Feeds:
Posts
Comments

Posts Tagged ‘Quote’

*

++++++++++++++++++++++

“When someone is seeking,” said Siddartha, “It happens quite easily that he only sees the thing that he is seeking; that he is unable to find anything, unable to absorb anything, because he is only thinking of the thing he is seeking, because he has a goal, because he is obsessed with his goal. Seeking means: to have a goal; but finding means: to be free, to be receptive, to have no goal. You, O worthy one, are perhaps indeed a seeker, for in striving towards your goal, you do not see many things that are under your nose.” 

― Hermann HesseSiddhartha

++++++++++++++++++++++

The painting at the top, The Questioning, is part of Haven, my solo show at the Principle Gallery in Alexandria, VA. The show is nearing the end of its run there so if you would like to see the work please stop in.

Read Full Post »

+++++++++++++++

Perhaps I am doomed to retrace my steps under the illusion that I am exploring, doomed to try and learn what I should simply recognize, learning a mere fraction of what I have forgotten.

Andre Breton

+++++++++++++++

I was looking at this painting, Rest Stop, here in the studio this morning just before I came across the quote above from the French writer and founder of Surrealism Andre Breton. The two things, the image and his words, merged for a moment in my mind.

I saw the Red Chair, as I often do, as a form of memory, a place to stop in order look back in time and retrace my steps just as Breton wrote. The idea that I might be searching for lessons and meaning from the past that somehow escaped my recognition in those past moments sounds right as well.

Maybe more than the future or the present, the past and our perceptions of it are great fodder for an artist who is searching for meaning in this life and in their work. They see the present and the future as ultimately products of the past. Some lessons have been learned and some mistakes repeated, but the past seems to always echo forward in time for that artist.

And that’s what I see in this painting. The Red Chair is at a small clearing where it can stop to consider the path it has already traveled as well as the path that is ahead. The trunks of the trees surrounding it obstruct its view so that it has no idea of where it may be headed. The Red Chair uses the present as a rest stop to try to envision a future scouring its memory of the past for clues that might help it imagine and structure that future.

This painting, for me, is very much about that part of the artistic process which means, at its core, it is part of the human process. We all formulate our futures with our memories of the past. Most of us do it without much conscious thought, assuming that the lessons of the past have already been incorporated into our present. Hopefully, some of us will take the approach of the Red Chair and sit for a short rest in the present to consider the past and the future as one.

Perhaps there are lessons still to be learned and messages still unrecognized. That is certainly what I am seeking as an artist.

 

Read Full Post »

I have been thinking a lot about why I am an artist. On some days the idea of being an artist seems so abstract and ridiculous while on others it feels concrete and purposeful. Both have me asking why. I wish I had a simple answer as to the why of what I do but it never seems to show itself fully. Here’s a post from several years back that offers one possibility. It was written before the current state of affairs here in this country and the uncertainty I refer to is not the same as the chaos our current government is offering. Their chaos is based on their certainty and, as Voltaire says, that is an absurd condition.

+++++++++

GC Myers- Twilight Wanderer

++++++++++

Doubt is not a pleasant condition but certainty is an absurd one.

–Voltaire

++++++++++

Much of my work has a journey or a quest as its central theme and the odd thing is that I don’t have a solid idea of what the object is that I am seeking in this work. I have thought it was many things over the years, things like wisdom and knowledge and inner peace and so on. But it comes down to a more fundamental level or at least I think so this morning. It may change by this afternoon. I think the search is for an end to doubt or at least coming to an acceptance of my own lack of answers for the questions that have often hung over us all.

I would say the search is for certainty but as Voltaire points out above, certainty is an absurd condition. That has been my view for some time as well. Whenever I feel certainty coming on in me in anything I am filled with an overriding  anxiety. I do not trust certainty. I look at it as fool’s gold and when I see someone speak of anything with absolute certainty–particularly politicians and televangelists– I react with a certain degree of mistrust, probably because I see this absolutism leading to an extremism that has been the basis for many of the worst misdeeds throughout history. Wars and holocausts, slavery and genocide, they all arose from some the beliefs held by one party in absolute certainty.

So maybe the real quest is for a time and place where uncertainty is the order of the day, where certainty is vanquished. A place where no person can say with any authority that they are above anyone else, that anyone else can be subjugated to their certainty.

To say that we might be better off in a time with no certainty sounds absurd but perhaps to live in a time of certainty is even more so.

Read Full Post »

+++++++++++++++

Good painting offers a mysterious pleasure that one cannot quite put his finger on because the painter, through honesty and hard work, has actually painted his own personality in a familiar subject; and any person’s personality or character or soul, or whatever your word is for it, is something of an enigma.

 

— John Rogers Cox, 1951
+++++++++++++++
I came across the quote above early this morning and was intrigued. I understood and felt a kinship with the meaning of his words but didn’t recognize the name of the painter so I looked him up. The image at the top was the first image I found. This painting and a number of others made me wonder why I didn’t know anything about this guy.
.
John Rogers Cox was born in Indiana in 1915 and spent a bit of his life in Chicago teaching at the Art Institute there. He later lived in New Orleans and the states of Washington and Kentucky, where he died in 1990. He painted very slowly and, as a result, didn’t paint many pieces during his career. The number of pieces by Cox that are known to exist is somewhere in the range of 20 paintings, although I am not sure that is a truly accurate number. This limited production probably explains his lack of widespread recognition.
.
The painting at the top is his most famous work. It is titled Gray and Gold and has been at the Cleveland Museum of Art since 1943. It was painted in the aftermath of Pearl Harbor and the entry of the US into World War II. I think the symbolism in it is pretty evident so I won’t go into it here. But even without the knowledge of that symbolism, it’s a pretty potent piece.
.
That can be said of most of his other paintings, as well. At least those you can find with decent available images. I love the relationship he creates in his work between the vast sky and the landscape. There is an elegant simplicity that really captivates me.
Coming across this painter made my morning. John Rogers Cox is another one of those expressive voices from the past that are still there if you only take the time to look.
.

Read Full Post »

What I am looking for… is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what St. John of the Cross, I think it was, described with the term ‘mute music’.

–Joan Miro

*********************

There is much to do this morning but there’s always a time to squeeze in a little Joan Miro.

Read Full Post »

*************************

For the mystic what is how. For the craftsman how is what. For the artist what and how are one.

–William McElcheran, Canadian Sculptor 1927-1999

**************************

This morning I came across the quote above from the great Canadian sculptor William McElcheran that I featured here a few years back. Its wordplay and meaning both still ring a bell for me, even though I am not sure of McElcheran’s definitions of what and how. I have searched several times trying to find the origin of this quote to see the context in which it was first said but it seems to simply stand alone.

And I guess that’s okay because it says a lot and is complete in its meaning, at least in the way I perceive it.

I guess I fall in the artist category here. I am definitely searching for the what in my work regardless of the how that is required to get there. I will gladly alter my how to get to the what. My how is not based on tradition, is not absolute in any way and changes as needed. Yet, it is still crucial that it remains my how because if I feel that if I defer to another how exclusively it ceases to be my how and fails to express my individual voice.

It is when the how and the what merge that I feel most satisfied in my work.

Now, if you can follow that– and I am not really sure that I can myself– you must obviously fall into the mystic category.

I used the painting at the top, Spirit of Silence, which is part of my current Principle Gallery show, because it feels to me like it falls in that area where the how and what come together. It is a simply built painting where the how of it seems to roll perfectly into the what that it conveys. I immediately thought of this piece when I read the words at the top earlier.

 

Read Full Post »

++++++++++++++

“Touch your inner space, which is nothingness, as silent and empty as the sky; it is your inner sky. Once you settle down in your inner sky, you have come home, and a great maturity arises in your actions, in your behavior. Then whatever you do has grace in it. Then whatever you do is a poetry in itself. You live poetry; your walking becomes dancing, your silence becomes music.”

~Osho

++++++++++++++

Read Full Post »

+++++++++++++++

“How vast those Orbs must be, and how inconsiderable this Earth, the Theatre upon which all our mighty Designs, all our Navigations, and all our Wars are transacted, is when compared to them. A very fit consideration, and matter of Reflection, for those Kings and Princes who sacrifice the Lives of so many People, only to flatter their Ambition in being Masters of some pitiful corner of this small Spot.”

― Christiaan Huygens, Cosmotheoros: or, conjectures concerning the inhabitants of the planets (ca 1695)

+++++++++++++++

I am a bit slow getting around this morning so I thought I’d share one more painting from the Principle Gallery show. This is titled The Navigator and is 24″ by 24″ on canvas.

Accompanying it are the words from the 17th century Dutch scientist Christiaan Huygens. Shortly before his death in 1695, he had written a book, Cosmotheoros, in which he postulated on the existence of extraterrestrial life in the far reaches of the universe. His lifelong study of the cosmos allowed him to see how tiny and possibly inconsequential our world was in relative terms.

And that is a fitting thought for this painting as the boat skims over a vast sea, guided by the light from huge suns that are so distant that they may not even exist at this moment even though their light still travels to us through the dark of space.

The universe is humbling in its scale and scope.

Read Full Post »

*******************

The interpretation of our reality through patterns not our own, serves only to make us ever more unknown, ever less free, ever more solitary.

Gabriel Garcia Marquez, Nobel Speech 1982

*******************

This is a new painting, a 16″ by 20″ canvas, that is part of Haven, my solo show that opens Friday at the Principle Gallery in Alexandria. It is titled Seeking the Design.

I chose the words above from the Nobel Prize speech from the late author Gabriel Garcia Marquez to accompany this painting even though Marquez was speaking above how the people and countries of South America had suffered over the centuries by trying to adhere to patterns of behavior and expectation imposed upon them by foreign influences.

These words spoke to me on a more individual level. We often live our lives according to the norms and expectations of others, following well worn paths from which we seldom, if ever, depart. As a result, we often become no more than others expect us to be.

It as though we have not even attempted to find our own pattern, our own design for living.

And that is what I see in this painting. The Red Tree, an earthly being, has come to the end of that worn path and must make a decision about how to proceed. While there are multitudes of options revealed in the maze-like underpainting of the sky and earthly options that likely exist beyond the layers of distant hills, the Red Tree must choose between finding the pattern that best suits its own desires and needs or going back on that path to follow in the footsteps of the crowd that travels along it.

I get the feeling that latter option would result in one feeling, as Marquez pointed out, more unknown, ever less free and ever more solitary.

For me, this painting has a nice harmony between dark edged weariness and colorful optimism. It is both scary and invigorating in finding one’s own design or pattern to follow. I believe the Red Tree will be following its own path.

Well, that’s how I see it, anyway.

 

Read Full Post »

+++++++++++++++++

Keep close to Nature’s heart… and break clear away, once in awhile, and climb a mountain or spend a week in the woods. Wash your spirit clean.

John Muir

+++++++++++++++++

I wish I had a bit more time this morning to write about this smaller painting, a 10″ by 20″ canvas that takes it title, Nature’s Heart,  from the words above from the fabled naturalist John Muir. There has been a recent assault on many of the protections given to our environment and we can’t afford to idly stand by while this happens.

We need clean air, clean water and clean soil to continue as a species. Just as important, we need those pristine places where we can wash our spirits clean, as Muir said.

I see this piece as a plea for everyone to take a position as caretakers of the world in which they aim to prosper.

Take an active stand. Listen and speak up.

Be nature’s heart…

++++++++++

This painting, Nature’s Heart, is part of Haven, my solo show at the Principle Gallery in Alexandria that opens next Friday, June 1.

Read Full Post »

« Newer Posts - Older Posts »