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Hesitating Beauty

October 14, 2018 by redtreetimes

 

Going to keep it simple this morning and just play this week’s Sunday morning music. It’s off the collaborative albums , Mermaid Avenue, from Wilco and Billy Bragg, where they took never recorded Woody Guthrie lyrics and set them to music. I’ve played a number of the songs from these albums over the years but somehow missed this favorite. It’s about a Hesitating Beauty named Nora Lee and I’ve included the lyrics below. The painting above is a piece from 2003 called Rarity of the Moment that seems to have that same feeling of unfulfilled desire as the song.


 

“Hesitating Beauty”

 

For your sparkling cocky smile I’ve walked a million miles

Begging you to come and wed me in the spring

Why do you my dear delay

What makes you laugh and turn away

You’re a hesitating beauty, Nora Lee

 

Well I know that you are itching to get married, Nora Lee

And I know how I’m twitching for the same thing, Nora Lee

By the stars and clouds above we could spend our lives in love

You’re a hesitating beauty, Nora Lee

 

We can build a house and home where the flowers come to bloom

Around our yard I’ll nail a fence so high

That the boys with peeping eyes cannot see that angel face

My hesitating beauty Nora Lee

 

Well I know that you are itching to get married Nora Lee

And I know how I’m twitching for the same thing Nora Lee

By the stars and clouds above we can spend our lives in love

If you quit your hesitating, Nora Lee

 

We can ramble hand in hand across the grasses of our land

I’ll kiss you for each leaf on every tree

We can bring our kids to play where the dry leaves blow today

If you quit your hesitating, Nora Lee

 

Well I know that you are itching to get married, Nora Lee

And I know how I’m twitching for the same thing, Nora Lee

By the stars and clouds above we could spend our lives in love

If you quit your hesitating, Nora Lee

Posted in Early Paintings, Favorite Things, Music | Tagged , , | 3 Comments »

Will Barnet/Age

October 13, 2018 by redtreetimes

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Painting is almost like a religious experience, which should go on and on. Age just gives you the freedom to do some things you’ve never done before. Great work can come at any stage of your life.

–Will Barnet

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I have known the work of Will Barnet for many years and usually immediately recognize his work. But what I didn’t know was that the work that I associate with him is only the most recent work from a career that spanned eighty years.

Yeah, eighty years spread over nine decades.

To give an idea of the span of his career, as a child automobiles and aeronautics were in their infancy and he actually saw John Singer Sargent working on the murals at the Boston Public Library. At his death, we were on the verge of private space flight and self driving cars. Imagery is now transmitted instantly around the globe via the internet.

A small computer chip can practically hold all the content of the Boston Public Library.

Barnet, born in 1911 and died in 2012 at the age of 101, knew from an early age that he wanted to be an artist. What I admire is that his career followed a series of radical transitions throughout his career, constantly changing but always maintaining his own voice and maintaining a high level on consistent quality.

But more than that was need to continue his work. On the day he died, he had worked on a large ambitious painting of his granddaughter.

It’s a fascinating evolution, one that greatly interests me at the current stage of my career. Seeing painters such as Barnet painting to such an advanced age while still evolving is inspiring, giving me hope that I can continue on the path I am on for decades to come.

Obviously, I am showing only a tiny portion of his work here. Below is a video of the work that first made me aware of Barnet. The others are a selection from various periods just to give a sample of the range his career encompassed.

Will Barnet- Martha and Her Cats- 1984

Will Barnet

Will Barnet- Abstract Composition – 1957

Will Barnet – Big Duluth- 1960

Will Barnet- Early Spring- 1977

Will Barnet- Father and Parrot- 1948

Will Barnet- Play- 1975

Will Barnet- Children Drawing- 1946

Will Barnet- Idle Hands- 1935

Will Barnet- February- 1980

Posted in Favorite Things, Painting, Quote | Tagged , , | 2 Comments »

I Don’t Care Much

October 12, 2018 by redtreetimes

I don’t care much.

Actually, I do care. That’s just the title of a song that is a favorite of mine. It’s from Cabaret but it does have relevance for our current time. The play dealt with people who turned a blind eye to the growing authoritarian regime that was taking over Germany in the 1930’s. The cabaret was a symbol for those people who just didn’t want to take a side, didn’t want to think about right or wrongs. People who just wanted to have a good time and hope that things would just work out without them.

Wanted to believe that they didn’t have to care much.

That belief, thinking that one could just ignore the coming atrocity without being touched, proved to be less than effective. Ask the 60 or 70 or 80 million folks who died in WW II.

Let’s not make that same mistake. As appealing as it might seem, you cannot hide and just think that things will work out. There is a great darkness clouding our planet right now, one that is built on the aspirations of authoritarian regimes. The murder of the Saudi journalist Jamal Khashoggi and how our administration responded so pitifully yesterday is yet another omen of this creeping darkness.

You must stand against these dark changes because they are taking place at an ever accelerating rate and the window for putting a brake on a would-be authoritarianism is closing. And those who stand with the authoritarians will do most anything to keep their march of darkness moving forward.

Life might be a cabaret but the there is a price to be paid. Vote. Get involved. Make your voice heard.

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The painting at the top is an older painting from 2001 called Three Before the Storm. It fits my mood today. Here’s the song I Don’t Care Much performed by Alan Cumming as the Emcee.

Posted in Current Events, Opinion | Tagged , , | 2 Comments »

Prodigal

October 10, 2018 by redtreetimes

Last week a notification came up on my Facebook feed of a painting of mine that was being offered for sale locally. It wasn’t the best of photos but I immediate recognized the painting. It was from back in 1999 and was titled Black Opal Night. The price was very reasonable and I immediately contacted the seller, offering to buy the painting back.

In our back and forth, she asked why I was buying this painting back. It seems that artists buying their work back is not a normal thing.

I replied that it was from the years between 1996 and 2000, a five year period that was pre-Red Tree and an evolutionary step to my subsequent work. It was also a time from which I have practically no remaining work and would love to have a few more pieces. I have been very fortunate in that almost all of the work from that time have found new homes. The few that remain with me are pieces that most likely should have never left the studio in the first place. They have major flaws– poor color quality, composition balances that seem off a bit and so on– which I would now consider disqualifying, that would keep me from showing it publicly.

I may have been a little less discerning in earlier times.

This piece, from what I could see in the photo and could glean from my memory of it, didn’t seem to fall into this category.

Another part of wanting to acquire this piece was that my documentation at the time was pre-digital and spotty. I most likely have slides of this piece but the slide itself is most likely poorly shot. And a poorly photographed slide is still a poor image when transferred to a digital format, which is still an iffy process for me. It would be good to see a painting from the time and get proper photos. I have to admit that the photo here was taken through glass so it is not a perfect image. But it works.

So I picked this up over the weekend and I couldn’t have been more thrilled. First, the image itself looked new even though the frame, a blue-green color that I no longer use, was a bit less fresh looking. It was definitely of the time. I could see where I was at the time from a process standpoint, how I was still embracing techniques that are now deep embedded.

I often speak at gallery talks about the 60 or 70 thousand hours spent in the studio over the past two decades. This piece was from the beginning of that time and offered a glimpse of how the work had evolved and changed. This piece was pushing at the edges of my abilities at the time which gives it an excited feel. I can almost feel my excitement in painting it from the time. There are surface flaws that are integral to the energy of this painting that give it a rawness that I think was a big part of the strength of that early work.

That rawness is something I don’t see as much in recent work. Oh, the excitement is still there but the expression of it is more refined, more controlled. And looking at this painting makes me wonder if I am pushing myself enough. Am I staying too far inside the lines? How do I regain that raw energy?

And maybe the answers to these questions are the real reasons for me re-acquiring this painting. Even though it’s simply an older painting in my body of work, it has given me so many things to ponder.

Let’s see where it goes from here.

 

Posted in Biographical, Early Paintings, Painting, Technique/History | Tagged , | Leave a Comment »

Marianne von Werefkin

October 9, 2018 by redtreetimes

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Art lives and dies in the unique heart of he who carries it, just as all feelings only live and expand in the souls of those who feel them. There is no history of art — there is the history of artists.

—Marianne von Werefkin

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Marianne von Werefkin is a name that often catches my eye when I am digging around for art online. It always stands out even though I don’t have any knowledge of her work so at some point I finally looked closer at her work. And, like so many little known artists that I come across, I have to say I was pleased by the work I found.

Marianne von Werefkin Self Portrait

She was born in Russia in 1860 and died in Switzerland in 1938. Throughout her life she was associated with several important painting groups and movements in Europe though she never achieved widespread recognition for her work, certainly nothing close to that of her peers such as Kandinsky and Klee. It was difficult for a woman to stand out in the male dominated world of art at that time. Fortunately, that has been changing over the past century though I am sure not as quick as it should.

I am very taken with much of her work, especially the compositions and the way in which she expresses her self in forms. I also have enjoyed a few quotes and other writings she left behind, which like her compositions line up with my own viewpoints.

Here are a couple of other examples;

All bores me in the world of facts, I see an end, a limit to all things and my heart thirsts for the infinite and for eternity.

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The artist is the only one who detaches himself from life, opposes his personality against it, he is the only one who orders things as he wishes them to be in place of things as they are. Thus, for him life is not a fait accompli, it is something to remake, to do again.

I know I am not giving you a lot of info here today outside a few quotes and images. But take a look and in it strikes you, dig a bit deeper for yourself. I think you will be rewarded. I see her work as just good stuff. And for me, that is a high compliment.

DGA510708 The Black Women, by Marianne Werefkin (1860-1938), gouache on cardboard, 1910; (add.info.: The Black Women, 1910, by Marianne Werefkin (1860-1938), gouache on cardboard.
Artwork-location: Hanover, Sprengel Museum Hannover (Art Museum)); De Agostini Picture Library / M. Carrieri; out of copyright

Posted in Favorite Things, Painting, Quote | Tagged , , , | Leave a Comment »

Inness’ Spiritual Nature

October 8, 2018 by redtreetimes

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The true use of art is, first, to cultivate the artist’s own spiritual nature.

–George Inness
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I am always thrilled with the paintings of George Inness, an American painter who lived from 1825 until 1894. He died in Scotland where it is said upon viewing a spectacular sunset, threw his hands in the air and said, “My God! oh, how beautiful!” He then fell to the ground and passed away a few minutes later. 
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He obviously lived and died for the spiritual nature of his landscapes.
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I believe he was perhaps the most influential American painter of the 19th century. His work was groudbreaking at the time and his use of light and color created landscapes filled with a powerful spiritual element.
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I feel a sense of spiritual awakening in much of his works. He moved beyond mere depiction, adding poetry to his landscapes. They feel imbued with an inner light, one that hints strongly to the spiritual.
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You be the judge. Here are just a few of my favorites.

Working Title/Artist: George Inness: Autumn OaksDepartment: Am. Paintings / SculptureCulture/Period/Location: HB/TOA Date Code: Working Date:
photography by mma, Digital File ap87.8.8.tif
retouched by film and media (jnc) 8_30_12

Posted in Favorite Things, Quote | Tagged , , , | Leave a Comment »

Bad Moon Rising

October 7, 2018 by redtreetimes

Thought I’d keep it simple today. The song for this week the classic Bad Moon Rising from Creedence Clearwater Revival. Feel free to read any symbolism into this that you feel is needed. It had meaning in 1969 and it might be different circumstances, but the warning is still relevant today.

I worry that there is a reckoning of sorts coming soon and I know I am not alone in this, even when I look over to the right wing. I have read several things in the past few days from conservative thinkers, people who you would think might be gleeful for the changes of the past two years and the far right swing of the Supreme Court, who are experiencing this same ominous dread, who sense this is coming to a head soon.

There are too many omens and too many events falling into place to ignore.

I fear that it ain’t gonna be pretty, folks.

And no matter how deep those among us bury their heads in the sands of distraction and try to ignore what is happening, none of us will come out untouched. We all will lose something before it’s all over.

Like the song says:

I hope you got your things together
I hope you are quite prepared to die
Look’s like we’re in for nasty weather
One eye is taken for an eye

I will leave it at that and promise to be more uplifting tomorrow. But for the time being, have a good day.

Posted in Current Events | Tagged | 1 Comment »

Watching Fire

October 6, 2018 by redtreetimes

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On this road there are no godspoke men. They are gone and I am left and they have taken with them the world. 

― Cormac McCarthy, The Road

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You know you feel bad when you take to the awful beauty of Cormac McCarthy for comfort. But when you get the sense that the world is about to be set on fire, if it is not already ablaze, he seems like a natural choice.

I would much rather be referencing another book, like JFK’s Pulitzer Prize winning Profiles in Courage. that describes the brave stands taken by Senators which changed the course of our history. But as we now know Senatorial courage is only a myth now, some form of mythical quality from a long lost time.

The idea of someone with the power to affect change stepping forward to so without regard to their own personal benefit is something we may never see again. And what a lost opportunity it has been for someone to cement their place in history, to speak truth to the rampant dishonesty and corruption we are witnessing.

Instead we see cowering and mealy mouthed half explanations or full-throated deceptions that are disingenuous at the very least. No, there will be Profiles in Courage written from this time about those who sit in the majority. So long as they believe they have shelter, they would rather see the world burn than stand against the illegitimacy they helped create.

Like the fools they are, they somehow think that the flames won’t reach them, even as they stand among the fury of the fire.

And the world begins to smolder…

 

 

 

 

Posted in Current Events | Tagged , , | 4 Comments »

Control!

October 5, 2018 by redtreetimes

I so much want to comment on what is happening right now. Comment is not the right word.

Vent. Spout. Bellow.

But, unlike the Supreme Court nominee, I will maintain my composure.

Alice from Dilbert’s office shall be my role model today. 

Hope you can control your fist of death.

If not, use it responsibly and effectively.

 

 

Posted in Current Events | Tagged | 4 Comments »

Ten Years

October 4, 2018 by redtreetimes

In the hubbub of the last few weeks, I lost sight of the fact that this past late September marked ten years that I have been writing this blog.  The first Redtreetimes showed up on September 19, 2008. It was very short and featured two of my earliest paintings. The first contemporary piece of mine from that time to debut here was the 2008 painting above, Coming to a Realization, on the next day.

There have been almost 3000 posts in those ten years. Occasionally I riff back through the online archives and am proud of some of the posts and disappointed by others. But the one thing I think it has been is consistent. I don’t cringe at the opinions I have expressed and am not embarrassed or ashamed by the personal flaws I sometimes expose. If anything, the blog has served in much the same way as my work in giving voice and form to the fact that I exist, that I am here in this place at this time.

Has it been worth the time and effort? I think so but there are days when I really can’t be so positive about that. It might look like there should be little effort in throwing this together each morning but that is an illusion. If there are 3000 posts then I figure I’ve spent at least 3000 hours. Most likely much more when you factor in the posts that are written only to be sent to the trash, never to see any other screen but mine. There have been plenty of those.

Or the many posts that takes multiple hours to write. Writing is real toil to me and it often takes much longer than you would think for me to squeeze out a couple of hundred words. And I can’t help but think how long it might take if I took the time to reread and edit them before posting them.

But overall, I think this blog has been a great supplement to my work. It has exposed a lot of people in far flung locations to my paintings and the stories and thoughts behind them.

In the past, the gallery system provided the background stories and ideas behind an artist’s work to the public. I am fortunate in that I have worked with galleries that still do much of that for me. But that is a rarer quality today as many brick and mortar galleries struggle. So more and more, it is important for an artist to be proactive and take matters into their own hands and do things like social media and blogs.

I can’t say if this increased exposure on the net has increased the sales of my work. I believe it has. More importantly, it has helped shape the way in which I see my own work and how I want it presented to the outside world. It has introduced me to many folks who provide valuable feedback and sometimes thought provoking opinions. This has no doubt shaped the work as well.

I want to send a hearty Thank You to those of you who still pop in and out after all these years to check out my work or the work of others. I try to keep it interesting and show a broad range of material without becoming too esoteric or deep. I think fully it reflects the thought I expressed here years ago, that like a river I may appear to be a mile wide but am mostly only inches deep.

Take that for what you will. And thanks, again.

 

Posted in Biographical, Early Paintings | Tagged , | 5 Comments »

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