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Posts Tagged ‘Painting’


“But there is always a November space after the leaves have fallen when she felt it was almost indecent to intrude on the woods…for their glory terrestrial had departed and their glory celestial of spirit and purity and whiteness had not yet come upon them.”

L.M. Montgomery, Anne of Windy Poplars


November slid in under a blue moon this year with clocks being reset to give us a redo of that first hour or so of the new month. Perhaps to let us get adjusted to the change the month brings. 

No comment this morning on the potential change that seems headed towards us, in one way or the other. Just taking in the stillness and the darkness of the first morning of November in the year 2020. It feels like the clocks being set back an hour are more of a timeout this year, a pause amidst the chaos that seems omnipresent lately.

The quiet feels good.

Here’s a piece, November, from composer Max Richter performed brilliantly by violinist Mari Samuelsen. It fits the morning.

Have a good Sunday.


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I was tempted this morning to comment on the horror show taking place in the people’s white house. Every day reveals even more new lows. It’s like an unending fountain of plain badness. So it’s understandable that I might want to say a few words about yesterday’s revelations that began with the discovery that government lawyers admit that they can not locate the parents of 545 migrant children separated from their families at the border, effectively making them orphans. Or that I might want to discuss the uncovering of a bank account in a Chinese bank that was not disclosed on his public financial forms, one that saw $15+ millions flow through it in 2017. Or the fact that he paid tremendously more in taxes to China over the last few years than he did in America while his daughter raked in multiple Chinese trademarks that were fast-tracked in the same year.

I was also tempted by his backhanded insult to the people of Erie, PA last night, when he said at a rally there that he wouldn’t have come or even have to be there if it weren’t for the pandemic. I have been fortunate to know the people of Erie for over twenty five years and know the great pride they take in their hometown so I could easily riff on the absolute hurt in those words.

But I can’t this morning. The awfulness that is currently in place is all too self-evident and becomes even more apparent with each new day.

Hell, with each new hour.

So, today I just want to share a beautiful couple of paragraphs from an essay by the great poet/essayist/environmentalist Wendell Berry. I was looking for something to go along with the painting at the top and as soon as I came across his essay I knew it was a perfect fit for this piece and what I see in it.

The painting is Solitude and Reverence, a 24″ by 36″ painting that was painted in 2015. It’s one of those pieces that have a sense of completeness and fulfilled purpose that often make then standout for me. I know this has been a favorite since I put my brush down after finishing it. For me, the message is that this world, this life, is a gift and we have stopped treating it as such. We show little appreciation for the bounty that this planet has gifted us while allowing us to spend our short time upon it.

We treat it like we were spoiled children with no awareness of the advantages and good fortune bestowed upon us. We only feel entitlement.

Gosh, sounds like I am getting around to criticizing the president*** again, doesn’t it?

Well. maybe that’s why I am so drawn to this piece this morning. It is the antithesis to the ugly attitude that has swept across the nation in recent years, the same that elevated him* to office.

It is peace. It is cooperation. It is shared sacrifice. It is humble. It is reverent.

It is understanding.

It is all I ask of my place in this world.

Is that too much to ask?

Here’s a bit from the Wendell Berry essay. Have a good day.


“We have lived by the assumption that what was good for us would be good for the world. And this has been based on the even flimsier assumption that we could know with any certainty what was good even for us. We have fulfilled the danger of this by making our personal pride and greed the standard of our behavior toward the world – to the incalculable disadvantage of the world and every living thing in it. And now, perhaps very close to too late, our great error has become clear. It is not only our own creativity – our own capacity for life – that is stifled by our arrogant assumption; the creation itself is stifled.

We have been wrong. We must change our lives, so that it will be possible to live by the contrary assumption that what is good for the world will be good for us. And that requires that we make the effort to know the world and to learn what is good for it. We must learn to cooperate in its processes, and to yield to its limits. But even more important, we must learn to acknowledge that the creation is full of mystery; we will never entirely understand it. We must abandon arrogance and stand in awe. We must recover the sense of the majesty of creation, and the ability to be worshipful in its presence. For I do not doubt that it is only on the condition of humility and reverence before the world that our species will be able to remain in it. ”

Wendell Berry, The Art of the Commonplace: The Agrarian Essays


 

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This Painting Up For Auction Today to Help Our Furry Friends


I thought that for this morning I would just let you know that the painting above, Ask the Night, is up for auction this evening with all funds going directly to the support of our local Chemung County Humane Society and SPCA. It’s all part of an online event on Facebook today, the SPCA Virtual FB Fundraiser, that takes place from 4-7 PM.

The benefit features a variety of different auction items as well as video performances from some very talented folks. You see, this benefit has successfully taken place over the past several years as a Drag Show in a local nightclub. This year, because of the covid-19 restrictions, it simply wasn’t possible to hold an in-person event. But the pandemic doesn’t mean that the dogs and cats and kittens and puppies of this area still don’t need a little help. So, they decided to move the whole show to a Virtual event.

I understand that the performers have really taken to the challenge of producing their video performances so you can expect some pretty great stuff. Plus, you can tip the performers with all tips going directly to the SPCA.

So, if you have some time this afternoon from 4-7 tune in to the SPCA Virtual FB Fundraiser. Or you can put in a bid on any of the featured items right now or any time right up to 7 PM when the auction ends.

The painting I have donated, Ask the Night, is a 10″ by 20″ painting on canvas valued at $1600. The current bid is $1200. 

Anything you can do to lend a hand to our furry friends is deeply appreciated. Here’s a little reminder of who you’ll be helping from the late great Harry Nilsson. Have a great day and, if you can, visit the benefit later today.

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GC Myers- Night Comes On





Sounded like the truth
Seemed the better way
Sounded like the truth
But it’s not the truth today

Leonard Cohen, It Seemed the Better Way






Come on in. It’s safe here today. No commentary, even though the lyrics of the song I am featuring have something to say on their own. But even that is subject to your own interpretation.

I will spare you mine.

The song I am featuring today really struck a chord with me this morning. It is from the 2016 Leonard Cohen album, You Want It Darker, which was the last before his death in November of that same year.

A lot of things died that November.

I am sorry. That was commentary.

This song is called It Seemed the Better Way and it features the cantor and male chorus from the Montreal synagogue that Cohen attended as a child. At the time of the song’s release, he described the lyrics of this song as “The feeling of a prayer that’s been there forever, but the spiritual comforts of the past no longer available.

It raises a lot of philosophic questions. But I’ll let you work on those without my input today.

I thought I would accompany this song with a painting at the top that borrows the title and tone of another Leonard Cohen song. It’s Night Comes On and is currently at the West End Gallery. This is one of those personal pieces, those paintings that keep me coming back to look again and again. There seems to be something in these sort of paintings for me that is beyond its shape and form and color and line. It holds something just beyond my comprehension but I somehow understand that it is there even though I don’t yet understand it. 

And I may never understand it. Maybe that’s the point.

If you know what it is, let me know. And if not, I certainly understand that, as well.

Have a good day.






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Inertia


“Nothing is more obscene than inertia. More blasphemous than the bloodiest oath is paralysis.”

Henry Miller, Tropic of Cancer


The painting at the top hangs in my studio and has been a favorite of mine since it was painted five years back. Every day, I find myself often looking over at it. There’s something in it that satisfies or completes something in me. It’s 24″ by 24″, so it’s not a small piece, but I think it’s not large enough to fully transmit what is has to offer. I often wonder how it would feel as a much larger painting, say 6′ by 6′ or even larger.

These thoughts went through my head this morning before 6 AM as I found myself, coffee in hand, turning to gaze at this piece. I realized then that I couldn’t remember the title of this painting that I look at with intention each and every day. I don’t think of it in terms of its title given to it years ago.

Now, it just is. It exists free of words for me. It is defined by the moment and the circumstance in which I am seeing it.

But I had to get up this morning and go over to it and peek at the back of the painting to see its given name: October Sky.

How fitting, I thought. It’s what I might have called it this morning. That mood that produced it back in 2015 was here in 2020, as odd as it is to think that anything could be similar in any way in this most unusual year. 

I went back to my desk and continued to stare at October Sky, thinking that I should be working on a larger version, if only for myself. I could start it today.

But I probably won’t.

I’ve been ensnared in a state of inertia for a while. Been hard to get started and even harder to finish things. I have personal projects around the studio and home to still finish, commissions to work on, new work to begin and a plethora of other things in the hopper. But getting up a head of steam to simply take that first step seems so difficult right now. It feels like paralysis of some sort, one that paralyzes the mind and not the muscles.

I can’t fully pinpoint the cause behind this though there are certainly a lot of possible contributing factors. Just opening your eyes these days is an existential threat to one’s peace of mind. I don’t even think I need to find the cause.

I just need to take that first step forward and I know from past experience that the dullness of mind and body will quickly fade. It’s just getting to the point of taking that step. It’s like I am waiting for something to happen right now and am afraid to be distracted even if that distraction is my own wellbeing.

Now, that sounds more ominous than it is, I am sure. I know I will soon be past this and the work will be flowing, that the synapses will be snapping and shooting off like fireworks. In fact, I think just writing this indicates that I am nearing the end of this malaise, this paralysis of the soul.

I am signing off now. I want to look again at October Sky. Maybe today’s the day I start a larger version. Or just take a first step toward something, anything else. I think there’s something pretty damn good in there just waiting to come out so maybe it’s time to get moving.

Sounds like a plan. Let’s get to the day and make it count.

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The pessimist resembles a man who observes with fear and sadness that his wall calendar, from which he daily tears a sheet, grows thinner with each passing day. On the other hand, the person who attacks the problems of life actively is like a man who removes each successive leaf from his calendar and files it neatly and carefully away with its predecessors, after first having jotted down a few diary notes on the back. He can reflect with pride and joy on all the richness set down in these notes, on all the life he has already lived to the fullest. What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him?

‘No, thank you,’ he will think. ‘Instead of possibilities, I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, although these are things which cannot inspire envy.’

Viktor E. Frankl, Man’s Search for Meaning


Thought I’d kick off the first day of autumn by sharing a painting, And the Glimmer Comes, which I look at from my chair now, a few words from the always inspiring Viktor Frankl on finding meaning in one’s life and a piece of music that brings it all together for me, as someone just in the autumn of his life. Well, I say just but I guess that would be based on a lifespan of 120 years.

High hopes, I suppose.

The music is an atmospheric piece, Good Night, Day, from the late Icelandic composer Jóhann Jóhannsson (1969-2018) who was best known for his scores for films such as Arrival, Blade Runner 2049 and The Theory of Everything.

I am going to leave it at that. Have a good first day of fall.

 


 

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Things come apart so easily when they have been held together with lies.

Dorothy Allison, Bastard Out of Carolina


 


GC Myers- Tower of Lies
How long can you stand on a tower of lies?
How long can you endure on a tower built with  lies for posts and boasts for beams ?
How long before you see the folly in reinforcing one lie with another?
How long before the foundations come apart and fail?
How long before truth comes as gravity to pull this tower down?
How long can we tolerate you standing brazenly atop your tower of lies?
How long until the inevitable collapse comes?
How long until we begin to tally the casualties from the fall?
How long before we begin to build a straighter and stronger tower?
How long can you stand on this tower of lies?

The post above ran back in February of 2017. That seems like an eternity ago now. It asks how long you can stand on a tower of lies.

We may be coming to an answer, at last. The past 3 1/2 years has seen the most remarkable amount of lying and deceit ever to spew from an administration. It is without equal in our history.

Not even close.

The whole administration is a tower built from lies, deflections, spittle, tape and hairspray. It is as weak as the fool atop it.

And now the “Good Germans” who continue to shore up the foundations of this rickety horror show now make no pretense of honesty, openly and shamelessly lying for all the world to see. Their words, their ethics, their moral compasses are worthless trinkets now.

It is obvious they will and plan to do absolutely anything needed to maintain power. There are a number of scenarios floating out there that outline sheer power plays right out of the fascist/authoritarian playbook that might be in play soon. As hard as it is to imagine these things ever coming to be in this land, we have to at least look at them, be aware of them.

I know that four years ago, in September of 2016, I worried that the scenario we’re experiencing might be a possibility with the election of the orange creature. But I felt that my imagination was just running wild and that the institutions, our Constitution, the balance of power would surely  be strong enough to hold back the onslaught.

So now, I hope for the best outcome but pledge to be prepared for the worst.

Be aware and prepare.

Here’s another song from people who were in such a situation. It’s Bella Ciao, a resistance song from the Italian partisans, the anti-fascists who fought the underground battle against Mussolini and Hitler during World War II.

Bella Ciao was originally a rallying song for the women who labored in the rice paddies of northern Italy in the 19th century. Their jobs were backbreaking and they were treated poorly which resulted in strikes and riots and the violence that accompanies such things. This was their rallying song. Bellla Ciao translates as Goodbye Beautiful.

This version is from Marc Ribot‘s 2018 album Songs of Resistance 1942-2018 and features the unmistakable vocals of the great Tom Waits. It is a powerful version of a powerful song that still stands as symbol of resistance to authoritarianism to this day.

Let’s hope we don’t have to adopt this song as our own. Be aware and prepare.

 

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“Center of Gravity” Now at the West End Gallery

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In the center of an irrational universe governed by an irrational Mind stands rational man.

― Philip K. Dick, Valis

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You could possibly substitute the word country for universe and it wouldn’t much change the meaning of this quote. At least, not here in a land that feels more and more Kafkaesque with each passing day.

For those of you not familiar with the writings of Franz Kafka, Kafkaesque is described in Wikipedia this way:

The term “Kafkaesque” is used to describe concepts and situations reminiscent of his work, particularly “The Trial” and “The Metamorphosis.” Examples include instances in which bureaucracies overpower people, often in a surreal, nightmarish milieu which evokes feelings of senselessness, disorientation, and helplessness. Characters in a Kafkaesque setting often lack a clear course of action to escape a labyrinthine situation. Kafkaesque elements often appear in existential works, but the term has transcended the literary realm to apply to real-life occurrences and situations that are incomprehensibly complex, bizarre, or illogical.

As suggested by the painting above, Center of Gravity, I am going to shelter in place for the day and simply let the world turn on ts own.

And that’s enough for today.

Stay centered, folks.

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“We do not have to visit a madhouse to find disordered minds; our planet is the mental institution of the universe.”

― Johann Wolfgang von Goethe

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I wasn’t going to use the Goethe quote above because I couldn’t locate the source for it. But it made me both chuckle and nod in agreement so I thought I would go with it as is. It would, after all, explain so much of what is taking place at the moment.

The idea that we are a mental asylum and that perhaps those crafts we call UFOs are merely flying rubber rooms on the way to deliver some new batch of lunatics to us answers so many questions. If you watched the Chris Wallace interview with the president*** over the weekend, you might well believe that Goethe was on to something, such was the level of insanity on display. How someone could watch that, especially in the context of what is currently taking place in this country, and not feel that we are on the brink of sheer madness is beyond my comprehension.

The inmates have taken over the madhouse.

And adding to the situation is the fact that the madhouse is on fire. There’s an overwhelming summer heat all over the country that feels even more intense when you add to it the fires of anger and passion that are lighting up the streets of this country.

It certainly sets the tone for the events that will likely take place in the coming months. I am not looking forward to it but it can’t be avoided or ignored. In fact, doing so will only make it worse, will empower the inmates who have taken over the now burning madhouse to act even crazier. Nothing worse than a lunatic being egged on to even greater lunacy.

Yeah, this madhouse is on fire and the inmates in charge have no plans or desire to put it out.

So, I am sitting in the heat dreaming of coolness and hoping that there’s not a fleet of UFOs on the way to drop off a new batch of  crazies on us. The painting shown at the top, Fire and Ice, helps somewhat. It’s from my current West End Gallery show and is a piece that really helps me cool the heat from my own fires.

I will definitely need it.

Now let’s go back to a calmer time, say 1968. Nothing much happening back then. Here’s a song from that time that year that made sense then and sure seems to fit in at this point. It’s Fire from The Crazy World of Arthur Brown. If nothing else, this slice of vintage video from the British TV program the Top of the Pops will make you smile.

It’s on fire out there. Try to stay cool. In all ways.

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Like much of this country, I am bracing for the heat we’re expecting today. I don’t have much to say this morning. Just want to veg out a bit. Read some things I haven’t been able to get to. Listen to some music I haven;t heard in a long time. Look at some photos.

You know, just avoid the sun and stay cool.

So, I am going to get at it. Here’s a little music for this steamy Sunday. It’s a song from Dwight Yoakam, someone whose songwriting and performance seldom disappoints. He holds a unique niche in American music, country but outside the popular genre. He did an acoustic album of his greatest hits all the way back in 2000 that’s a wonderful piece of work. Hearing the songs sung with only a stark guitar accompaniment really emphasizes the structure and strength of the compositions. This song, Throughout All Time, is from that CD. I am throwing in A thousand Miles From Nowhere from the same CD just for good measure.

I am including an image above from my West End show that I think fits nicely with this song. It’s one of my Baucis and Philemon pieces called Island of Bliss.

Have a good Sunday.


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