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Posts Tagged ‘Patterns’

GC Myers- The Veil and the HeartToday we are searching for things in nature that are hidden behind the veil of appearance… We look for and paint this inner, spiritual side of nature.
-Franz Marc

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This is a new painting, a 36″ by 12″ canvas piece that I am calling The Veil and the Heart.  It is a continuation of the patterned sky series that has been occupying me as of late, a group which will no doubt play a large part in my annual June show at the Principle Gallery in Alexandria.

I see the red sun here as a symbol for the type of truth that can’t be veiled, can’t be covered.  While there are forces and powers beyond our perception, as I have written about concerning the thought behind this series of patterns and veils, there are also certainties and truths that cannot be obscured in any way.

It may be our own truth, who we really are as a person and how that forms the way in which we maintain a relationship with the world in which we exist.  It may be how we come to accept our place as a tiny piece in the puzzle of a universe that seems vast and largely unaware of us.

Maybe that red sun represents the universe, for a brief  moment, being aware of us.

I don’t really know.

I’ve said those words so many times over the years, especially in regard to my work.  You would think after all this time that I would be able to say definitively what is contained in my work.  But I can’t.  Just about every piece has a mystery in it, a veiled thought or meaning that shows just enough of itself to let me know it is there but remains elusive.  Even this painting has a meaning that seems easily within my grasp one moment and has another in the next.

 Like that red sun, you see it and understand it but you’re not sure why.  And maybe that is the way it should be, the way it is meant to be.

I don’t really know…

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This is a painting that I’ve been working on for the past several days that I’m calling Through the Labyrinth for the time being.  This piece, a 24″ by 24″ canvas, is part of what may be a new series for this year.

I see this series progressing as a group featuring the look of my typical landscape with a patchwork of fields consisting of blocks of saturated color and random geometric patterns.  I really want to maintain  a rhythm in these fields and make them feel natural and easily translatable to the eye.

By that, I mean I want to take something that when looked at from a purely analytical stance may not be totally natural or rational and make it appear to be so within the framework of the painting.  There’s an example of this in this painting, one that I have used in the past.  If you look at the sun, you recognize it as the sun.  But when you stop and think about it, this sun defies logic.  It is darker than the light emanating from it.

This was initially done without forethought and didn’t even occur to me until a couple of other painters pointed it out.  It always translated naturally in my head as the sun, the light source, despite its comparative darkness.

This is the type of visual translation I want to continue with this next possible series. At this point, it’s still only a possibility.  I’ve worked on a couple and have another one, a large piece, taking shape in my mind.  It’s all a matter of maintaining a natural, organic flow through the piece that creates an environment where the viewer is made comfortable and secure, allowing them to accept it as a credible reality.  This sense of trust allows the piece to take on a real sense of place.

We’ll see how this goes.  This piece is a good step forward.

At least, I think so…

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