Feeds:
Posts
Comments

Archive for the ‘Favorite Things’ Category

I’m in the middle of a piece at this moment so I’m going to be brief this morning.  Actually, I’m at two different points in two different paintings and am pretty eager to get to them.  Sometimes it’s difficult for me to go back and forth between pieces.  My focus sometimes gets broken in the transition from one to the other and both pieces suffer.  But this time there seems to be a seamless shift between the works and I’m actually taking energy from one piece and plugging it into the next. 

Wish I had four arms.  And eyes that worked independent of one another like some tropical fish looking for moray eels…

My selection for this winter Wednesday is from the late Warren Zevon, a wonderfully talented songwriter/performer best known for his Werewolves of London.  Actually, it sort of yoked him and overshadowed his abilities as a composer of unique and often beautiful songs.  Here’s one of my favorites, Mohammed’s Radio,  from way back in the day.  1976, I think.  Give a listen…

Read Full Post »

“There was an old man of Madrid
Who ate sixty-five eggs for a quid.
When they asked, ‘Are you faint?’
He replied, ‘No I ain’t,
But I don’t feel as well as I did.”

****************

I came across this old limerick and immediately the movie Cool Hand Luke came to mind and the scene where Luke, played to perfection by Paul Newman, bet his fellow inmates that he could eat 50 eggs.  Great scene.  Great movie.

Luke was and is one of my favorite movie characters of all time.  His contrarian nature constantly put him at odds with the world.  He just didn’t seem to fit in with all its rules and was in a never ending rebellious struggle with those in authority.  It was easy to identify with Luke as a young man, especially in the way he channeled his rebellion.

Cool.  Never showing the anger and frustration that was obviously inside him.  He had a sort of stoic acceptance, even a smile, when he appeared to totally defeated by the forces he opposed.

It’s a great film.  It has drama, tragedy, humor and moments of defeat and triumph.  It’s everything a movie should be.  very human.

Funny how a little found limerick can trigger so many memories and feelings.  Something out of nothing.

Or as Luke might say:

Sometimes nothing can be a pretty cool hand…

Read Full Post »

This is the view of a house that Dave Higgins, one of my favorite painters,  used to see from his bedroom as a child growing up in Binghamton.  This scene and that yellow house made quite an impression because over the years Dave has painted this particular house over a hundred times.

I mention this today to illustrate a point about how artists will often paint in series or repetitively, often using the same compositional elements again and again.  For some painters, it might become an exercise in copying each detail so that eventually the very life is squeezed out of the scene  but in the hands of a talented artist with a truly probing mind such as Dave, it becomes a study in finding nuance and dimensions that make each new version take on a new and different life.

Painting repetitively allows a painter to free their mind from trying to compose and focus on pure execution, letting them spend more of their mental effort on the surfaces they’re creating.  The less time spent on capturing the basic form of the subject  results in a scene that changes subtly with new version, revealing more depth and feeling.

Think of it as musician with a new song.  The first several times through they are focused on learning the basic construction of the composition but it’s not until it becomes ingrained in their muscle memory and they can play the composition with little thought that they are free to find and express real feeling within the piece.

This bottom piece is an early version from Dave and you can see how Dave has evolved over  the years by examining the ones above this.  He paints the scene from memory and adds and subtracts small elements to fit each new piece.  Whatever is needed to fulfill what he sees in that new version, to give the depth he’s seeking in it.  If you’ve been fortunate enough to see some of the Yellow House paintings from Dave Higgins over the years, you’ll know what I mean.

Great stuff…

Read Full Post »

Perfect Day

I don’t normally like to put posts with music in them too close to one another but while watching the Winer Olympics I keep seeing an ad with Lou Reed‘s Perfect Day carrying the message.  I can’t even remember what the ad is for but I always stop when it comes on to hear Lou.

It’s a funny thing how the world has come around.  When I was listening to Lou Reed many ages ago, the idea that his songs would be used as the motor for commerce seemed totally inconceivable.  His songs were not pretty.  His songs were not sentimental in the way we normally see sentiment.  They were about seamy people on the grubby side of town.

And Lou was not a pretty voice.  His plaintive flat tones lent a matter-of-fact feel to his lyrics of drug use, sexual ambiguity and street-smart losers.  Not the stuff of your normal pitchman.

I remember a Christmas when my brother gave me the album Rock N Roll Animal and all Christmas Eve and most of the next Christmas day my stereo was blasting Sweet Jane and Heroin through the house.  Not exactly holiday cheer but when you’re young and pretty much stupid, you don’t fully appreciate the occasion.

But time passes and the mainstream shifts, and what was once verboten now is the stuff of TV ads and supermarket background music.

I don’t know if there’s a point here.  I just wanted to play Perfect Day for you.  Have one yourself…

Read Full Post »

 

Although I Conquer All the Earth

 

Although I conquer all the earth,

Yet for me there is only one city.

In that city there is for me only one house;

And in that house, one room only;

And in that room, a bed.

And one woman sleeps there,

                                         The shining joy and jewel of all my kingdom.

                                                            —Anonymous, Ancient India

 

 

A little verse and a couple of Jim Dine’s iconic hearts for Valentine’s Day.

Enjoy the day…

Read Full Post »

They held the opening ceremonies for the 2010 Winter Olympics last night in Vancouver.  As usual, it was a great bit of spectacle.  There was only one visible glitch although it occured at the most critically symbolic moment.  As the torchbearers, including Wayne Gretzky, waited nervously for the Olympic cauldron to rise from the arena floor one of the four large supports that were supposed to rise balked.  Nothing happened.  Finally, after an awkward pause, the ceremony went ahead with just the three remaining supports.

Hopefully, this small hiccup in an otherwise wonderful ceremony and the horrible death of a young Georgian luger yesterday will not taint the games.  The world could use a few moments of relative unity right now.

I’m showing a poster from the 1912 Stockholm Olympics just as an example of how beautiful some of the Olympic posters once were.  Over the years, the artwork for the games have become more and more logo-like, more commercial and less artful.  It’s more about creating a brand than expressing the spirit of the games.  But that is but a reflection of our times.

Also, last night saw Canadian chanteuse KD Lang perform Hallelujah.  Her’s is always a  great version of the song and the presentation last night was striking with all in the crowd holding lights and swaying to the rhytm of the song.  I first saw KD Lang in the early 80’s when she was still perfroming with the Reclines.  I think I saw her first on a Smother Brothers Show that ran for a short time in the summer one year.  She was wearing a big cowgirl outfit and flying around the stage, manically out of control.  She was like a dervish.  Like a force of nature.  With that huge voice.  It cought my attention.

Here’s a song from her from that time, one of my favorites, Pullin Back the Reins.  Enjoy your Saturday…

Read Full Post »

I’m pretty excited because the opening ceremonies for the 2010 Winter Olympics are being held tonight in Vancouver.  Cheri and I have both been Olympic junkies since we were children.  For both of us, it was really sparked by the 1972 Munich games which had great television coverage of the games.  Unfortunately, the horror and the  human drama of the eleven Israeli athletes who were taken hostage and eventually killed by Palestinian terrorists overshadowed the feats of Mark Spitz and Olga Korbut and the controversy of the USA/ USSR men’s basketball championship game which ended with the USA team having the victory gold ripped from their hands by a series of  incredible calls by officials, on and off the court.  To this day, their second place silver medals lay unclaimed in a Swiss vault.

The winter olympics over the years have yielded some of the most memorable moments for us.  There is, of course, the Miracle on Ice of the US men’s gold in hockey at the 1980 Lake Placid GamesTorvill and Dean’s transcendent ice dancing.  Eric Heiden, Apollo Ohno and Bonnie Blair’s exploits in speedskating, not forgetting the failure and redemption of skater Dan Jantzen.  There were the exploits of Eddie the Eagle, the Brit whose Olympic triumph came in the fact that he simply made it to the bottom of the hill each time he took off from the ski jump.

So many memories of triumph and failure.  For Cheri and me, the moment that crystallizes the Olympics into a single moment is the final run by Austrian Franz Klammer in the men’s downhill at the 1976 Innsbruck games.  Klammer was the hero of Austria and carried all their hopes for success in the games.  There may never have been an Olympic athlete with such high expectations placed on a single event.  A sizzling time had been put up on the board by a competitor and Klammer came to the line as the final skier.  With his homeland screaming and ringing cowbells, Klammer unleashed a performance that could be considered as the definition for walking the line between disaster and triumph.  From the very top, he skied with utter abandon.  He flailed and fought his way down the big hill, often off balance with one ski off the ground.  Somehow he made it to the line and Austria erupted when hiis winning time came up on the board. 

That was a triumph of Olympic proportion.

So, for the next couple of weeks we’ll be glued to the games, seeing if there will be a new lasting memory.  A big moment of triumph.  A big moment of failure.  A quiet moment of redemption.   It’ll all be there, I’m sure.

After all, it’s time for the Olympics.

Read Full Post »

Yesterday, as I was painting in the studio, I had the pleasure of seeing two of my favorite movies, Hangmen Also Die and The Seventh Cross from the WW II era, two films that dealt with the citizens of countries occupied by the Nazis at that time.   Both dealt with underground resistance efforts and how they operated to undermine and hinder the Nazi’s hold on their countries.

I’ve always been intrigued by these movies made during wartime, movies that deal not with the soldiers in the field but with the citizens who struggle to live day to day under a brutal occupier.  The depiction of the resistance fighters in both of these movies is remarkable in that they are portrayed as totally unremarkable people.  Just everyday people who overcome their fears to perform small acts of bravery that collectively become large actions against their oppressors.

In many ways, these people are more inspiring and heroic than the John Wayne style heros of that era’s battlefield films.  When I watch these films, I always find myself wondering how I, or people I know, would react in such situations.  Would we be able to muster the will to put aside our fears and work to oppose our occupiers?  Or would we cave and submit willingly?

I know we would all love to say that we would take the heroic route, that we would fight against the powers that oppressed us.  For me, I can only hope that this is true.  I can’t be sure.   I’ve lived long enough to know that, for most,  the expediency of momentary security often trumps heroic intentions and the very thought of courageous actions.

I hope I never have to know the answer to these questions.

So, if you wish to be inspired by the courage of common folk, take a gander at these two films.  Maybe it will help you be braver in your own lives…

Read Full Post »

It’s Friday.  Time for a little respite from the week.

Here’s a great version of George Harrison’s While My Guitar Gently Weeps performed by ukelele virtuoso Jake Shimabukuro, a performer who has stretched the perception of what a uke can be.  Beautiful playing…

Enjoy your Friday and if you’re in the Corning area tonight, stop in at the opening for the Little Gems exhibit at the West End Gallery.  It’s always a lively crowd and there’s something for everyone in this show.

Read Full Post »

Compromise?

I came across this painting from seven or eight years back,  an 18″ by 26″ piece titled Call of Freedom.  It was quite a different look for my work at the time with its simple design of two two blocks of colors playing off one another.  It may not visible in this photo of the piece, but there was a hint of purple through the bottom block of color that really enhanced the piece for me.

The tree was put in at the last moment.  After I had completed the two blocks, I sat this aside for quite awhile, looking at it in the studio, trying to determine if it held together just as it was.  Was there enough there — color, texture, contrast– to hold my interest, to make me want to continue looking.

This was a tough one for me.  It met all my criteria.  It held my eye.  Had meaning for me.  But I still wasn’t sure it would hold for others.  So I hesitatingly put the tree in place, almost as a compromise.

The tree changed the dynamic somewhat, brought everything closer, but it still allowed the blocks to dominate.  To tell their part of story, so to speak.  It worked without altering my first impression of what I saw in the piece and created an “in” into the painting for others.

This might be considered a compromise.  I don’t know.  For me, it’s about coming across that space between the painting and the viewer and connecting in some way, communicating something I might not be able to define.  So long as it doesn’t alter the feeling or the message I get from the painting, it’s not a compromise but an opportunity for more engagement.  As a result, I often think of this piece as where I want my work to be in the long run.

Is it compromise?  I don’t know.  I don’t care.

Read Full Post »

« Newer Posts - Older Posts »