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Archive for the ‘Video’ Category

GC Myers- Adagio in BlueWow.

That’s about anyone can say after these last few days, days which may go down as some of the craziest ever seen in the history of our nation.  I am not going to say much here on the subject of candidate Trump.  There’s not much to say except that this is not a big shocker to me.  I’ve said it before: Trump has shown us who and what he is repeatedly over the past decades.

If you are surprised by any revelation about this creature– I hesitate to use the word man in this case– that has come out (or any that is bound to emerge because I have to believe there is plenty more in the bullpen just waiting patiently to be unleashed) then you haven’t been watching closely enough.  Either that or you are, as my father likes to say– even in his current state of Alzheimer’s–among  the most gullible people on the face of the earth.

And for those out there waking up this morning still believing that Trump is some kind of positive answer or agent of change, I feel pity for them.  That kind of denial of reality can only point to a life that will be further filled with anger, hatred and discontent.

And that is a sad thing for them. And for those around them. And for this country.

Okay, enough said on that for now.  I need some comforting on this ominously quiet Sunday morning.  The painting at the top is a new 9″ by 12″ canvas that is part of my upcoming show at the Kada Gallery which opens October 29.  I call this piece Adagio in Blue.  It has a calming presence in its colors and composition that fulfills my needs this morning.  I am coupling it with a classical piece this morning, the Adagio from Mozart’s Piano Concerto No. 23 as played by French pianist Hélène Grimaud.  It’s a beautiful piece and a well produced video presentation.

Think of it as a peaceful respite from the crap storm cutting through our political world at the moment.  Relax and try to have a good day.

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Bill Evans aTime for some Sunday morning music and the gray skies here today along with everything else that is going on call for something a bit slower and quiet in tone.  I thought I would feature the piano of the great Bill Evans (1929-1980) and the song My Foolish Heart.

I chose this song because it’s a fairly good live recording and I like watching the hands of musicians, especially guitarists and pianists, when they play.  I don’t know much about music in technical terms but the differences in the way  musicians play is striking to me, adding a whole new dimension to the work.  For example, when I watch legendary jazz pianist Oscar Peterson play I am struck by the fluidity and nimbleness of his hands.  They have an extremely delicate and graceful bounce.

But watching Evans perform this song is, to me,  more about those unplayed parts of the music– the pauses and silences that fill the air of the piece.  Couple this with his body movements and positions and it makes for a mesmerizing performance.  Really nice stuff for a gray Sunday morning.

So take a look and give listen.  Hope you have a great day…

 

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ChoirChoir Choir Hallelujah 2016 with Rufus WainwrightJust came across a really nice video that was filmed in late June.  It was part of the Luminato Festival in Toronto, which has become one of the largest arts festivals in North America since beginning 10 years ago.

The film shows an event organized by Choir!Choir!Choir! which is a Toronto based open choir.  It requires no commitment and meets twice a week in the back of a local pub.  Over the years it has performed publicly in many venues with an expanded choirs made up of folks who just want to get out and sing in a communal kind of way.

The song shown here is Hallelujah from Leonard Cohen, a magnificent song that has been interpreted by many artists–I think that the late Tim Buckley’s version is extraordinary.  This particular version is filmed in a decommisoned power plant with an assembled choir of 1500 people with Rufus Wainwright singing the lead.

Just a lovely version of the song and not a bad way to kick off a Tuesday morning.

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west-end-gallery-160First thing this morning, many thanks to everyone who came out to the West End Gallery on Friday night for the opening of my show there.  I am most appreciative for anyone who takes the time on a hot Friday summer evening to come into the gallery.  It was great seeing old and new friends as well as seeing how they reacted to the work, which was hung beautifully by Lin and Jesse.  They did a great job pairing the paintings with original glass work —  each seemed to reflect and enhance the other.

Again, many thanks for making this a great show.  If you haven’t had a chance to get into the West End Gallery, please do try soon.  The show hangs until September 2.  I will also be giving a Gallery Talk on Saturday, August 6 from 1-2 PM at the gallery.  As is now tradition, there will be some sharing so mark the date and try to come on in.

This morning is the end of the Tour de France, the incredible bike race that is one of my favorite events of every summer.  This last day is generally a ceremonial stage, with the riders coming into Paris en masse for a final end of race for one final sprint to the finish line.

Tour de France Froome and Team SkyThe race leader this year is past two-time Tour winner Chris Froome, a Kenyan-born Brit whose skinny frame hides a huge diesel motor within that seems to just chug and chug without end.  Froome’s dominance is quite remarkable but just enduring such a race is incredible in itself.  Three weeks with only two days of rest that covers about 2100 miles that wind around France and neighboring countries, up and over the highest peaks and mountain passes in the Alps and Pyrenees.  

It is speed, strength and sheer endurance mixed in with the toughness to scramble up after hitting the road at 45 MPH and continue riding a tough course for another 50 miles.   Imagine running half and full marathons nearly every day for three weeks over rugged terrain in all sorts of weather.  That’s the Tour.

I always hate to see it end.

So for this Sunday morning music here’s a French classic, La Vie en Rose, sung by the wondrous Rhiannon Giddens.  It is a gorgeous version that she mad in response to the terror attacks in France last year.  Unfortunately, it applies this year as well.

But be optimistic and have a great Sunday!

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Mont Saint Michel-Jeremie Eloy-wanaiifilms-comI am really swamped in the studio getting work ready for my upcoming show at the West End Gallery.  Too much to d0 so I wasn’t going to write anything today except maybe mention the start this morning of this year’s Tour de France, one of the great spectacles of world sport.  This great bicycling event starts at Mont Saint Michel, an old abbey on a tidal island off the of coast Normandy, France.  As you can see in the photo above, it’s an amazing sight, one that always stirs some mysterious emotional response within me.

But since I am so busy I just want to share a video I stumbled across.  It’s from Moon Mullican, known as the King of the Hillbilly Piano Players in the 1940’s and 50’s and a huge influence on early rockers like Elvis and Jerry Lee Lewis.  This is Grandpa Stole My Baby with a video that features an early film, most likely from the time around the turn of the 20th century, well over a hundred years old.  I could not find any attribution for the film but it has two dancers, one a seemingly older gent, who show some pretty nice dance moves that fits well with the song.  I couldn’t look away.

Give a listen and take a look for yourself.  Have a great day and weekend!

 

 

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2200-year-old-Antakya TurkeyMosaics 2Be Cheerful, Live your life– that is the translation of the words on this mosaic.

Archaeologists recently uncovered this wonderful mosaic floor with those words in Antakya, formerly the Greek-Roman city of Antiocheia, in Turkey that dates back over 2200 years, back to the third century BC.  This is an area that is famous for the discovery of a multitude of floor mosaics that once decorated the homes of the upper crust of society.

This particular mosaic feature three panels with the final panel being a reclining skeleton with bread and wine just chilling out.  The central panel shows a man with butler in tow heading anxiously toward his evening bath which was a communal event at the time.  9 PM was the time for bathing and to be late was frowned upon which  he obviously is as he is pointing to a sundial which indicates the time as being between 9 and 10 PM.  The first panel, which is damaged, is thought to have a figure throwing fire which is symbolic of the preparation for a bath.

But it’s the skeleton with it’s message that kind of lines up with Bobby McFerrin‘s song from a number of years back, Don’t Worry Be Happy, that catches our modern eye.  I think we don’t give the people from the past,  both from the near past and the very distant past, with having  a sophisticated view of life or sense of humor.  To see something like this gives us a closer connection to how they saw their own world as well as allowing us to see that they were not so different than us even though 2200 years separate us.

So, if you’re fretting on this Monday, hurrying around to beat the clock (or sundial), just remember that partying skeleton and heed its advice–Be cheerful and live your life.  If you need an accompanying beat to start the week off on the right foot, there’s little dose of the Booby McFerrin song at the bottom.

2200-year-old-Antakya Turkey Mosaics 1

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PurpleIn the last few months we lost two of the most unique and transcendent musicians of our time, David Bowie in January and now Prince.  Luckily for us, both had long and prolific careers and left large musical legacies behind.  I admired Prince greatly and I think that is all there is to say, especially after the millions of words written and spoken over the past few days.  I don’t think I can stand to see another tweet on one of the news channels form some celebrity saying that this is how it sounds when doves cry.

So, instead of trying to dig up some Prince that you might not have heard in the last few days, I thought for this Sunday morning music I would go in another direction and play someone who was one of Prince’s early influences, Sly and the Family Stone.  It’s his performance of I Want to Take You Higher at Woodstock in 1969. I’ve played this clip here before but I am going to play it again just because I think it is a great performance and a great piece of film.  I think you can see how Prince took elements of Sly’s work and made it into something distinctly his own.  That synthesis is part of artistry.

Have a great Sunday.

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Henry Matisse Blue Nudes I-II-III-IV 1952I wanted to feature some music this morning that kind of jibed with the Henri Matisse Blue Nude cut-outs above that the artist  produced in the early 1950’s.  I wasn’t sure what I wanted but I settled on something  from composer Burt Bacharach.  

Bacharach, along with lyricist Hal David, collaborated with singer Dionne Warwick a number of times back in the 1960’s when they had an amazing string of hits that didn’t really sound like anything else on the radio at the time.  It’s an unmistakable sound, light and breezy but complex and full.

When I was looking I came across this video that shows how beautifully Bacharach and Warwick worked together.  It’s interesting to see how he communicates his vision for the song to Warwick and how she responds.  It goes a long ways towards explaining why she was such a perfect vessel for his music.  The clip ends with the full recording of the song.

So, have a great Sunday and here’s Burt Bacharach and Dionne Warwick with Loneliness Remembers What Happiness Forgets.  I may steal that title at some point…

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Andrew Wyeth- Night Sleeper 1979

Andrew Wyeth- Night Sleeper 1979

I dream a lot. I do more painting when I’m not painting. It’s in the subconscious.

Andrew Wyeth

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Andrew Wyeth- Trodden Weed

I love this short quote from the great Andrew Wyeth.  That second sentence speaks to how I view my own  relationship with what I do– I do more painting when I’m not painting.  The mind is always clicked on, seemingly always seeking that something, that one inside thing that is crying out to be expressed.

It’s a built-in thing, one that can hardly ever be turned off.  You would think it would be a maddening quality but it has become a normal way of functioning and I would probably panic if I found my mind not churning in some way.

Sometimes it is in the form of day-dreaming, just letting the imagination run free.  Other times it takes place in the words or sounds or images of others. Like pulling a new thread from an existing fabric.

Inspiration comes in many different forms and the mind is always looking for them.

Here’s a neat short film from artist/filmmaker Andrew Zuckerman that shows Wyeth describing how he sometimes find inspiration.

Andrew Wyeth from Andrew Zuckerman Studio on Vimeo.

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Ralph Fasanella - Night Game/ 'Tis a Bunt 1981

Ralph Fasanella – Night Game/ ‘Tis a Bunt 1981

GC Myers -Foundation smAh, the dark days of winter are receding.  The trees are budding out and the green of the grass (under the newly fallen four inches of snow!) is pushing aside the dead growth of a long gone last year.  The robins have returned and once again the world makes sense–  the daily metronome that is major league baseball returns today.

It’s opening day.

I am not going to wax poetic today about the game, its history or the place that it holds in the hearts of so many.  It just feels like the real New Year’s Day for me and many other fans, that day on which the year truly begins.

The painting at the top, Night Game/ ‘Tis a Bunt,  is one of my favorite baseball paintings from the great folk painter Ralph Fasanella.  I love this particular piece and the way the baseball diamond feels more like a real diamond in an ornate and wondrous setting.  Great piece.  And this piece on the right is from my own baseball series from a few years back.  I loved doing that series and these pieces remain among my personal favorites.  I haven’t painted one in a while but sometimes think about revisiting that old ballfield.

For this Sunday Morning Music, in honor of the game, I’m going to make it a double-header.  First, there’s Take Me out to Ballpark, as played by Harpo Marx on I Love Lucy in 1955 , which is Cheri’s all-time favorite.  I’ve shown it several times but it’s so darn good, it never gets old.  And after that there’s  bluesy 1976 homage to late great pitcher Jim “Catfish” Hunter which is called, of course, Catfish.

Have a great Sunday and hopefully you’ll get to hear the umpire call out “Play ball!

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