardly wavered at all throughout the day.

At the end of the day, in less than idea conditions with rain and wind, he came across the line in a personal best 2:53:40.  That placed him at 1348 overall out of a field of about 30,000 runners and 160th (out of about 2700) in his class– an impressive finish for his first effort on the hallowed course.

I was really proud to see Greg have such a great effort and to have a satisfying result to go along with it.  It’s a wonderful thing to witness someone achieving personal bests through their own hard efforts. My hope is that Greg’s three young sons understand the great lesson he is setting before them and will use it to find something of their own to focus on and work hard at so that they may set their own personal bests throughout their lives.

That would make this race even more of a personal triumph.

So, well done, Greg.  Long may you run.

Read Full Post »

Je Suis Charlie

Charlie HebdoI’ve been watching the coverage today of the shootings in Paris at the office of the satire magazine Charlie Hebdo.  It’s a horrific and troubling scene, the act of terrorists who seem at the moment to be acting in the name of some warped version of religion.  That they chose to attack satirists seems a very revealing action to me, one that shows that this is not about a religion retaliating to an insult but rather the actions of those who want to control our thoughts and speech.

Satire is often the first line of defense against those who would try control our thoughts and actions.   Throughout history, up to this very moment, satire’s ability to poke holes in the balloons of power has played a vital role in free societies.  We may not always agree or enjoy it.  It may seem crude and tasteless at times. But it remains one of the pillars of free thought and free speech. An attack on it is an attack on freedom, an attack on free society.

There are people standing in the streets of Paris tonight, holding pens in the air and signs that proclaim: Je suis Charlie.

I am Charlie.

 

Read Full Post »

Labor Day/ Redux

If hard work were such a wonderful thing, surely the rich would have kept it all to themselves.

——Lane Kirkland

Ralph Fasanella- Bread and Roses

Ralph Fasanella- Bread and Roses

I caught the end of a Bill Moyers interview yesterday with Nobel Prize-winning economist Joseph Stiglitz in which he described how our current level of income inequality was surpassing the levels of the prior two times when they reached a level of crisis here in this country– the Gilded Age of the late 19th century and the Roaring 20’s.  In each case, we were at the brink of total collapse but were able to come through and bring wages back into levels of greater equilibrium which always leads to greater prosperity across the board.  He wasn’t too positive about our ability to avoid the consequences of our current inequality, given the ability of the wealthiest to buy political clout with impunity. 

It’s a scary situation and, on this Labor Day weekend, it made me think of what the labor movement has done for this country in battling for greater wage equality.  I went back in the archive to a Labor Day post from back in 2009 that I thought fit the bill.  Here it is:

On this day, Labor Day, I am showing a a painting from the great American folk primitive painter Ralph Fasanella, depicting the famed Bread and Roses strike that took place at the textile plants in Lawrence, Massachusetts in 1912. I thought it fitting that something be shown that is closer to the spirit of this holiday which has faded from the public’s knowledge in recent years.

I was a union member in my first on-the-books  job at a Loblaw’s grocery store when I was sixteen years old and a few years later I was a member of the Teamster’s Union at the A&P factory where I was employed for several years.  I was the union steward in my department for the last few years, a position that I took because for some reason nobody else wanted the hassle of it.   By taking it  I was protected from being laid off so long as my department was operating so I thought it might be worth a try.  Most days had some sort of small trouble and on a few some major problems.  There was always an argument to be had, either with company supervisors who tried to  circumvent or twist the rules to their advantage or with co-workers who felt the union didn’t go far enough or went too far.  It was a very educational experience.

The most telling thing was the general apathy from many of the workers, the same apathy that has allowed the solidarity of the union to erode and crumble over the years, paralleling the image of labor unions, which has crumbled, perceived now as corrupt and self-serving.  Probably a well deserved image. But the failings of these unions are the failings of men, the same failings that the company owners possessed that the early unions organized against. Greed and a lack of empathy for their workers. It doesn’t take much research to discover that the work conditions of the last 130 or 140 years were deplorable. Long hours. Low pay. Incredibly unsafe conditions. Dismissal for any reason. No rights whatsoever.

Today, many view industry as this amiable, father-like figure but don’t realize how much blood was spilled by early union organizers and members to obtain the things we now take for granted as our rights. Industry did not willingly give up anything to the worker without being forced. I can imagine what our world would look like without the efforts of our unions. This very holiday would not exist to have it’s roots forgotten. The idea of vacations would only exist for the company owners. The pay scale would be similar to those places on the Earth where many of our jobs have migrated, places that allow the avarice of the companies to override the rights and safety of the workers. Places where sweatshops still operate, as they once did here. Places where unschooled children toil in dirty, dank conditions, as they once did here. Places where the health and safety of the workers is secondary to the profit they provide, as it once was here.

You may despise the unions now for their corruption but make no mistake about it- without them our country would look much different. And not in a good way…

Read Full Post »

9914200 All in All smThe time just before the solo shows and gallery talks that are a big part of what I do is the hardest time for me, by far the most stressful and difficult part of this whole art thing.  There’s a direct conflict between my internal need need to seek solitude and the external need to discuss and promote my works and the galleries where they hang.  For weeks leading up to events, solitude is pushed to the rear and the act of promotion takes center stage. 

The ego becomes a foe at this point and I am soon tired of hearing my own voice and experience a bit of self-loathing at times.  But  I feel compelled to persevere out of the duty and loyalty to the galleries that represent me and the need to make a living for myself. It is the part of the job that probably is the hardest hurdle for any artist to clear, a sometimes unsavory task that keeps many artists from reaching their largest audience. 

Here are a few other thoughts on the subject from a few years ago, right around this same time in the 2011:

I was asked yesterday what I was going to speak about in today’s gallery talk at the West End Gallery.  I kidded that I was going , of course, to speak about me.

Me, me, me.

I went on to explain  how I approach these talks, trying to read the group in attendance and finding something of interest in the work that sparks a dialogue where they participate.  The hope being that they leave with a little more insight into the work  and I leave with with a little more knowledge of how they view it.   But that offhand joke yesterday about me has stuck in my craw.  Just joking about it has bothered me somehow. 

One of the conundrums of art is that you are expressing a sometimes very personal aspect of yourself in a public forum, exposing one’s weaknesses and flaws to the world for all to see.  The need to do this is the need for an affirmation of one’s own existence in this world.  I know that this has been the case for myself.  I have often felt insignificant throughout my life in this world, unseen and unheard.  But it seemed to me that my life, like all others, had to have meaning of some sort and that my feelings and thoughts mattered as much as any other being’s.  If I was here and thinking, I mattered.

Cogito ergo sum.

 Until I fell into painting I never found a way to affirm this existence, an avenue to allow my voice to be finally heard.  But having found a method of expression, the question becomes: What part does ego play in this?  Where is  that line that separates the need for self-expression from base self-glorification?

This has always bothered me.  Even though I want to express myself and want my work to hopefully affect others, this constant self-promotion puts one at least on or near this dividing line.  For me, that’s an uncomfortable position.  Don’t get me wrong.  When it comes to my work, I certainly have the confidence of ego.  It may be the only part of my world where I have supreme confidence and on many days even that is shaky.

But on days like today, when I have to talk about me, me, me, I always get a sick feeling in the pit of my stomach both before and afterwards.  Before because of the dread of exposing myself as a fool and afterwards from the fear that I did just that. 

Oh, well.  All just part of the job…

Read Full Post »

A Little Bathroom Art

toilet-paper-roll-faces-by-junior-fritz-jacquet-5Many artists are offended to find their art in the bathroom of someone they know.  But French artist Junior Fritz Jacquet can find his art in any bathroom he enters.  You see, Jacquet is a paper artist, inspired from an early age by origami, who creates art from discarded toilet paper rolls by folding, squishing and manipulating them into faces.

He then coats them with pigments and shellac, bringing life to the expressive faces.  He has created a series of 40 of these faces which he has titled Masks.  They are wonderfully creative uses of material, taking something that is considered trash and transforming it into something that seems alive. 

For me, they most resemble an assemblage of congressmen.  There is a joke ( or two or three) in there somewhere but I am going to leave that to your own imagination and political leanings.

You can see more of this and the other works of Junior Fritz Jacquet on his website.

toilet-paper-roll-faces-by-junior-fritz-jacquet-7 toilet-paper-roll-faces-by-junior-fritz-jacquet-9 Toilet Paper Rolls Junior-Fritz-Jacquet toilet-paper-roll-faces-by-junior-fritz-jacquet-3

Read Full Post »

« Newer Posts - Older Posts »