Yesterday I wrote about how I have often used in my own work the composition from the James McNeil Whistler painting popularly known as Whistler’s Mother. I did so without illustrating the point so I thought I’d take quick moment to show how I might block in my own work with Whisyler’s composition.
Going into my archives, one of the first things I look at is a painting from a few years back, The Way of Light. At first glimpse, this piece has nothing in common with the Whsitler piece. First, it is not portraiture
( although I often view my trees as such) and it is a landscape. It is obviously a different palette of color than that of Whistler and the elements are rendered in a less realistic fashion than you would see in Whistler’s work.
But if you put those differences aside and quickly take in the shape and form of each piece, you can begin to see the similarity. The line of trees on the small mound of land in my piece take the place of Whistler’s dark curtain on the far left. The water in mine becomes the floor of his. The body of his mother is replaced by my island and her head becomes my red tree. The framed print is now my moon.
Here, I overlaid my piece with the Whistler piece to further illustrate the point. Obviously, there are worlds of differences separating the two pieces, as I pointed out above. But the composition and use of blocking and light help us each achieve a sense of mood that is the primary goal in both cases. Like Whistler, I am often more concerned with the mood and emotion of a piece of work than the actual subject matter. In this pursuit I have come to view much of my work as Whistler did his, as musical compositions rather than merely representative images.
In color and shape there is rhythm, tempo and tone. The placement of the compositional elements of a piece are much like the placement of individual notes in music, each affecting and reacting with those around it. All trying to evoke feeling, response.
Well, there’s my illustration of how Whsitler’s iconic piece fits in with what I try to do with my work. Hope you can now see the connection…
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Another Sunday morning and I am ready for a little music. I was looking at some of the Nocturne paintings of James McNeill Whistler that I so much admire, like the one shown above from 1877, and thought I’d use that as the theme for this week’s music.
I have
Redtree Times 