I am replaying a post today that I ran for Memorial Day back in 2010 that featured the living photographs of Arthur Mole. I have added a few more images to the original post. Enjoy and have a good Memorial Day.
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On this Memorial Day, I thought I would show some patriotic images photographed in the first part of the 20th century by Arthur Mole. Mole made a name for himself at the time by assembling large groups of people in formations and photographing them from a specially constructed 80-foot tower. He started at church conventions and later did the same for a number of universities but was probably best known for his symbols of the US and its military.
Needing large groups for his intricate compositions, military bases seemed like the perfect place to find massed groups of people to use as the paints on his palette. For instance, the Marine Corps insignia shown here was shot at Paris Island and took 100 officers and 5000 troops in order to fill out all the details in the composition.
It took quite a few more people to fill out the upper details in his compositions in order to maintain perspective from the perch where he shot as these areas were considerably larger in size than the than those nearer the camera. Take this US Shield shot in Battle Creek, Michigan as an example. It took 30,000 troops to complete this but the bulk of these troops were used in the area above the first row of stars.
The varying shades were achieved by having the troops wear different clothes, obviously. For the light areas, they simply wore t-shirts and for the dark areas they wore their uniforms. In the shield photo, those in the dark areas also wore their hats to make the tone more uniform on film. No shining faces breaking up the dark shades.
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These are pretty amazing photos when you consider that they were taken in world long before Photoshop or any type of computer generation. It must have taken a tremendous amount of planning and effort to pull off these shoots, from the building of the tower to the precise placement of each soldier. For that alone they deserve a tip of the hat.




















Watching the video the other day of the Rose Garden hullabaloo with the faces of the wealthy and predominantly white men all gleefully gloating the mere passage of a House bill that has the potential to do far more harm than good made me angry and ashamed for this country. To see them so wildly exulting something that does nothing to address the very real problems that exist in the availability and delivery of healthcare to our citizens is an abomination. They shift around some money to the advantage of those already well endowed and they celebrate like they personally defeated an alien force hellbent on overthrowing the Earth.
Sunday morning. Time for a little music.
I don’t know much about New Zealand, have never been there and most likely will never get to see that country. But I have long heard about its spectacular natural beauty with its soaring mountains and forests. Out of all of this beauty, I recently came across a photo of what is considered perhaps the most photographed and beautiful spots in all of New Zealand.
In the foothills of the Mount Aspiring National Park on New Zealand’s South Island, beneath the snow-capped peaks of the southern alps, there is an alpine lake and on the shore (and sometimes in the lake itself) stand a willow tree. It is the Lone Tree of Lake Wanaka.


Imagine your child (or your nephew or grandchild) at age 12. Imagine them spending 10 or 12 or even 14 hours a day, six days a week in one of the breaker rooms of a coal mine like the one shown here on the right. Hunched over in the gritty dust of the coal, they picked the coal for differing sizes and to sort out impurities. Imagine the men who are shown in the photo with sticks poking your child, perhaps kicking him to speed him up. Imagine all of this for seven and a half cents per hour.

I’ve got a soft spot for pictures of lumbermen. I’ve written here before about my great-grandfather,