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Posts Tagged ‘Bob Dylan’

Been raining for a couple of days now, often in loud and long downpours. Looking out from my studio, I can see the run-off creek that runs through my property, normally dry at this time of the year. It’s gushing brown now, nearly overtopping the large culvert into my studio, and has a roar that fills the woods.

Down the length of the long driveway into my property, the water runs on it like it’s a newly minted stream while beside the driveway the creek rushes well outside its banks, meeting the driveway water and merging into a mass that covers everything. The end of our drive looks like a  large, moving pond.

There are a few younger deer playing in the now hard rain, running through the heavy, muddy overflow coming off my pond. The ground is soft and giving underfoot, like walking on a sponge.

We’re fortunate in our location. High enough to avoid real flooding and far enough away from the water coming out of the creeks and run-offs that run through the property. A lot of other folks won’t be so fortunate and will most likely have to face a long clean up after the flash flooding that is taking place. A day or two more and we might be into heavy river flooding and that’s real trouble.

Hopefully, tomorrow will bring some sun, some relief. But for now, I’ll watch the water run brown with the deer splashing through it. A bit of a watered-in day, as my friends in Texas might call this.

Here’s a great version of the Bob Dylan song Down in the Flood from the bluegrass legends, Flatt and Scruggs. Enjoy and stay dry.

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Many, many thank you’s to everyone who took time from their busy sunny summer Saturday to spend an hour with me at the West End Gallery yesterday. It was a very full house with plenty of faces I know well and quite a few that were new to me. Hopefully everyone went away satisfied with their decision to spend their time at the gallery.

I know that I am certainly glad they came. Their warmth makes me feel most welcome and their questions create the real form and content of the talk. I am always pleased at the questions they ask. Most are quite probing and require me to truly consider my answers. I know that sounds funny, that it seems obvious that every response should be considered. But there are some questions that I have been asked many times so the answers just come out reflexively. I am often asked questions at these talks that come from different angles, that require a moment to look at  what is really being asked.

Hopefully, I got to the point of what was asked.

Again, a boatload of thanks to the folks who came and to Jesse, Lin and John at the West End Gallery for being the perfect hosts.

That being said, I can say that I gave a big sigh of relief when it was over. One would think it would be easy by now, especially given the open acceptance of the audience, but for someone who works in private solitude seven days a week it is a daunting task to stand before a group of people and try to speak coherently in an open and honest way about inner things.

When these things finally end the relief is quickly replaced by a feeling of fatigue that quickly sets in. I was wiped out after yesterday’s talk. But I am somewhat refreshed this morning and can start preparing for the next one, about six weeks from now in Alexandria. But I’ll put off worrying about that for a while.

For this Sunday morning music I chose a song about things being over. It’s a version of Bob Dylan’s It’s All Over Now, Baby Blue by the group Them from way back in 1966. Featuring Van Morrison who sang lead for the group before he had his great solo career, this is a great version of the song. Give a listen and have yourself a great day.

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Slovakian Resurrection Icon circa 1640

Slovakian Resurrection Icon circa 1640

It’s Easter Sunday.

The day of the Resurrection.

I’ve said it before here, I am not a religious person. I wasn’t raised with religion and much of my knowledge of it as a kid came from a local church lady, Nellie Beidelman, who used to come to our little elementary school on a regular basis. We would assemble in the cafe-a-gym-a-torium (a space that served all three functions) to hear her tell Bible stories with the aid of a felt board with beautifully painted cut-out figures.

I know it’s not something that could ever take place today in a public school. But she was a very warm, gentle person and a fine storyteller without being preachy. I always found the stories interesting as they introduced me to the classic tales of the Old and New Testament and still vividly remember her telling of the Resurrection. It didn’t make me feel any more inclined toward religion but at least I knew the stories and the lessons that they contained.

I just never had that certainty of belief. I admired it in others and sometimes wished I had it, wondering why I didn’t. But that same certainty made me uneasy. What would someone do in the name of their belief, that thing that seemed so certain to them and so distant to me? The news is filled with horrors perpetrated by those with this certainty firmly in place, whether it’s ISIS inspired suicide bombers or radical Fundamentalists killing physicians who have performed abortions.

And reading history doesn’t make this uneasiness with certainty go away. How many of millions have perished at the hands of those who were certain in their beliefs, however misguided and wrong they may seem to us now? Even in doing my genealogy I have come across so many atrocities done by my ancestors in the name of their beliefs that it makes me question the decision to look into the past at all.

That being said, I still sometimes envy those with that certainty and the comfort they seem to find in it. My own beliefs, as they are, are always subject to questioning, always filled tinged with a bit of uncertainty. But they still offer a degree of comfort. Sometimes stopping as I walk and feeling the sun on my skin and gazing into the blue of the sky fills me with a feeling that seems transcendentally reverent in that moment. The outer world fades for a brief second and I seem connected with something greater than this time and place.

That moment is my certainty, that thing on to which I hold as proof of something greater. And that moment once in a great while is all I ask of it.

So, with or without that certainty, whether you observe Easter or any other religion’s activity today, I wish you a great day. But stop once in a while and just feel the sun on your skin and notice the color of the blue in the sky. For this week’s music, here’s a great cover of a Bob Dylan song, Times Have Changed, from the great soul singer Bettye Lavette, who recently did an album of her interpretations of Dylan songs. This song won an Oscar for Best Original Song in 2001 for it’s use in the movie Wonder Boys.

Enjoy Bettye’s take on it and have a great day.

 

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I wanted to play a Christmas song for this week’s Sunday music and thought I’d replay a song that first ran here back in 2009. It’s Must Be Santa from Bob Dylan. It’s a great song, a polka with a klezmer feel and in the the entertaining video you get the bonus of seeing Dylan dance. Good fun for the day before Christmas.

While looking for an photo or two to accompany this post, I browsed through masses of images of Santas from the past and was amazed how many of them crossed that line into outright creepiness. It made me believe that Santa is just about on par with clowns in creep factor. You might see a rogue clown in the woods but Santa is, simply put, a bearded home intruder ( and flamboyant dresser) who slides down your chimney in the dark of night. He knows when you are sleeping, for god’s sake!

I picked a few that are pretty strange. I left out some that actually made me cringe and feel a little queasy. I have a feeling that many of their photos are also in some sort of registry somewhere.

Anyway, enjoy the song and have a good holiday evening. And don’t worry about the weird old man hovering around your home tonight…

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There just doesn’t seem to be enough time in any day, with what seems like a thousand tasks gnawing at me to get done. A little anxious,  I am eager to get going but it is Sunday morning and my routine dictates that I dig out a song to play here on the blog.

This weeks features two versions of Bob Dylan‘s Everything Is Broken, a definite favorite of mine and a song that oddly fits almost any time and place. I chose the  first, which contains the song done by Dylan himself, because the video cracked me up. It’s done by someone from Italy, I think, who makes some interesting videos. I believe he just does it for himself and friends because none of them has a huge number of views. But his one caught my eye and makes me chuckle.

The second video is from longtime soul diva Bettye LaVette. I like to hear different takes on the same song, seeing how many artists take different approaches to the same material. Bettye’s version is pretty satisfying.

But you be the judge. Have a great day.


 

 

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Archaeology: UnburdenedIn these current strange days, I am not quite sure how I feel about Bob Dylan winning the Nobel Prize for Literature.  I think I’m okay with it.  After all, I’ve always though of him as much a writer/poet as a musician. His lyrics have been winding around the world for fifty some years and it’s hard to find any musician just about anywhere who hasn’t been influenced by his words, his music and his social consciousness.

I was trying to pick a song from Dylan for this Sunday’s musical selection and realized what an impossible task it is.  There is just such a vast and varied body of work, spanning so much time and covering so many phases in his career.  You could just play his old folk stuff from before 1965 and you might think that was a whole career.

So today I thought I would play two of my favorites from two distinct periods of Dylan’s career.  One is the early and fun Subterranean Homesick Blues with its well known video while the other is a mid-1990’s Love Sick.  Just plain good stuff from the now Nobel Prize  winning artist and writer.

Enjoy and have a good Sunday…

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GC Myers- To the Watchtower smI’m a little tired, mainly of talking about my work and myself, and want to keep this short today.  I thought I’d show another painting from the show at the Principle Gallery and couple it with the song that spawned it.  The painting above is titled To the Watchtower  which I derived from the old Bob Dylan song All Along the Watchtower.

I thought it might serve as a good metaphor for what will be my final plea for your help in our efforts to raise funds for the Soarway Foundation, a campaign that ends today.  By donating, you can possibly win a painting of mine but the more important thing is that you are reaching out to those in need, people who don’t expect your help, don’t feel entitled to it but desperately need it.

Like the Red Tree in the painting, we often place ourselves on islands, seemingly insulated from the rest of the world and hopefully immune to the ills and woes of it.  I openly acknowledge that I am prone to this.  But we are not islands.  We are connected to the world.  It’s knowing that we are part of a greater whole that is the basis for the empathy that keeps this world together.  So, even while we try to stay put on our island we must man that watchtower and stay vigilant to the suffering of others.

Reach out.  Help someone.  Maybe you don’t give a tinker’s damn about people on the other side of the globe.  So be it.  Then help someone in your neighborhood. Your town. Your country.

Just help someone…

But I am asking for your help today by going to the link at the bottom.  If you can or if you already have, I thank you mightily.  If not, like I say, help someone else.

Reach out.

Thanks.  Here’s the classic Jimi Hendrix version of Dylan’s song.

https://www.crowdrise.com/artists-engaging-nepal
 

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Ralph Fasanella - Night Game/ 'Tis a Bunt 1981

Ralph Fasanella – Night Game/ ‘Tis a Bunt 1981

GC Myers -Foundation smAh, the dark days of winter are receding.  The trees are budding out and the green of the grass (under the newly fallen four inches of snow!) is pushing aside the dead growth of a long gone last year.  The robins have returned and once again the world makes sense–  the daily metronome that is major league baseball returns today.

It’s opening day.

I am not going to wax poetic today about the game, its history or the place that it holds in the hearts of so many.  It just feels like the real New Year’s Day for me and many other fans, that day on which the year truly begins.

The painting at the top, Night Game/ ‘Tis a Bunt,  is one of my favorite baseball paintings from the great folk painter Ralph Fasanella.  I love this particular piece and the way the baseball diamond feels more like a real diamond in an ornate and wondrous setting.  Great piece.  And this piece on the right is from my own baseball series from a few years back.  I loved doing that series and these pieces remain among my personal favorites.  I haven’t painted one in a while but sometimes think about revisiting that old ballfield.

For this Sunday Morning Music, in honor of the game, I’m going to make it a double-header.  First, there’s Take Me out to Ballpark, as played by Harpo Marx on I Love Lucy in 1955 , which is Cheri’s all-time favorite.  I’ve shown it several times but it’s so darn good, it never gets old.  And after that there’s  bluesy 1976 homage to late great pitcher Jim “Catfish” Hunter which is called, of course, Catfish.

Have a great Sunday and hopefully you’ll get to hear the umpire call out “Play ball!

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Highway 61 Revisited Album CoverI wrote earlier this week about the 40th anniversary of Springsteen’s classic LP, Born to Run.  Just a day or two later came another anniversary of another landmark album, this one marking  50 years since Highway 61 Revisited from Bob Dylan was released back in 1965.  It has remained a critical favorite over the decades, coming in at #4 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.  Of course, lists like that are pretty subjective but in this case, I tend to agree.

It was Dylan’s first all electric outing after making the transition from purist folkie to rock star with his prior album, Bringing It All Back Home, which was part acoustic folk and part electric rock.  With Highway 61 Revisited, Dylan went all in and made an album that was a real document and catalyst for the turbulent times in which it was made.  It is said that the 1960’s, as we have come to remember them as an era, started with this album.

I know it has long been a favorite of mine.  It’s an album that has been with me for so long that it doesn’t seem to be of any time, regardless of its age.  It just is.  Every song holds up and each is like a full and rich meal.  It’s filled with a meaty mix of words and textures and meanings that just fills you up.

So, for this week’s Sunday morning music,  what could be more fitting than the title track from this classic from half a century ago?  It’s a song that never gets to get my blood moving.  It’s been covered by a multitude of other artists and I don’t know that I ever heard a bad cover of it.  Here’s the original.  Have a great Sunday!

 

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GC Myers  Seeker of Light smThis is another new painting from the Home+Land show that opens this coming Friday at the West End Gallery.  It’s  16″ by 20″ on panel and is titled Seeker of Light.  It’s a painting that drew my attention on a daily basis in the days before it left the studio, the blue tones in it satisfying a personal desire for that color that often comes over me.

There’s something in that blue that, for me, creates a sort of color intoxication.  At the end of a day when I have been working up close, only inches away, I find myself smitten with the color, wanting to just keep painting endlessly with that color.  I’ve talked with people in the past about this, trying to describe how I actually have to consciously pull myself away from the color or it would engulf my entire body of work.  It’s pull for me is that strong.

And even though the whitish light of the moon seems to be the center of attraction here, I think it is pull from the blues that is the strength of this piece.  At first glance, it’s a scene that should feel wintry and cool but the blue tones here have a deceptive warmth, supported by the underlying reds and violets, that belies the natural coolness of the color.  It gives it a welcoming feel, inviting you in to follow the lines running in toward the light.

There’s so much more I could say about this painting but I won’t as it no doubt says it best for itself in the eyes of the viewer.

But that does lead us to this week’s Sunday morning music which has a reference to that color blue.  This song is from Van Morrison when he was starting his career with the Irish band, Them, back in the musical British Invasion of the mid-60’s.  Though they had a short life as a band, only about two years, Them produced some of the most enduring music from that era including the classic Gloria and  Here Comes the Night along with this cover of It’s All Over Now, Baby Blue written by Bob Dylan.  This song, with its haunting lead in,  certainly doesn’t feel its age, almost 50 years old, to me.

Give a listen and have great Sunday.

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