Feeds:
Posts
Comments

The Anvil

“The Durable Will”- Currently at the Principle Gallery, Alexandria


The Anvil

Stand like a beaten anvil, when thy dream
Is laid upon thee, golden from the fire.
Flinch not, though heavily through that furnace-gleam
The black forge-hammers fall on thy desire.

Demoniac giants round thee seem to loom.
‘Tis but the world-smiths heaving to and fro.
Stand like a beaten anvil. Take the doom
Their ponderous weapons deal thee, blow on blow.

Needful to truth as dew-fall to the flower
Is this wild wrath and this implacable scorn.
For every pang, new beauty, and new power,
Burning blood-red shall on thy heart be born.
Stand like a beaten anvil. Let earth’s wrong
Beat on that iron and ring back in song.

–Alfred Noyes


This sounds about right. There are days when I certainly feel like an anvil that’s being hammered on. I

have a feeling there are many more of those days ahead.

Let’s hope we can forge something brighter and better.

Have a good day.

My Foolish Heart, Again

Bill Evans a


Busy this morning and this week with some much needed projects around the studio and the home. But I thought that this morning I would feature the piano of the great Bill Evans (1929-1980) and the song My Foolish Heart. It’s a song that I featured here about four years back

As I said then, I chose this song because it’s a fairly good live recording and I like watching the hands of musicians, especially guitarists and pianists, when they play. I don’t know much about music in technical terms but the differences in the way musicians play is striking to me, adding a whole new dimension to the work. For example, when I watch legendary jazz pianist Oscar Peterson play I am struck by the fluidity and nimbleness of his hands. They have an extremely delicate and graceful bounce, especially for a large man.

But watching Evans perform this song is, to me, more about those unplayed parts of the music– the pauses and silences that fill the air of the piece. Couple this with his body movements and positions and it makes for a mesmerizing performance.

So take a look and give listen.  Hope you have a great day…


Life Goes On

View of California Wildfires From Above the Clouds


“In all your years and all your travels,” I asked, “what do you think is the most important thing you’ve learned about life?”

He paused a moment, then with the twinkle sparkling under those brambly eyebrows he replied: “In three words, I can sum up everything I’ve learned about life. It goes on. In all the confusions of today, with all our troubles . . . with politicians and people slinging the word fear around, all of us become discouraged . . . tempted to say this is the end, the finish. But life — it goes on. It always has. It always will. Don’t forget that.”

–Robert Frost , on his 80th birthday, speaking to journalist Ray Josephs, 1954


What a time it is.

Much of the imagery you see these days is downright terrifying and disheartening, from the apocalyptic fire scenes from the west coast to the images of clashes in the streets between protesters and police to the scenes of armed white supremacists being given virtual carte blanche treatment as they move about the country to the ugly, hateful stupidity displayed so publicly now by the president’s red hatted followers as they gather to piss and moan about “their country” being taken from them.

Oh, what a time it is.

I wish I could quote Dickens and say that it was the best of times, it was worst of times but quite honestly, where is the best of times to be found these days?

I saw the photo at the top of the California wildfires as seen from above the clouds and at first glimpse thought it was a closeup of the coronavirus. It wouldn’t surprise me if they had somehow sprang from the same Pandora’s Box and ultimately resembled one another. The destructive effect of the two on the lives of those involved is much the same, that’s for sure.

I guess I can only look to the words of Robert Frost and many others who have told us that life will go on. Even though they seem wise enough that I want to trust that they somehow know this to be true, these days I find myself doubting them. But for today, I am going to trust their judgement.

Life goes on.

Here’s the Beatles with their Ob-La-Di, Ob-La-Da which uses that phrase as a refrain. Keep it in mind as you hopefully have a good Sunday.


My September Song

Kurt Weill. Who Wrote “September Song” with Maxwell Anderson


 

The summer ended. Day by day, and taking its time, the summer ended. The noises in the street began to change, diminish, voices became fewer, the music sparse. Daily, blocks and blocks of children were spirited away. Grownups retreated from the streets, into the houses. Adolescents moved from the sidewalk to the stoop to the hallway to the stairs, and rooftops were abandoned. Such trees as there were allowed their leaves to fall – they fell unnoticed – seeming to promise, not without bitterness, to endure another year. At night, from a distance, the parks and playgrounds seemed inhabited by fireflies, and the night came sooner, inched in closer, fell with a greater weight. The sound of the alarm clock conquered the sound of the tambourine, the houses put on their winter faces. The houses stared down a bitter landscape, seeming, not without bitterness, to have resolved to endure another year.”

― James Baldwin, Just Above My Head


In this strangest of years, September has crept in without barely any notice for me. Much in the way August departed. I barely noticed the comings and goings, even though time seems to drag in these days of waiting for what might come next.

In doing so, I have neglected playing what might be my favorite song as I do every year at this time. The son is September Song, written by Kurt Weill and Maxwell Anderson for the 1938 Broadway show Knickerbocker Holiday. It was written in just a few hours after the show’s star, Walter Huston, requested that he have a solo  song in the show.

Of course, in doing so, the composers had to account for Huston’s limited vocal range. The result though is a song that has become one of the great standards, covered by an incredibly wide range of artists. I have played versions from Willie Nelson, Bryan Ferry and Lou Reed along with the more well known jazz vocalists.

The song is just lovely in a most wistful way and these days we can all use something lovely and even wistful. Here’s such a version from the great Sarah Vaughan.

Have a good day.

Paul Klee- Fish Magic 1925


He has found his style, when he cannot do otherwise.

-Paul Klee


Paul Klee always seems to have something in his works and his words to which I can relate. I know these words relate to my own experience as an artist.

I do what I do. I am what I am.

I just can’t do anything else.

It can be frustrating at those times when I feel blocked and find myself wishing I was someone else with different and greater talents and skills. Or when people ask me why I don’t paint in a different way or ask me to do something outside of my artistic realm or area of interest.

So, I do what I do and I live with that.

There was a scene from a PBS series years ago that I have mentioned here before (and borrow from in what follows) that perfectly encapsulates this situation.

It was an episode of Mystery! on PBS starring Kenneth Branagh as the Swedish detective Wallander. It was an okay, nice production but nothing remarkable in the story. But there was a part at the end that struck home with me and related very much to my life as a painter. Wallander’s father, played by the great character actor David Warner (I always remember him best for his portrayal of Evil in the Terry Gilliam film Time Bandits) was, like me, a landscape painter. Now aged and in the beginning stages of Alzheimer’s, his son comes to him and intimates to his father, after having recently killed a serial killer, that he can’t go on as a detective, that he can’t take the stress.

The painter tries to comfort his son then recalls how when Wallander was a boy he would ask his father about his painting, asking, “Why are they always the same, Dad? Why don’t you do something different?

He said he could never explain. Each morning when he began to paint, he would tell himself that maybe today he would do a seascape or a still life or maybe an abstract, just splash on the paint and see where it takes him. But then he would start and each day he would paint the same thing- a landscape. Whatever he did, that was what came out. He then said to his son, “What you have is your painting. I may not like it. You may not like it. But it’s yours.

That may not translate as well on paper without the atmospheric camera shots and the underscored music but for me it said a lot in how I think about my body of work. Like the father, I used to worry that I would have to do other things- still lifes, portraits, etc.- or paint in a more realistic and less idiosyncratic manner in order to prove my worth as a painter. But at the end of each day I found myself looking at a landscape, painted in the only way I know, most often with a red tree.

As time has passed, I have shed away those worries. I don’t paint portraits. Don’t really paint still life. I paint what comes out and most often it is the landscape. And it usually includes that red tree that I once damned when I first began painting it had become a part of who I am.

I realized you have to stop damning who you are…

Character


Nearly all men can stand adversity, but if you want to test a man’s character, give him power.

–NOT Abraham Lincoln


I was thinking about character this morning and came across the quote above, which has been used on occasion by political organizations in recent times and is usually attributed to Abraham Lincoln.

Great words and most likely the truth.

But it turns out that the words were actually not from Lincoln but instead were spoken about Lincoln.  The words actually come from my new hero of words, Robert Green Ingersoll, who I briefly profiled in a blog post this past week.

In 1883, at an event in Washington DC, Ingersoll was introducing a speaker who was going to lecture on the late President Lincoln. During his introduction Ingersoll said of Lincoln’s prowess as an orator, comparing Lincoln’s speech at Gettysburgwith that of the speaker, Edward Everett, who followed him and rambled on for a very long time :

“… If you want to know the difference between an orator and a speaker, read the oration of Lincoln at Gettysburg, and then read the speech of Everett at the same place. One came from the heart, the other was born only of the voice. Lincoln’s speech will be remembered forever. Everett’s no man will read. It was like plucked flowers.

After a round of applause, Ingersoll then added:

If you want to find out what a man is to the bottom, give him power. Any man can stand adversity — only a great man can stand prosperity. It is the glory of Abraham Lincoln that he never abused power only on the side of mercy. [Applause]. He was a perfectly honest man. When he had power, he used it in mercy …”

Ingersoll modified these comments for a later lecture on Lincoln:

“Nothing discloses real character like the use of power. It is easy for the weak to be gentle. Most people can bear adversity. But if you wish to know what a man really is, give him power. This is the supreme test. It is the glory of Lincoln that, having almost absolute power, he never abused it, except on the side of mercy.”

Over the years, Ingersoll’s words were used often in many newspapers and magazines and correctly attributed to him. But as time wore on, his words were condensed down to the form you see at the top with Ingersoll’s name being forgotten, instead replaced by the very man of which he spoke.

As great and lauded as he was, Bob Ingersoll was just destined to be overlooked by history, I guess.

But his observation on character certainly holds true today.

We have a man who holds what is most likely the most powerful position in the world, the president*** of the USA, who has been given ( and has taken) almost absolute power. It has certainly revealed his true character.

And it ain’t pretty.

A multitude of revelations have come out in recent days, all painting him (almost always with his own words) as the soulless, selfish, ugly creature, something that seems so obvious to me and many others by the simple witnessing of his actions. Yet, reading through the reactions of his ardent followers on social media, it is portrayed as some sort of character assassination.

My question is: Can it be character assassination when the character of the person ( I am giving him the benefit of a doubt here, folks) in question is fully revealed as it truly is?

His actions and his words– spoken in his recorded voice— all reveal a character that is lacking any positive attributes. It is a character that shows itself as being small in scale and weak in practice.

It is a character that would let tens of thousands–maybe even hundreds of thousands– of the citizens he was entrusted to protect die, suffer and lose their livelihoods so that he might protect his political and financial aspirations.

He has told us who he is with his own words and he has demonstrated his character day after day for the past four years.

If at this point, you still believe that he has a reverence for or loyalty to this country, a respect for its citizens, or any interests beyond his own, you, my friend, are a fool.

I am going to condense that for you, probably not in a way that would please the great Robert G. Ingersoll:

If you still support this goddamn creep, you’re a fucking idiot.

Apologies to my less profane friends out there but this a time for plain speaking. Just my opinion.

Try to have a good day.

 

I Am a Patriot


The notion that a radical is one who hates his country is naïve and usually idiotic. He is, more likely, one who likes his country more than the rest of us, and is thus more disturbed than the rest of us when he sees it debauched. He is not a bad citizen turning to crime; he is a good citizen driven to despair.

H.L. Mencken


I have been trying to stay away from current events but seeing this morning that the Department of Justice is looking to take over the defense of the president in a defamation lawsuit brought against the president*** by a private citizen over an alleged rape that took place twenty years ago just raises my blood. The fact that we, the people, are now paying for his legal defense and any subsequent settlement for is beyond the pale.

It is just another mile marker on the road to authoritarianism.

Factor in what is happening under the rulers this thing in our white house so much admires and refuses to criticize, often even as they imperil our citizen soldiers. You have the kidnappings of opposition leaders in Belarus. The poisoning of opposition leader and Putin critic Alexei Navalny in Russia, which was, by the way, not the first such occasion under the Putin regime. And then there is the crazy number of Putin critics and journalists who “accidentally” fall from high rise windows or mysteriously get shot with sight of the Kremlin.

Not to mention the brutal killing and dismemberment of a US based journalist by the Saudi regime that he often coos about, an atrocity that is now barely a blip in a radar screen filled with atrocities.

That’s the world to which our creature in charge aspires. And 40% or so of our population thinks, or in the absence of thought, believes that this is just fine and dandy.

I can’t accept that.

I will not succumb to the dark world being forced upon us. Will not keep my mouth shut. Will not close my eyes to the wrongs being perpetrated. Will not turn my head away from the rampant corruption or the many injustices of this regime.

I won’t do it.

And the 40% of us that are his true believers view this as being unpatriotic.

Well, we obviously have different views on patriotism.

I am going to defer to Aristotle on this: “It is not always the same thing to be a good man and a good citizen.

If being a good citizen requires me to be less than a good man, then I will cease being a good citizen.

Sorry for the spew this morning. Here’s a song that says this much better than my angry words. It’s from way back in 1984 from Little Steven and the Disciples of Soul and his album Voice of America. You might know him better as Miami Steve Van Zandt from Springsteen’s E Street Band or as Silvio, Tony’s lieutenant and the owner of the Bada Bing Club on The Sopranos. Or from his Sirius radio channel Little Steven’s Underground Garage or from his Netflix series, Lilyhammer. He’s a busy, multifaceted guy.

And a patriot by my and Mencken’s definitions. Here’s his I Am a Patriot.

The painting at the top, The Way of the Brave,  is from quite a few years back. It’s a longtime favorite of mine and one that I used when I last played this song here back in 2009. It still fits the song.

Have a good day.

 

Choose Well


“At times the whole world seems to be in conspiracy to importune you with emphatic trifles. Friend, client, child, sickness, fear, want, charity, all knock at once at thy closet door and say,—’Come out unto us.’ But keep thy state; come not into their confusion. The power men possess to annoy me I give them by a weak curiosity. No man can come near me but through my act.”

Ralph Waldo Emerson, Essays of Ralph Waldo Emerson


In my Gallery Talk I spoke about the struggle to go inside myself to create in these crazy days. The outer world and its many problems seems to be keeping me from the inner. It’s a frustration that more or less paralyzes me, requiring me to go put in a lot of extra effort just to get down to work.

I am trying to reconcile this, to somehow get past this feeling.

I came across this snippet above from Emerson and it reminded me that I am the one letting the outer world in. Oh, I know you can’t keep it completely out but I was the one opening the door and inviting it in. I was the one who listened to it as it went on about its problems and thought I could somehow help it out, foolish as that idea seems when I write it out. I went, as Emerson writes, into their confusion.

It also reminds me that I get to choose how I respond to the outer world. And being paralyzed is not a choice. It’s a refusal to choose.

So, I choose to shed the paralysis, to get back to work, to explore those inner paths once more. It’s my choice and what I do.

We all have that power to choose how we react to our own forms of paralysis, fear, anger, frustration and so many other negative aspects of our world. Most likely you don’t need to hear this. You probably know this as well as I. But I know I sometimes fall out of rhythm and have to be reminded once in a while.

The painting at the top is from a few years back and lives now with me in the studio. It’s one of those pieces that really hit high notes personally for me right from the moment it took form on the easel. It’s one of those pieces that surprises me in that it hasn’t yet found a home but also please me because I get to live with it for a bit longer. I thought it echoed with the words of Emerson today. It originally echoed with the words from the Rudyard Kipling poem after which it is named, If.

I was going to include the poem here in print but here’s a fine reading of it by actor John Hurt complete with the words shown. And some powerful black and white images.

Have a good day and choose well.


 

For Labor Day


I usually go on and on about the real meaning of Labor Day but I am tired today. Here’s a post from a couple of years ago about a favorite song concerning work, fittingly titled Work Song, of all things. Great tune. Have a good Labor Day and just try to at least give a little thought to what the holiday represents.


I call this painting Let Us Now Praise Famous Men, a title I used for a few paintings from my early Exiles series, in which this piece is included. I seldom show this piece and am not sure if it has ever appeared here. While I like this piece for a variety of reasons– for instance, I love the sky and hill colors– I never felt it was up to the same level as the other work in the Exiles series. I felt that it was more flawed than the others and too forced, not as organically formed as much of the other Exiles.

But every time I pull this piece out I feel a small sense of satisfaction in it and maybe that it needed to be aired out. I want to play a song today and thought this would be a good opportunity to let this little guy get out a bit. We’ll see.

The song is Work Song. It was written by the brother of jazz great Cannonball Adderley, who originally performed the song as an upbeat  jazz piece. But it has been interpreted by a number of artists over the years, some to great effect. Others, not so much to my taste. But one of my favorites is from one of my  guilty pleasures, Tennessee Ernie Ford.

He certainly doesn’t seem like a “cool” choice if you remember his public persona in the 50’s and 60’s as the goofily naive but affable hick from Bristol, Tennessee. I enjoyed that caricature as kid but it was his music that hooked me. He had a deep and mellow voice and a knack for choosing songs and arrangements that fit him perfectly. His series of country boogies were great and his 16 Tons is a classic. His version of this song is a great interpretation, spare and deep felt.

I couldn’t find a decent video of this song so here is the track alone:

Here’s another version that is a different interpretation from a band called The Big Beats with vocalist Arlin Harmon. I don’t have a lot of info on either though from what I can glean Harmon was a highly esteemed singer out in the Northwest. It’s a solid rocking performance with a different flavor than Tennessee Ernie’s. Give a listen.


I don’t need to be forgiven
For something I haven’t done
Nor for wanting my family
To find their place in the sun
If you keep this pressure on
Just don’t be surprised
If I can’t summon up my dignity
While you’re roughing up my pride

There will be a reckoning
For the peddlers of hate
Who spread their poison all across this estate
And a reckoning, too, for the politicians who
Left us to this fate
There will be a reckoning

Billy Bragg, There Will Be a Reckoning


Since we’re in the midst of another Labor Day weekend, albeit one certainly not in normal times, I was listening to some Billy Bragg, the British singer who has picked up the mantle of Woody Guthrie to become the voice for workers and the downtrodden. In fact, his Guthrie connection includes the fact that he provided most of the vocals for one of my favorites albums, Mermaid Avenue. It was a collaboration between Bragg and the group Wilco to set to music and record a group of unreleased Woody Guthrie songs that were just lyrics on paper.

The result was what I consider a brilliant album. But that’s one guy’s opinion.

I came across this song from Bragg that has been bouncing around for a while but seems to have relevance for these times. It’s called There Will Be a Reckoning. In different performances Bragg has talked about how since WWII and the defeat of the fascist forces that were threatening to overtake the planet, generations of politicians have neglected to honestly address the big issues that affect the majority of the population on this planet– financial inequality, social injustice and racism, food insecurity and adequate healthcare.

They usually just kick these concerns down the road in acts of expediency.

Expediency is often just another name for cowardice.

As a result, it has created a vacuum in which those with fascist tendencies and objectives can once again begin the rise to power through the division of the population through campaigns of fear and hatred. They see the neglected problems and, though they have no plan on ever correcting the deficits, use it as a prybar to separate the masses and set one group against the other.

And quite often they succeed. And fascism gains a strong toehold and takes power. And this leaves another generation to have someday fight to stop its spread.

Yeah, if it’s not stopped, there will definitely be a reckoning.

Here’s a live version of the song from several years ago. I am playing it to let you hear Bragg’s cockney accent and a few words on the song as he introduces it. The painting at the top is my A Time For Reckoning which is still at the West End Gallery and was part of my recent show there. I think it pairs well with this song and these times.

Have a good day.