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GC Myers- Show's Over, Folks



Everything is going to be fine in the end.
If it’s not fine it’s not the end.

― Oscar Wilde



My solo show, Between Here and There, which opens June 4th at the Principle Gallery, has a group of smaller paintings featuring Red Chairs in interior scenes are mostly scenes of the aftermath of prior proceedings. I’ve shown a few here already and thought I would share another today. The one above is titled Show’s Over, Folks.

Kind of like a cop at a crime scene saying, “Shows, Over, folks, Nothing more to see here. Move on.

I enjoy these pieces in many ways. I like composing and painting them. I enjoy looking at them because while they often make me smile, they often make me think as well. There’s usually a fair amount of atmosphere in them to take in and interpret. Sometimes my take on a piece like this will change from view to view. Perhaps it’s dependent on my own mood at the time that I am looking.

Right now, this one makes me smile. The show might be over for the night and that might be sad but it ain’t the end. Like Wilde’s words at the top– if it’s not fine it’s not the end.

Here’s song that kind of goes with this piece. It’s an old Kinks favorite, Till the End of the Day. With lyrics like: Yeah, I get up/And I see the sun up/And I feel good, yeah/’Cause my life has begun how can things not be fine?

Now, off to work.



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As much as I want to scream about the travesty and tragedy currently at play within our executive branch I would be remiss if I didn’t mention that it was on this day way back in 1964 that the Kinks released their first album, Kinks.

Led by the inimitable Ray Davies, they have withstood the test of time with songs that cover a wide range of the musical spectrum, songs that are almost beautifully crafted and insightful. They often are bitingly humorous and dealt with a knowing wink and a nod to the listener.

I have followed their progress for most of my life and there are dozens of favorite songs from them that I could play here today. But I am going to one of my favorites, from their 1971 album Muswell Hillbillies. Every song on this album is wonderful but I am playing the title track here today. Just a brilliant song with a chorus and lyrics that have been bouncing around in my head for 40+ years.

Cause I’m a Muswell Hillbilly boy,
But my heart lies in Old West Virginia,
Though my hills are not green,
I have seen them in my dreams,
Take me back to those Black Hills,
That I have never seen.

So, today keep calm and listen to the Kinks. All hail the Kinks!

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I may be an admitted liar but I swear this is the truth: I had a good time at yesterday’s Gallery Talk at the West End. Plus, I think most everybody there did as well. At least, nobody threw anything or cursed at me or stormed out of the gallery. But even beyond those low standards, most everyone seemed pleased with what I will label as an enjoyable hour or so spent talking about art and other things.

It was a great turnout and it was good to see so many old friends along with many new faces. I want to extend a very heartfelt thank you to all in attendance. I know that there are a lot of other things that you could have been doing on a nice summer weekend day and the fact that you chose to spend it listening to me blather on is something I do not take for granted.

Thank you for your great warmth,openness and acceptance. And your great questions and observations. These are things that make standing up there in front of you much easier even in those moments when I am struggling to say something.

I hope you found it worth your time and hope that you will come back again next year.

I will work on new material. A little hint: it may involve tap-dancing.

Or not.

Thank you.

Okay, let’s have this week’s Sunday Morning Music. I have chosen an old Kinks song from back in 1968 that I think fits today’s entry. It’s their classic Days.
Have a great day of your own.

 

 

 

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GC Myers-Dedicated Follower of FashionThis piece from years ago always sticks out to me when I am rambling around in my past work.  I am never quite sure if I like this piece which is an odd thing for me.  I usually have one overriding opinion on most of my work with little ambivalence.  But this one always gnaws at me and I stll find myself wondering why. 

I showed this on this blog back in 2009 but I thought it was worth showing again today along with its inspiration, a Kinks song describing the 60’s era London fashionistas.

Here it is:

This is called Dedicated Follower of Fashion, based on the song of the same name from the mind of Ray Davies and the Kinks.

I call this one of the Exiles pieces but I’m not really sure if it truly fits. It was done at the same time back in 1995 or ’96 and performed in the same manner but lacks the emotional depth of the others. In fact, it’s defining feature is its lack of emotional content.

I think that this blankness may have been the factor that led me to shape this piece into its final form. The elements of the face were the first part completed and basically dictate, in the way I work, where the painting goes. For instance, he could have been place on a vast and deep plain that sweeps to the distance behind him but that didn’t fit for me.

There was something in his oddly colored features that reminded me of the vanity and obsequiousness of many fashionistas. And that’s where the Kinks come in.

So, maybe he doesn’t quite fit in with the other Exiles but maybe that in itself makes him an exile of sorts.

Anyway, here are the Kinks doing the song…

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Dedicated Follower of FashionThis is called Dedicated Follower of Fashion, based on the song of the same name from the mind of Ray Davies  and the Kinks.  

I call this one of the Exiles pieces but I’m not really sure if it truly fits.  It was done at the same time back in 1995 or ’96 and performed in the same manner but lacks the emotional depth of the others.  In fact, it’s defining feature is its lack of emotional content.  

I think that this blankness may have been the factor that led me to shape this piece into its final form.  The elements of the face were the first part completed and basically dictate, in the way I work, where the painting goes.  For instance, he could have been place on a vast and deep plain that sweeps to the distance behind him but that didn’t fit for me.

There was something in his oddly colored features that reminded me of the vanity and obsequiousness of many fashionistas. And that’s where the Kinks come in.

So, maybe he doesn’t quite fit in with the other Exiles but maybe that in itself makes him an exile of sorts.

Anyway, here are the Kinks doing the song…

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