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Posts Tagged ‘Red Tree’

GC Myers- Doubt the DarknessIf you would be a real seeker after truth, it is necessary that at least once in your life you doubt, as far as possible, all things.

Rene Descartes

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As it neared completion, this new painting felt like it was about a questioning of some sort.  The Red Tree here seems to be casting doubt over the reality that is before it and even its own reality.  The question might be: Shall I hide in the darkness or stand in the light?

I call this 12″ by 12″ canvas Doubt the Darkness and I think it speaks to this question.  Darkness often obscures our perception of things and raises doubts in us as to what is and is not real.  Darkness is an agent of doubt and fear.  But by casting our own doubt and light upon that darkness we come to understand that it only hides that which was already there and does not bring anything more with it.

Its only power over us is our own doubting of what we know is there.

Okay, maybe that’s too much for me to try to make sense of so early in the morning.  But even if it seems like gibberish when you read this, I hope you’ll at least take a look at the painting and try to to find something for yourself in it that makes sense.  Maybe you’ll even see what I was babbling about.

This is a new painting that will be accompanying me to next Saturday’s Gallery Talk at the Principle Gallery in Alexandria, VA.  It runs on September 17th from one until about 2 PM.  There will be some new work along with a select group of older pieces from the studio at this talk and, as has been tradition over the past several years, there will be a drawing at the end of the talk where one of the folks in attendance will win an original painting.  I will be sharing more details in the next few days.

It’s usually a lot of fun and I hope you’ll try to make it to this year’s talk.

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GC Myers- Suffering MemoryJust remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, don’t you?
Yes. You forget what you want to remember and you remember what you want to forget.”
― Cormac McCarthy, The Road

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 Much of my work concerns itself with our memory, how we perceive our past and how the memory of that past affects our present and our future.  It often seems a treasure, this memory, but it also comes with the price of suffering as well.  After all, the word nostalgia is created from two Greek roots, nostos which means return and algos which means pain or grief.

We suffer in our desire to return.

I see that feeling in this new piece, an 11″ by 15″ painting on paper that I call Suffering Memory.  There is something in the color and the placement of the elements that has a bittersweet quality much like that feeling of looking back through time to a point that you know is long gone and will never come again.

You desire a return but too much has changed–  knowledge gained, the self revealed and innocence lost.

The strong chaos of the texture underneath gives this piece an effect that I think adds to the distance of the memory felt.  The texture acts as a distorting agent which represents the natural distortion that time casts over all of our memories. As we all know, while we would like to think that memory is an absolute truth, time often seems to bend it even further from reality.

The texture here creates areas of light and dark that represent for me the alternating facets of memory’s truthfulness.  While it would be nice to have all memories be completely faithful to the absolute truth of the moment, it is that texture, that flawed recall of our memory that gives it the meaning that it holds for us.

In reality, nothing is seldom as good or as bad as we remember.  But that doesn’t really matter because it is not the truth to which we react.  It is our memory of it, our personal version of that truth with its own color and texture that affects us, that causes us to suffer the memory.

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GC Myers- At the End of the Day smI have written here several times about my dislike for the month of August, most recently in a post from last year called Cruel August.  This year’s events have not changed my mind one bit.  But today mercifully ends August and there is the somewhat more soothing feel of September and October on the way.

Here’s what is on my calendar for the next month or so:

There are only a couple of days left before my show, Contact, comes off the walls at the West End Gallery in Corning.  The show ends this Friday, September 2, so if you want to take a look at this year’s show, please get into the West End in the next day or so.

On September 17, I will be giving my annual Gallery Talk at the Principle Gallery in Alexandria, VA.  This is my 14th talk at the Principle and it is always a pretty good time.   It’s a simple matter of combining some good folks, good conversation, a few confessions and the chance to win one of my paintings at the end of it all.  And a little more.  There are more details that will be revealed in the next week or so.  As I said, it’s Saturday, September 17, beginning at 1 PM.

Then then following week, I head up to beautiful Keuka Lake where I will again lead a two-day workshop for the Arts Center of Yates County.  Last year’s workshop was my first foray into teaching and, despite the initial apprehension that I wrote about here on the blog, was a wonderful and fulfilling experience.  I was amazed at the amount of info the attendees absorbed and the great progress they made in two days.  It was very satisfying and I am excited to be at it again this year.  The workshop runs on Thursday and Friday, September 22 and 23 from 9-4 each day.  For more info click here.  You can also call them at  315-536-8226.

After that, it’s on to this year’s last solo show, Part of the Plan, which opens October 29th at the Kada Gallery in Erie, PA.  It’s been two years since my last show at the Kada, which has represented my work for over 20 years now, and I am eager to show some new work in this show.  There will be more details upcoming on this show but mark your calendar.

 

 

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GC Myers- A New Mantra 2001

One of the galleries representing my work contacted me this weekend asking for some info about some paintings that had been sold there many years ago.  In doing the research for the info, I had to scan through some old slides and early digital images of work from that time.  The painting above just stopped me in my tracks, as it has several times in the past.  All I could think is that I would love to see where this painting is now.   It’s a very large piece and it would be interesting to see how it feels in its environment.  

I had forgot that I had written about this painting five years ago and found that the post spoke about a question that oddly didn’t arise at Saturday’s Gallery Talk.  I thought it would be interesting to share that earlier post:

I came across this painting from 2001 just this morning, one that had slipped off my radar some time ago.  It wasn’t in the studio for long and sold very quickly so I didn’t get to ponder over it for an extended period.  It is titled A New Mantra and  is 31″ high by 51″ oil painting wide on mounted paper.

I do remember painting this piece and how it hit every goal I had for it from the first moment I started on it.  It came so  easily that it felt as though it truly fell out of me, with not  a bit of struggle at any point.  I also remember just being extremely pleased with how this showed in its final state.  It was large and airy yet it had a real up close presence.  To me, it was how it must feel to have the secrets of the universe whispered mysteriously in your ear.

It just felt powerful, whiich is probably why I was so surprised at seeing it again this morning.  How had it slipped out of my mind when it immediately rekindled such strong feelings upon seeing it again?

I don’t know that there is any real explanation.  I know there are other pieces out there that will do the same for me, including many paintings from the earlier years when my photo-documentation wasn’t as thorough.

I can think of one painting that I have often used in Gallery Talks as an example in an account of how some work flows easily while others are a struggle from the first brushstroke.  This particular painting was done after a month of working on a series of paintings that resulted in a commissioned piece.  After delivering that commission,  I went into the studio one morning about 5 AM and a pretty large painting just fell out of me.  I mean that in an almost literal sense.

It was about 40″ square and it was painted without any contemplation or hesitation and with incredible speed. I remember how the paintings of the past month had served as practices or rehearsals for that very moment in time.  Every movement was really from muscle memory, moving without prompting.  The conscious thought process was hushed and in the background.

Two hours later and it was practically done.

I  tell people who asked how long it took to paint a piece that this painting didn’t take 2 hours to paint.  It took over a month and those prior paintings were dress rehearsals of a sort.  It couldn’t have happened without those other pieces building up to it.

To my dismay, that is a piece for which I can’t find an image.  But I will keep looking and hopefully, if I find one, I will feel as I did about once again finding A New Mantra.

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GC Myers- Blue Flame smFirst, too many thanks to send out to everyone who made yesterday’s talk at the West End Gallery such a fun event.  That may well be one of the most enjoyable talks I’ve participated out of the many that I’ve done.  What a wonderful and engaged group of folks!  They were so welcoming and warm that it made me feel very comfortable and free to tell my little stories.  I had a good time and I hope they did as well.

Thank you a hundred times over to those of you who took time on a warm August day to come sit for a bit with me.  I was so honored by your presence and will feed off the memory of yesterday for a long time to come.

I have to add that after the talk ended I found myself completely exhausted–wiped out completely.  More so than I remember from the aftermath of past talks.  I think it’s a combination the built-up anxiety of having to talk in front of a group of people, the actual mental effort expended and the release from having it all go off in a very good way that left me sapped.  But it was a satisfied exhaustion.

For today’s Sunday Morning music I thought I’d couple one of the paintings from the West End Gallery show with a song.  My painting shown here is titled Blue Flame, a thin 2″ by 14″ on paper.  The song I’ve chosen is titled Blue Fires from case/lang/veirs which is a one time grouping for this year of singers Neko Case, k.d. lang and Laura Veirs.  I’ve been a fan of k.d.lang for over 30 years now and am a huge fan of Neko Case so this was no-brainer for me.  Just a lovely song that I think meshes well with the image here.

So, enjoy and have yourself a pleasant Sunday.

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 Bearable Vastness -- GC Myers

Bearable Vastness — GC Myers

Just a reminder that if you’re in the Corning area tomorrow, Saturday, that there is a Gallery Talk at the West End Gallery beginning at 1 PM.  I will be talking a bit and taking questions about almost anything you want to ask.  Hopefully, most will focus on my current show, Contact, that hangs in the gallery until September 2.  But, as in most of these talks we cover a wide range of subjects.

GC Myers-  Private Glow 2016

WIN THIS PAINTING!

If you have never been to one of my talks, you should know that one of the more popular parts comes at the end (I finally shut up!) when I have a drawing for one of my paintings.  I always look forward to these moments and get a real charge from this.  Private Glow shown here is the piece I have selected for this talk.

I hope you’ll be there for the talk– maybe you’ll take home this painting!

Starwatcher

Starwatcher

 

 

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GC Myers-  Private Glow 2016Saturday, August 6, I will be giving a Gallery Talk at the West End Gallery in conjunction with my show, Contact,  that is currently hanging there.  The talk runs from 1 to 2 PM.

If you’ve never been to one of my talks, they are usually pretty free flowing affairs with a lot of back and forth between the participants and me.  I try to make it as interesting and fast moving as I can to make everybody feel engaged and involved in some way.  The really good talks usually have me talking at the audience less and just responding off the cuff to all sorts of questions in a conversational manner.

I never know exactly what’s going to come out of my mouth during these conversational talks.  I try to be absolutely honest in my responses sometimes surprise myself with what I say so, for good or bad, there is that wild card at play as well.

Of course, if you’re aware of my Gallery Talks, you know that I normally have a drawing for an original painting at the end of the talk.  Unsurprisingly, it has become a very popular part of the talks, both for the audience and myself.  For me, I see it as an expression of gratitude for all that they and others have given me in this life as an artist with their enthusiastic support over these many years.  I get a tremendous amount of joy and satisfaction from this part of the talks.

The painting that I have selected to give away at this Gallery Talk is the painting shown at the top, Private Glow.  It is a 12″ by 12″ painting on canvas that has a little story about how it came to this point that I will share at the talk.  It has my favorite Red Tree on an island which very much fits with a current theme in my work.  I think it’s a strong piece in many ways and am pleased to choose it for this talk.

And, of course, there are usually other surprises at the talks.  So if you can take time from a summer Saturday, I invite you to the West End Gallery for this year’s Gallery Talk.

I will do everything I can to make it a good time.  Promise.

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GC Myers- Voyager Blue smToday there is none of that other stuff here– I won’t even utter the “P” word here this morning.  As promised, today is about art and music.

This morning I want to link a song and a painting and the piece shown above immediately came to mind.  It’s a 20″ by 10″ canvas titled Voyager Blue that is included in my current show, Contact, at the West End Gallery.  It has a definite narrative to it, with the small almost indistinguishable figure at the horizon serving as The Seeker, which is often the character that figures portray when they appear in my work.  The Seeker constantly searches for meaning, for purpose and for answers in this life.

The song I thought I would attach to this painting is the great folk classic The Midnight Special.  This song, whose lyrics first appeared in 1905, is about a prisoner who longs for his freedom and symbolizes it in the form of The Midnight Special, a night train that would carry them away from the despair of their imprisonment. There was an actual Midnight Special train that ran between Chicago and St. Louis but the one depicted in this song is considered to be more likely a train on the Missouri Pacific line, the Houstonian, that ran between Houston and New Orleans, departing just before midnight.

But maybe it simply refers to the night train that is nearest to the prisoner singing for his freedom.

This song has been recorded many, many times over the past century by artists from Leadbelly to ABBA but today I chose a version from the Queen of American folk music, Odetta.  It has a nice bluesy sway to it and seems like a good song to push off from on this Sunday morning.

Have a great day.  I hope the Midnight Special shines her ever-loving light on you.

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GC Myers- Contact sm

“Contact”- GC Myers

GC Myers- The Empowering sm

“The Empowering”- GC Myers

Well, Friday’s finally here which means that my show, Contact, opens this evening at the West End Gallery in Corning.  I think it’s a very strong group of work with an emphasis on color, texture, rhythm and pattern.

Definitely color.

If you know my work in any way you know that color is vital to my work.   Like words to a writer, it is the real conveyor for everything I am trying to express.  It can carry emotion, thought and a sense of time and space.  Color unconsciously speaks to us and puts us in contact with those unseen forces I so often speak of here.  I think you’ll see that in this show at the West End.

So, if you’re in the area this evening, please stop in at the West End Gallery.  The reception today, Friday, July 22,  runs from 5-7:30 PM and is free and open to everyone.  I will be there for the duration and would be happy to spend some time with you there, answering any questions you might have or discussing your feelings on the work.

I hope to see you on Market Street tonight!

"Unrestrained" -GC Myers

“Unrestrained” -GC Myers

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GC Myers- Linked smThis new painting, titled Linked, is a 12″ by 36″ canvas.  It is one of the works from my new show, Contact, that is now hanging at the West End Gallery.  The show officially opens tomorrow, Friday, July 22, with an opening reception at the gallery that runs from 5-7:30 PM.  As always, the opening is free and everyone is welcome.

Even though the narrative of this painting is about the rope bridge that connects these two islands and their resident Red Trees, the weight of it is carried by its vivid colors that seem to pop off the canvas.  The mixture of blues in the sky above and the water below  contrast and appear to intensify the redness of the trees, giving them a true sense of being alive.

The strength of the colors really draws in my eyes and makes the narrative of the linking of these two islands seem even more compelling.  The term linked is often used in the cyberworld when sites are digitally connected but here it relates to our own bonds that we build in life between friends and family.  Even though some of us would like to say that we can thrive as solitary islands, we are strengthened and nurtured by these bonds, these connections.  We as humans are creatures of community.  We need those links.

Well, that’s what I see here.  Maybe it’s just a bright and colorful picture.  It’s all in how you choose to see it isn’t it?

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