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Posts Tagged ‘West End Gallery’

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I was checking YouTube yesterday to see if the videos from last week’s Virtual Gallery Talk from the West End Gallery were being viewed. As I came to my page I saw a strange looking entry among my suggested videos. It was my name as a title appearing to overlay what I could see was my work underneath.

There was lettering above my name that appeared to me to be Korean. Clicking on it, I saw that it was a compilation of my work set to three pieces of music with photos of me along with what appeared to be biographical info, all gleaned from the internet.

It’s a strange sensation to see your work in this way, compiled and used by someone else. I am sure there are those of you out there who feel I should be upset over the unauthorized use of my imagery in this way and maybe you’re right. But I knew that once I began putting my work online as I do, it would possibly be subject to this sort of thing. I felt it was worth the risk in order to get my work out there.

I sometimes at gallery talks tell the story of the great photographer Brassai asking his best known subject and friend Pablo Picasso for advice on selling some drawings he had created. For how much should he sell them, for example. Picasso, who liked the Brassai drawings, told him to put a very low price on them because he needed them to get out into the world where they could be known and be seen. Where they could establish a name and achieve a noteworthiness that might one day make all his work valuable. Picasso claimed that had been his route.

It’s advice I still give young artists.

And that’s how I view this– a result of putting my work out into the world.

Actually, I am happy and flattered that my work has reached across the world and translates well into other cultures. You go into this hoping your work speaks to all people and to get a small bit of proof that it might doing that is gratifying.

There are worst things in this world.

Take a look, if you so desire. I could do without the photos of myself but I like the musical accompaniment’s different moods. Have a good day.

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I don’t believe that there’s anything I’d like to do less than watch myself talk. And the last couple of days have sure reinforced that belief.

But that’s what I’ve done for the last couple of days as I have edited the video from Saturday’s Virtual Gallery Talk from the West End Gallery. I am cutting out some rough spots between the segments, such as where I swing my camera around to tour the gallery a bit or the transition from the prize drawing (which has also been cut) to the Q&A segment. Outside of the prize drawing, which we decided to cut because of privacy concerns, no real content has been cut.

There are going to be two videos. This first one presents just my prepared presentation. The second, which will be out  tomorrow or Friday, will have all the segments.

I’ve learned a lot from this experience and expect that these lessons will show up in future videos of even higher quality. Thanks to Jesse, Linda and John at the West End Gallery for all the extra work (and anxiety) that went into making this happen. It was a lot more work than any of us anticipated. And many thanks to everyone who took an hour or two out of a busy summer Saturday to tune and make it all happen. And congratulations to the winners of the paintings. Hope they live up to your expectations!

Hopefully, as it’s being presented, it will give you a fairly representative gallery talk experience. So, for those of you out there who wanted to take part but weren’t able, here’s the first part of my Virtual Gallery Talk from the West End Gallery.

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 I ain’t hurtin’ nobody
I ain’t hurtin’ no one

— John Prine

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Well, our first Virtual Gallery Talk from the West End Gallery has went by the wayside. Whew.

It was such a different experience from in person talks that I am still processing it. I will most likely address it in greater detail in coming days, including answering some of the questions that were asked in greater detail.

I am fairly happy with it thus far. And the feedback has been very good thus far. One unfortunate aspect was that I wasn’t able to see or hear the folks watching and we’re working to address that for future streaming events.

It was much more difficult than I had expected when the idea of doing this first came up. I know when it ended, the strain of it hit me almost immediately. Within minutes of it ending, I felt like I had been beat on with bag of pennies. I expected a sense of relief but wasn’t expecting that.

But it’s done. There’s something to build on now, to make future ones much better.

I want to extend a warm thank you to everyone who tuned in yesterday. There were well over a hundred viewers from 18 states and 4 different countries. I can’t begin to tell you how much I appreciate those of you out there who took the time to listen to me yammer on for a while. I hope it made some sense for you and you feel that it was time well spent.

I also want to thank Jesse, Linda and John at the West End Gallery for giving me the opportunity and for the massive effort they put out in making it happen.

Though I hopefully look forward to standing in front of an audience for a gallery talk, here’s to more and better streams in the future. If you tuned in yesterday and have comments or criticisms that you think will help us make our presentations better, please let me know so we can improve. Thanks!

For this Sunday Morning Music, here’s a song I referenced yesterday from John Prine, I Ain’t Hurtin’ Nobody.

Again thank you so much and have a good day.

 

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“There are no shortcuts to any place worth going.”

― Beverly Sills

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I guess Beverly Sills is right but this is a lot more work than I thought it would be.

I am talking about getting ready for the Virtual Gallery Talk I am giving on Saturday from the West End Gallery. There is, of course, always a certain amount of preparation for any talk. But this year’s talk without an audience has me scrambling. There’s a whole new layer of technology to adopt in a short time while trying to make it look cohesive and somewhat smooth.

I don’t want to look like a complete idiot, after all.

But beyond the technological hurdles, my presentation as to be changed to account for not being able to interact with a live audience. Normally, I try to have a few things ready to discuss and begin with a pretty short intro before moving quickly to questions from the audience. I try to get into questions and answers as soon as possible because I think that my reactions to questions are one of my strengths.

I could be wrong there. I am hesitant to say any quality of mine is a strength for fear of being that guy who over esteems his prowess at far too many things.

You know the type.

But if I had to say I had a strength it would be in my willingness to react to and honestly answer questions in these situations. At least, I am better at it than I am as delivering prepared remarks. But because of the remoteness of the talk, I really have to prepare to deliver a short address, of sorts, fully worded and thought out beforehand. Without the benefit of being able to react.

For a lazy slob like me, that is a tough task. Makes me truly admire those folks I know who deliver speeches and prepared remarks.

But I am working at it and hopefully you won’t even see the rivers of flop sweat running down my face during the talk. I am thinking of doing the old  trick of smearing vaseline on camera my lens so that it gives me a soft gauzy look. I think they used to do that for Doris Day at some point. If it works for Doris, then dammit, I am willing to give it a shot.

All kidding aside, it is hard work and we are really trying to send out a Gallery Talk that is rewarding for everyone who takes the time out of their busy lives to spend a little time with us on Saturday.

I am giving away two original paintings so I hope you can be there!

Here are the details:

  • Virtual Gallery Talk with GC Myers
  • Streaming from West End Gallery via Zoom
  • Saturday, August 22 Beginning at 1 PM EST
  • You do not need a Zoom account but you do need to register to participate
  • There will be a drawing at the end of the Talk (approx 2 PM EST) to award two GC Myers paintings
  • Participation n the Talk is limited to 500 viewers but the prize drawing is limited to the first 100 registrants for the Gallery Talk
  • Eligible registrants must be present online in order to claim their prize and the Gallery Talk will be locked to new participants at 1:30 PM
  • The winning paintings will be shipped free within the US and Canada to winners residing out of the area. However, if an international entry wins, the winner would be responsible for shipping costs.
  • The regular Gallery Talk ends after the drawing for the two paintings which will be approximately 2 PM EST
  • At that point, about 2 PM, the meeting will be unlocked and there will be a Gallery After Talk, an  additional period of Q & A after the regular Gallery Talk for anyone who cares to talk a but longer. This period can run to 3 PM, if need be.
  • There will be a Waiting Room on Zoom 10-20 minutes prior to the beginning of the Talk. You can check in and chat with other participants at that time. While muted, you can still submit questions or comments via the Chat.

 

REGISTER FOR TALK BY CLICKING HERE!

 

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Here are the details:

  • Virtual Gallery Talk with GC Myers
  • Streaming from West End Gallery via Zoom
  • Saturday, August 22 Beginning at 1 PM EST
  • You do not need a Zoom account but you do need to register to participate
  • There will be a drawing at the end of the Talk (approx 2 PM EST) to award two GC Myers paintings
  • Participation n the Talk is limited to 500 viewers but the prize drawing is limited to the first 100 registrants for the Gallery Talk
  • Eligible registrants must be present online in order to claim their prize and the Gallery Talk will be locked to new participants at 1:30 PM
  • The winning paintings will be shipped free within the US and Canada to winners residing out of the area. However, if an international entry wins, the winner would be responsible for shipping costs.
  • The regular Gallery Talk ends after the drawing for the two paintings which will be approximately 2 PM EST
  • At that point, about 2 PM, the meeting will be unlocked and there will be a Gallery After Talk, an  additional period of Q & A after the regular Gallery Talk for anyone who cares to talk a but longer. This period can run to 3 PM, if need be.
  • There will be a Waiting Room on Zoom 20-30 minutes prior to the beginning of the Talk. You can check in and chat with other participants at that time. While muted, you can still submit questions or comments via the Chat.

 

REGISTER HERE BY CLICKING HERE!

 

So, we’re on our way! It’s actually pretty simple but if you have questions or comments, just drop me a line. We’re trying to make this whole thing as smooth for you and for us as possible. Hope to see you Saturday!

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“Magistrum”- You Could Win This Painting at Saturday’s Virtual Gallery Talk!

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“The best thing for being sad,” replied Merlin, beginning to puff and blow, “is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.”

T.H. White, The Once and Future King

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At a size of about 11″ by 15″ on paper and under glass, this painting is the second of the paintings that will be awarded as part of a free drawing at the end of my Virtual Gallery Talk this Saturday, August 22. It is titled Magistrum which is the Latin word for teacher or master.

It’s fitting that the snip I am using to start this post is from The Once and Future King from T.H. White. Reading was a big part of my childhood, a connection to the wider world and the key to unlocking the secrets of it. Books were the teacher, the master, I never had in any one person and I remember it well when I first came across this book. The story of the education of the young King Arthur by Merlin, it was delightful tale that really excited my imagination and, with its emphasis on learning and observing, reinforced my own quest to learn.

Merlin is correct, learning is the best thing for being sad. It changes the mind, building new structures upon it that make the whole thing so much stronger. In these days where, as Merlin points out, you may see the world about you devastated by evil lunatics, it is indeed a good thing to not wallow in sadness. Best to learn something new, expand that mind and see the world with wiser eyes.

That’s kind of what I see in this painting. The Red Tree here is the teacher urging its students to come out into the light, emerge from their state of blueness.

So, if you feel blue these days, open your mind and try to learn something unknown to you. Read something new. Look at things closer. Imagine the world through the eyes of others.

It’ll do you a world of good. That I can say with certainty.

Now the Virtual Gallery Talk from the West End Gallery takes place this Saturday, August 22, from 1-2 PM EST. Tomorrow, we will be posting the information on how to preregister for the Talk with Zoom. You do not have to have a Zoom account but you will need to register to participate and view. Though the Talk will be open to all, the drawing for the two paintings will be limited to the first 100 registrants. The chosen winners will have to be present (online!) at the Gallery Talk to claim their prize.

So make sure you get your name in when we roll out the info tomorrow. Good luck!

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“Heart of Light”- To Be Awarded At This Saturday’s Virtual Gallery Talk

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“A fight is going on inside me,” said an old man to his son. “It is a terrible fight between two wolves. One wolf is evil. He is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other wolf is good. He is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion and faith. The same fight is going on inside you.”

The son thought about it for a minute and then asked, “Which wolf will win?”

The old man replied simply, “The one you feed.”

Wendy Mass, Jeremy Fink and the Meaning of Life

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This is a battle that I know well. I don’t know about you but I suspect many of you have witnessed this same conflict within yourselves.

Experience has taught me that, indeed, feeding and nurturing one wolf makes it stronger so that the other one that is not fed slinks into the background. That other evil wolf remains always just far enough away in the shadows, however, waiting for a sliver to fall its way that will strengthen it, allowing it to once more fight for dominance.

Which wolf are you feeding today?

This is a roundabout way of getting to the painting shown at the top, It’s a 12″ by 12″ piece on canvas called Heart of Light. and is one of the 2 paintings to be given away at the end of my Virtual Gallery Talk that will be streaming online from the West End Gallery this coming Saturday. The Talk begins at 1 PM EST and runs until 2 PM. Details on registering for the drawing will be forthcoming tomorrow or Wednesday.

I would like to think I am feeding my good wolf with this but it seems pretty arrogant to call this annual giving away of a painting an act of generosity.

And that is feeding that evil wolf.

Maybe I believe I am feeding my good wolf because it brings me joy to express in this small way the gratitude I feel for those folks out there that have allowed me to have this life an artist, one that allows for my many shortcomings.

Who knows?

Good wolf or bad, I know that this painting will be given away on Saturday. Hope you will be there.

In the meantime, feed your good wolf well. I will try to do the same.

 

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Well, we are this much closer to having a Gallery Talk this year at the West End Gallery.

Here’s what we have so far:

  • The Talk will be streamed live online via Zoom
  • It will be streamed from the West End Gallery
  • The Gallery Talk will take place next Saturday, August 22, beginning at 1 PM EST
  • The traditional Free Drawing for an original painting of mine will take place at approximately 2 PM EST
  • The Talk will end at 2 PM but there will be a short Gallery AfterTalk for any additional Q&A for those who wish to stick around
  • There will be a pre-registration for the drawing 
  • The Drawing will be limited to the first 100 registrants

We decided on streaming from the West End Gallery simply because it would be easier to handle the technical aspects of the streaming, especially since this is a new experience for both the gallery and myself. Plus, just having a few folks on hand will take away that feeling of talking to myself that I sometimes get when talking to a camera.

I had mentioned doing a Studio Tour and if this works out satisfactorily that is definitely something I will consider for the future. It opens up lots of avenues to explore going forward.

Full details will be coming in the next couple of days so keep yours eye open.

 

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“Bold Run”- Now at the West End Gallery

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“Most people are convinced that as long as they are not overtly forced to do something by an outside power, their decisions are theirs, and that if they want something, it is they who want it. But this is one of the great illusions we have about ourselves. A great number of our decisions are not really our own but are suggested to us from the outside; we have succeeded in persuading ourselves that it is we who have made the decision, whereas we have actually conformed with expectations of others, driven by the fear of isolation and by more direct threats to our life, freedom, and comfort.”

― Erich Fromm, Escape from Freedom

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Freedom’s just another word for nothin’ left to lose
Nothin’, don’t mean nothin’ hon’ if it ain’t free, no no

Kris Kristofferson, Me and Bobby McGee:

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What is real freedom?

I can’t say for sure. Wish I could.

Lately, I have been thinking about the 1941 book from Erich Fromm, Escape From Freedom. In it, Fromm writes about that we actually have a fear of freedom.  Real freedom requires personal responsibility for our decisions and actions and creates an almost unbearable anxiety in man. Real freedom means living without a safety net, where we decide who and what we are, what we want from life, where we are held accountable for each decision we make.

Put that way, freedom sounds much more perilous.

As a result, we have fostered a desire to be told what we should be and what we should do. Fromm makes the point that we want someone to make the decisions that guide our lives while maintaining the illusion that we have freely made them.

“Modern man lives under the illusion that he knows ‘what he wants,’ while he actually wants what he is supposed to want. In order to accept this it is necessary to realize that to know what one really wants is not comparatively easy, as most people think, but one of the most difficult problems any human being has to solve. It is a task we frantically try to avoid by accepting ready-made goals as though they were our own.”

A life of real freedom is scary and difficult so it is always tempting to just fit in, to accept a bit of comfort and security in exchange for losing a large degree of that freedom. Doing this make us susceptible to falling prey to those with less than honorable intentions.

“Escape from Freedom attempts to show, modern man still is anxious and tempted to surrender his freedom to dictators of all kinds, or to lose it by transforming himself into a small cog in the machine, well fed, and well clothed, yet not a free man but an automaton.”

The concept of this book seems to be playing out in real time lately.

I don’t know that we, myself included, understand the concept of real freedom. I have tried to shape and live a free life but have I succeeded?

I don’t know.

I will continue to look for an answer but in the meantime, here’s this week’s Sunday Morning Music. It’s I Want to Be Free, an old Leiber and Stoller hit first sung by Elvis Presley in the 1957 film Jailhouse Rock. While Elvis does a fine job with the song, I much prefer this version from Robert Gordon who had a nice run as a rockabilly artist with several memorable albums in the 1980s. Here, I think he fills in the blanks that Elvis left in his version.

Give a listen and have a good day. And take a minute to think about what you think real freedom is.

 

 

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“Center of Gravity” Now at the West End Gallery

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In the center of an irrational universe governed by an irrational Mind stands rational man.

― Philip K. Dick, Valis

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You could possibly substitute the word country for universe and it wouldn’t much change the meaning of this quote. At least, not here in a land that feels more and more Kafkaesque with each passing day.

For those of you not familiar with the writings of Franz Kafka, Kafkaesque is described in Wikipedia this way:

The term “Kafkaesque” is used to describe concepts and situations reminiscent of his work, particularly “The Trial” and “The Metamorphosis.” Examples include instances in which bureaucracies overpower people, often in a surreal, nightmarish milieu which evokes feelings of senselessness, disorientation, and helplessness. Characters in a Kafkaesque setting often lack a clear course of action to escape a labyrinthine situation. Kafkaesque elements often appear in existential works, but the term has transcended the literary realm to apply to real-life occurrences and situations that are incomprehensibly complex, bizarre, or illogical.

As suggested by the painting above, Center of Gravity, I am going to shelter in place for the day and simply let the world turn on ts own.

And that’s enough for today.

Stay centered, folks.

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