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Posts Tagged ‘Principle Gallery’

GC Myers-  Find Your Way The  painting shown here on the right is a24″ by 36″ on canvas and is part of  my solo exhibit which opens Friday at the Principle Gallery in Alexandria.  It’s title is Find Your Way which fits neatly in with the show’s title, Traveler.  As concepts, both this painting and this show have to do with moving forward and discovering new territories within, becoming more than you were when the journey began.  Continuous seeking, sometimes plodding along, all to find that internal sense of comfort and belonging that some might refer to as home.  That place where your external reality one day matches your internal reality.

I’m not sure that was my goal when I began painting just a little over twenty years ago.  I knew that I needed to travel from that place inside where I had been dwelling and color and form became a vehicle for me, one that would carry me emotionally to new horizons and vistas, closer to that place where I might feel comfortably at home, inside and out.

And it has.

I am closer to home but it’s a journey that will most likely not end until my final day.  And that’s okay because I have come to appreciate the lessons of the trek and the sight of the new horizon coming into view, knowing that I am further along than I was it all began.

A big part of my journey has been my affiliation with a few galleries, all with which I have had long relationships, who have allowed me to continually keep searching  for that place that I don’t even know.  I began with the Principle Gallery in early 1997 and had my first solo show there in 2000.  It is where the Red Tree was born and this year marks fifteen years that they have allowed me to chronicle my internal travels in a show there each year.  It has been my great pleasure to have stumbled into such a wonderful place with such warm and real people, a place that makes me feel closer to home during this journey.

There’s a full preview of the show below that I quickly put together.  I hope it gives you that sense of the continuity of effort and purpose from image to image that I see.

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GC Myers-The Ferryman smOne of the new paintings that is part of my solo show, Traveler,  at the Principle Gallery is a small piece titled The Ferryman.  It’s a depiction of a man poling a small boat across a body of water, simply constructed with the impact coming from its starkness and the intensity of its color.  It’s a theme that I have revisited several times over the years.  Perhaps it is the symbolic nature of the crossing or the essential nature of a single individual propelling themselves forward.

Probably both apply to my reasoning  for returning to this theme.

Whatever the case, it is a theme that has resonated with others over these years and recently struck a chord with author Thomas William Simpson, who was looking for appropriate artwork for his new book, The Ferryman: 8 Crossings to a Gentler Life.  He came across images of my prior ferrymen pieces and got in touch with me.  The result was this painting which graces the cover of his book which is a parable of sorts.

Here is the book description from Amazon:

Thomas William Simpson-The Ferryman Cover  / GC Myers art This short tale about a man’s desire to live a different kind of life unfolds during a single day. At the crack of dawn the ferryman opens his eyes to find an impatient businessman nudging him with his foot. The businessman demands they cross the river. Now. Right away. Not a minute to spare. The ferryman rises and offers tea and scones. The businessman says he has no time for tea and scones. He needs to reach the other side. Progress and profits depend on it. The ferryman understands. Before becoming a simple ferryman he had been a striver bristling with ambition, always angling to close the next deal. He had manipulated and deceived to accomplish his aims. He had believed material wealth the only true measure of success. But he cannot just yet haul the businessman across the river. He must wait for the old woman. The old woman is sick and needs to see the doctor on the other side. The Ferryman is an amusing and tender tale that attempts to shine a wide light on what might actually matter in life. Yes, we have our necessities: food and shelter, security and transportation. But what beyond these basics truly has relevance? The ferryman, who has been a humble ferryman for several years by the time we meet him, has identified eight (8) crossings that have changed his life, he thinks, for the better. By better the ferryman means richer, deeper, less stressful, more joyful. The crossings have civilized the ferryman. Benevolence in all things, the ferryman has come to believe, is the surest way to peace of mind. And really what greater gift can we bestow upon ourselves than a quiet and contented mind? Come ride the ferry with the ferryman. It’s a pleasant, scenic journey filled with small gifts, interesting characters, and boundless miracles. The Ferryman is a tale of self discovery you will read over and over as your own journey passes back and forth across the river of life. Thomas William Simpson is the author of such diverse novels as The Immortal, Full Moon Over America, The Fingerprints of Armless Mike, and This Way Madness Lies. His curiosity for the human condition, as evidenced in The Ferryman, knows no bounds.

Simpson is a very talented and well known author with an impressive resume with books, such as The Caretaker, The Hancock Boys, This Way Madness Lies  and The Editor, that have sold hundreds of thousands of copies and have garnered widespread critical acclaim.  It has been a pleasure working with Mr. Simpson and an honor to have my artwork on the cover of his book.  Please check out his website, Simpson Books,  which is very informative on his writings and his career journey.

If you would like to purchase The Ferryman, click here or on the book cover above to be taken to its Amazon page.

If you would like to see the original painting for this cover, it is currently at the Principle Gallery in Alexandria, VA as part of Traveler, my solo show opening this coming Friday.  It is a modest sized painting, only 5″ by 9″ on paper.  Stop in and see it.

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9914-152 Purifying Light smWell, the work for my  fifteenth show, Traveler, at the Principle Gallery has been delivered and now there is some time to exhale a bit before the opening this coming Friday, June 6.  It was a good trip yesterday with no complications during the drive , stunning weather and a really nice time at the gallery–  such a warm and upbeat group of  people there. While there, a  friend  popped in for a good visit and I also  met a few other  interesting folks, including one who also had a family connection to the early logging trade in the Adirondacks.  There is a good possibility that our great-grandfathers knew one another in those days of the late 19th century when that part of the mountains was abuzz with lumbermen.  But that is a story for another time.

Delivering the show brought the usual feeling of relief that comes with completing a task but without the anxiety that often accompanies it as I wait to see if the show will be successful.  I suppose I have enough experience with this scenario to know that things always work out if I have put in the effort.  And I have.  This show was very satisfying, during the process when I was the creator and in the aftermath when I became an observer.  There were pieces that came from hard fought struggles and some that seemed to fall from the hand with no effort, each ultimately achieving that life of their own to which I often refer.  In the end, it all seemed to come together very well.  I will be eager to see how it hangs in the space.  I hope that if you are in the area, you can stop in and see the show.

It’s a Sunday morning , which means it’s time for a little music and I thought today I would feature something from Leonard Cohen.  I chose the song Anthem simply because of the chorus that goes  Ring the bells that still can ring/ Forget your perfect offering/There is a crack, a crack in everything/ That’s how the light gets in .  That has long been a theme in my work.  My second show at the Principle Gallery was titled Seeking Imperfection because I felt it was the imperfection  in the work that made it brought it to life, that gave evidence of the imperfect person behind it.  To me, perfection was cold and sterile concept, far from the human experience.  I wanted the blood and heat of humanity in my work.  Maybe that’s why red has been such a vital color in my visual vocabulary.  Perhaps the piece shown at the top is a good example of this.  Purifying Light, a 20″ by 60″ canvas, is part of the show.

Anyway, here is Anthem from Leonard Cohen.  Have a great Sunday!

 

 

 

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9914-169 Excelsior smI call this new painting Excelsior and I showing it today in honor of  young Sriram Hathwar of nearby Painted Post who last night became this year’s co-champion in the Scripps National Spelling Bee.  We have followed Sriram’s quest for the past seven years, half of his young life.  Last year Sriram came coming tantalizingly close to his goal of victory with a third place finish but third place just didn’t satisfy his desire to be the best and over the past year he worked hard to make his dream come true in his final opportunity.  He and co-champion, Ansun Sujoe of Ft. Worth,  Texas, showed incredible composure and grace in a pressure-packed situation that would overwhelm  most adults, let alone quiet, studious 14 year olds.  Sriram even cracked a joke, saying Gesundheit after the reader spoke the word he was to spell at one point.  One cool customer.

I chose this piece to accompany this post because of its title, Excelsior, which means Ever Upward.  I thought it would be a fitting title as well as a fitting image to  illustrate a young man’s quest for excellence.  There’s a quality in this piece of basking in the moment, taking pause to reflect on the journey and all of the hard effort it required to reach this lofty point.  I hope that Sriram takes a moment to  really appreciate his accomplishment before moving on to his next challenge.  But I know that it will be only a moment because the word Excelsior  does mean Ever Upward.

Excelsior, Sriram!

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This painting, Excelsior, is  18″ by 26″ on paper and will be at the Principle Gallery as part of my upcoming solo show there.  The show, Traveler, opens June 6 at the Alexandria, VA gallery.

 

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Blow up your TV , throw away your paper
Go to the country, build you a home
Plant a little garden, eat a lot of peaches
Try and find Jesus on your own

–John Prine, Spanish Pipedream

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GC Myers- Pipedream smThis is a small new painting  that is about 6″ by 11″ on paper.  I call it Pipedream after the old John Prine song, Spanish Pipedream.   I say old but it ‘s one of those songs that never feels old to me despite the fact that it came out back in 1971, forty three years ago.  It is old.  One hint of its age is at the beginning of the song when he says he was a soldier on the way to Montreal, referring to fleeing north to avoid the war and the draft.   But it’s still such an infectious chorus with a message that so hits the point that I still find myself humming this song quite often.

I guess this painting’s simplicity and cheery feel made me think of this song.  There is something very idyllic  and charmingly essential  in this little guy.  It does look a bit like a pipedream, which is one of those words that we often use while not thinking about  its origin or meaning.  This word, pipedream, is from Victorian era Britain and refers to an improbable fantasy dreamt of while smoking opium.  Maybe this is an improbable fantasy?   It does have a fantasy feel about it but lets hope it is not so improbable.

This is, of course, one opf the pieces from my show, Traveler, opening next Friday at the Principle Gallery in Alexandria.  Now here’s the song  from one of my favorites, John Prine.

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GC Myers - TapestryI am at the point in preparations for my solo show next Friday, June 6, at the Principle Gallery where everything comes better into focus, each piece now appearing as it will in the gallery, fully framed and finished.  This final step gives some pieces additional life as the frame or mat, in the case of a painting on paper, seems to center and focus its energy.  Even though I can usually envision them in their final, fully presented stage I am sometimes surprised by some of these pieces.  This painting, In a Rich Tapestry, was not one of those.

This was one of those paintings that had a glow and depth from the first few brushstrokes, one that I am not sure is fully captured in the photograph above.   It’s a difficult quality to capture accurately, given my limited skills as a photographer.  So please trust me when I say that this painting shows even more vibrantly in person.   It was painted in two stages, about half of it completed before I set it aside for about four months.  I just didn’t feel that it was ready to finish and needed to be put off until just the right moment.  Last week turned out to be that right moment.

The result was a scene of deeply saturated fields of color that immediately bring to my mind the colors of a rich medieval tapestry.  It also linked in concept to the idea from the last post where we are all part of everything and everything is part of us.  We are all threads in a rich tapestry.  It is the binding together that gives us our brilliance and our strength.

This painting is 20″ by 24″ on canvas and will be part of  the exhibit,  Traveler, opening next Friday, June 6 at the Principle Gallery.

 

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 GC Myers- The Beholding Eye smI am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human soul, as my spirit is part of my nation. In my own very self, I am part of my family. There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the water.

– D.H. Lawrence, Apocalypse, 1930

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The painting above, a 20″ by 24″ canvas,  is another new piece that will be hanging in my upcoming solo show, Traveler,  at the Principle Gallery that opens June 6 at the Alexandria gallery.  There’s a great sense of focus and depth into the surface in this piece that fills me with the same sort of idea that Lawrence expounds above, about how we are all part of the whole of existence.   All things connected and interdependent, existing only to serve the whole, in ways we may never fully understand– There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the water.

Or the rustle of the wind on the grass of the field.

For a little Sunday music in this same vein and to honor those who have fallen in service for this Memorial Day,  I thought that the hymn I Surrender All, written in 1896, would be fitting.  Here’s a wonderful version from guitarist Ulrich Busch.

Have a great Sunday and a great Memorial Day.  Remember those who have sacrificed so much.

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GC Myers- Homeward BoundI finished this smaller painting yesterday, a 4″ by 7″ image on paper that is going to the Principle Gallery in a week or so for my upcoming show, Traveler, which opens on June 6.  I  have a  group of  paintings with small figures– guitarists and boatmen– in them where the relationship of the figure to the space in the picture is the most important element for me.  I think that is evident in this piece, called Homeward Bound, where the sense of space in the sky gives this piece a sense of distance and remoteness while at the same time having a warmth that indicates an imminent return or at least the memory of home for the figure.

Home is a powerful concept and word, that thing that we all seek on some level.  It may be found in the terrain or in the people or simply in a state of mind, a sense of comfort and belonging.  I think its this sense of belonging that most drives us in our quest for home, that place or state of  mind where we dwell naturally as we really are at our core.   Some people seem to carry a sense of home with them, always feeling naturally in place wherever they might be.  Others, like myself, more often feel out of place wherever they are and this idea of home as a haven becomes more important.  And that’s kind of the idea of this simple piece, that place where our song is most true and pure, a song of our heart.

The title is, of course, derived from the great Simon and Garfunkel song.  Those opening chords best sum up the feel of this piece.

 

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GC Myers-  The EmpowermentThis is the week in which I put the finishing touches on the group of work for my show, Traveler, that opens in a little more than two weeks, on June 6th,  at the Principle Gallery in Alexandria, VA.  This is my fifteenth solo  show there so there I have a sense of routine and rhythm in how these shows come together which takes away some of the anxiety although there is always something out there to add a bit of it back into the mix.  This year had a few glitches along the way, including the cold that has hung on for the last couple of weeks.  But the cold has receded enough to let me work and in the past few days the work has really come together well.  So now I am at the point where is simply a matter of completing a few pieces then moving into the final phase of framing for presentation.

One of the pieces that I will be framing is this new one, an 18″ by 18″ canvas that I am calling The Empowerment.  I get the title from the sun and its relationship with the Red Tree, which draws strength from the rhythmic swirl of the sunlight showering down on it.  We all draw strength from something, be it light of the sun or warmth of our loved ones, that allows us to walk our own paths.  For me, that’s the basic theme of this painting which is strengthened itself by what I perceive as an interesting mix of warmth and coolness, feeling both warmly embracing and airily cool in its openness.

It just feels good to me…

Well, no time to dally.  I have things to get done today.  Have a great day.

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GC Myers- Time TravelerI finished this new painting, 18″ by 26″  on paper, a few days ago and have been regularly taking it in as it sits in my studio, waiting to be framed for my upcoming show, Traveler, at the Principle Gallery.  I think I am calling this piece Time Traveler but it’s still up in the air as I ponder it for a few more days.

It’s one of a few pieces that will be in this show that are from the Strata series, which are similar to my Archaeology pieces but more focused on the patterns and colors of the underground layers and boulders rather than on artifacts.  I like this mix of the straight representation of the Red Tree in the top half  set against the organic and almost abstract forms of the lower half, giving it a striking visual contrast while still maintaining  harmony.

I normally don’t like to dwell on technique here but  this is also a little technically different from my typical work.  I normally work in one of two ways–in a  reductive manner, where the paint is applied very wet, in puddles,  then removed leaving a transparent and luminous surface or in a more traditional additive manner in which paint is applied in layers building from dark to light.  Usually one one process is used in a piece but the Strata series allows me to easily mix the methods which adds to the visual contrast between the upper and lowers segments.

As I continue to consider this piece, I thought I would play a song this Sunday morning that mentions time.  I thought I would play Time Is On My Side which was a big hit for the Rolling Stones in 1964.  I always assumed it was written by Jagger and Richards but it was actually a cover.  The song was written my Jerry Ragavoy under the pseudonym Norman Meade.  It was first recorded by jazz trombonist Kai Winding in 1963 with the only lyrics being Time is on my side sung by back-up singers Dionne Warwick and Cissy Houston.  It’s an interesting version that I am including below but I really wanted to focus on the version from the Soul Queen of New Orleans, Irma Thomas, which was released around the same time as the Stones’ version.  It has the added lyrics that most of us know and is just a dynamite performance.

Enjoy and have a great Sunday!

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