Feeds:
Posts
Comments

Archive for the ‘Music’ Category

civil-rights-marchI have been struggling with the prospect of this coming week for some time.  I thought at one point after the election that I would just sit back and just watch the whole thing unfold, maybe give them a chance to prove that my doubts were unfounded.  For a short period of time –actually, several fleeting instances– he-who-shall-not-be-named-here acted almost conciliatory and I thought I might just keep this wait and see attitude.

But in the two months since, he-who-shall-not-be-named-here has shown with his words and actions just what he is and will continue to be. And that is an absolute reflection of our worst self in every possible way.  There is nothing he has done or said that I would advise a child to emulate. Try as I might, I can not come up with a single quality in his shown character that is admirable in any way.  Every aspect of this person is ugly in spirit.  Even his limited acts of charity are done selfishly, done only because it somehow benefits him and is seen as a cost of doing business.

This is not a person who is taking the weight of this nation upon his shoulders so that all in this nation will benefit. He doesn’t care about you or me.  He doesn’t care about coal miners in Kentucky or farmers in Iowa– they were simply a cost of doing business.  No, he’s putting this country on a butcher block in front of him and is trying to figure how to carve off an even larger and juicier portion for himself and his money buddies.

I agree with John Lewis when he says that he-who-shall-not-be-named-here is not a legitimate president and applaud his courage for saying those words.  But John Lewis is a man of courage and a man who has always worked to lift others.  This is a man who has truly worked to change America for the better and who has consistently stood on the right side of history.

And he is seeing a person coming to power who seeks to weaken the rights and freedoms for which he has bled.  A person who is poised to push us on to the wrong side of history, who is willing to trade away the idealism that has long been our strength and foundation for the benefit and self interests of a precious few.

So, on this weekend marking the Martin Luther King, Jr. holiday I thought my Sunday morning musical choice should reflect that.  It’s A Change is Gonna Come from the great Sam Cooke, a song that was written by Cooke at the height of the civil rights struggle in response to his arrest in Louisiana after protesting a Holiday Inn‘s refusal to honor his reservations at that hotel.

It’s a great and powerful song with a message that resonates for both then and now.  I am also including the Otis Redding version just because I absolutely love this performance.  Give a real listen and try to have good day.

Read Full Post »

GC Myers- On the RiseSick days.  The flu has come to our home and we find ourselves absolutely miserable, just waiting and hoping for it to somehow pass by.  Haven’t been getting a single thing done but I wanted to at least post my Sunday morning music.  First thing this morning, every song I listened to was like shoving an ice pick in my temple.  But I finally settled in a bit and was able to listen to some songs.  They all happened to be sad songs but I guess that’s a side effect from the illness.

I thought I would share one of these sad songs, Waitin’ Around to Die from the late great Townes Van Zandt.  This is from the 1976 documentary Heartworn Highways, a film that captured the beginnings of the alt-country movement of that time.  This film features Townes singing to his girlfriend and his neighbor Uncle Seymour Washington, a retired blacksmith born to ex-slaves.  Great song, kind of capturing how my head feels this morning.

Hope you have a good day.

Read Full Post »

dr-seuss-new-years-day-cover-1931I thought that the image from this cover painted by Dr. Seuss for Judge magazine for its first issue of 1931 might fit today’s situation here in the USA, at least in the view of many folks.  It shows a New Year’s reveler waking up to find a creature in his bed.  The prior night–the year before– it had looked pretty good.  Lots of fun and lots of promises of all the things it would do for him. But here in the bright light of the New Year he realizes that the party is over now and he is left with a monster on his hands — and little idea of what to do with it.

What comes next with this strange creature we have found in our bed?

I also thought long and hard about what music I wanted to use for this first Sunday Morning Music of 2017.  I wanted it to be as optimistic as possible given the circumstances of having a strange critter in our bed.  I thought that the first version of Singin’ in the Rain might fit the bill just perfectly.

It was from 1929 and was a number one hit for performer Cliff Edwards, better known as Ukelele Ike, who had a number of hits through the 20’s and 30’s.  While the name Ukelele Ike may not seem familiar in any way I have no doubt you have heard his voice at some point.  He was the voice of Jiminy Cricket in Walt Disney’s Pinocchio and is the voice of the song When You Wish Upon a Star.

This version is from one of the first musicals from MGM in the talkie era, The Hollywood Revue of 1929.  You most likely know the song from the later and great musical of the same name ( which featured the recently passed Debbie Reynolds) but this is a great version.  It has a forward looking outlook despite the wet and dreary circumstances of the moment.  Just what people would be needing in the years after 1929.

And 2017.

Remember that it’s an old piece of film and try to look past the somewhat crude production values of the time.  It was cutting edge back then.  And it’s still a great piece of film now.

Oh, I also enclosed another Ukelele Ike number from a 1935 film, Starlit Days at the Lido.  It’s an early Technicolor film so it looks worlds different than the first film.  The song is Hang on to Me which is also a great song for the moment.

Enjoy! Take a look then let’s get to work and get that thing out of our bed!

Read Full Post »

GC Myers- BluepeacenightA few years back I played a version of the song Riu Riu Chiu, an early 16th century song from the Iberian Peninsula that is about the Nativity story.  That version was a surprisingly lovely  a capella version from the Monkees.  I say surprising because it was part of a really bad Christmas episode of their television show from the 1960’s.  Watching it made me question my taste in television when I was a kid. But at least this song was there to somewhat make up for the bad parts.

I thought I would share another version today, this one from the Boston Camerata, which is, according to their website, “America’s preeminent early music ensemble.”  I obviously can’t speak to that but I do like this version of the song very much.

Enjoy.

Read Full Post »

gc-myers-995-125-party-lights-small1I saw a short segment on TCM (Turner Classic Movies) that they run between their films at this time of year.  It’s their look back at  all of the people associated with filmdom who have died this past year. Every year it seems that I find myself being surprised at the number of well known actors, directors, composers, etc who have passed away in that year.

This year was no different.

But they flashed a shot of David Bowie and it reminded me of the musical talents that passed away this year.  Bowie. Prince. Leonard Cohen and so many more that some were lost in the shuffle.

One who slipped away somewhat unnoticed in those surreal days after the election [sic] was musician and songwriter Leon Russell.  A wonderful writer and a gifted pianist, he collaborated with just about everybody in the recording industry in a career that spanned almost 60 years.

I never thought he got his rightful appreciation after his death so I thought I’d share a Christmas song of his that also goes under the radar in the great flood of holiday music that overwhelms every year at this time.  It’s called Slippin’ Into Christmas and has a bluesy edge that kind of fits this year.

Read Full Post »

gc-myers-christmas-2007-small

It’s an incredibly gray morning here, mist hanging over the snow.  Not much color anywhere.  Even the needles of the pines and spruces out the window seem more gray than green.  It’s downright somber and while I sometimes enjoy the bleak feel of these sort of days, today it does nothing for me.  It’s just feels like a slog and I find myself just wanting to sit here and lose myself in looking out the window as the sleety snow mix falls.

I was going to play some holiday music for this Sunday’s musical selection but I thought that the song I chose goes better with the feeling of this morning here. It also matches up pretty well with the painting above from quite a few years back.  I think I used this as Christmas card back in 2007. The song is a favorite of mine from Neko Case,  I Wish I Was the Moon.

So, if you’re so inclined, give a listen and look out your own window.  Hopefully, the sun will be shining for you and that here, this will be no more than a gray start to a great day. But for now, I’m going to sip my tea and look out the window.

Read Full Post »

GC Myers- Signals 2006It’s Sunday morning and I want to play one of my all-time favorite songs, Nature Boy.  It’s an extraordinary song from an unusual character by the name of eden ahbez, who I have written about before here on the blog, who wrote the song specifically for Nat King Cole.  The story of ahbez and how the song came into the hands of Nat King Cole is really interesting but the result was a glorious rendition of the song by Cole that remained locked on the charts at #1 for eight weeks in 1948.

Spare and elegant, it is an absolutely gorgeous song which I think is evidenced by the many, many fine versions of it through the years by a wide range of artists.  I thought for today I would stray from the Nat King Cole performance, as perfect as it is, to focus on versions by two other giants of jazz, Ella Fitzgerald and Miles Davis.  The first video is a wonderful piece of animation from artist Ros Lukman that has the inimitable Ella Fitzgerald accompanied by guitarist Joe Pass.  Just a great version as is Miles Davis’ interpretation  which is immediately below it.

Relax and give a listen. Have a good Sunday…


Read Full Post »

GC Myers- Possessed in the Light



gnossienne – n. a moment of awareness that someone you’ve known for years still has a private and mysterious inner life, and somewhere in the hallways of their personality is a door locked from the inside, a stairway leading to a wing of the house that you’ve never fully explored—an unfinished attic that will remain maddeningly unknowable to you, because ultimately neither of you has a map, or a master key, or any way of knowing exactly where you stand.

The Dictionary of Obscure Sorrows



I don’t have much to say this morning.  I just wanted to share a little music from the French composer Erik Satie, someone whose work has always spoken to me in its elegant spareness.  It was a great influence on some of my earliest works.  In fact, I even titled an early piece or two after the composer but I can’t locate the images at this point.

I thought I’d share his Gnossienne no. 1 as played in this fine video from the contemporary Italian pianist/composer Alessio Nanni.  The word gnossienne was created by Satie.  He sometimes created new terms or appropriated terms from other fields to describe his compositions.  Gnossienne is generally thought to simply denote a new form although I like the definition at the top from the website The Dictionary of Obscure Sorrows.  It seems to fit the composition very well.

Anyway, give a listen to Satie’s beautiful sounds and have a great Sunday.

Read Full Post »

the-who-wont-get-fooled-againI started off this morning at a very different place than where I finished when I began looking for this Sunday morning’s musical selection.  I started watching videos from Long John Baldry which somehow led to Neko Case which even more oddly led me to Oscar Peterson and Count Basie.

It was all good and fine but it just wasn’t right yet and I found myself watching a video of The Who‘s Love Reign O’er Me from Pete Townsend‘s reworking of their classic rock opera Quadrophenia in 2015 with the Royal Philharmonic Orchestra at Royal Albert Hall.  It featured British tenor Alfie Boe singing Roger Daltrey‘s part.  It still didn’t quite come up to the original as far as the intangibles– raw emotion and Daltrey’s vocal authenticity– are concerned but it is still very good and musically powerful.  I mean, it’s the Royal Philharmonic– how can you go wrong with that?

But this just made me want more of that fire that The Who just seemed to ooze when they were at their apex.  And one song seemed to fit these times so well and fell perfectly into my own feelings at the moment– Won’t Get Fooled Again.  I don’t think I need to say anymore.  I also threw in the newer version of Love Reign O’er Me below.  Give a listen and have a good day…

Read Full Post »

9913217-fragments-sm“All there is, is fragments, because a man, even the loneliest of the species, is divided among several persons, animals, worlds. To know a man more than slightly it would be necessary to gather him together from all those quarters, each last scrap of him, and this done after he is safely dead.”
Coleman Dowell, Island People

******************************

It’s been hard finding footing lately in the studio.  It’s been hard to just get started on most days.  There are plenty of factors that play in to this, some external and some internal, some that I can control and some I cannot.  But the end result is the same: I am left feeling fragmented, broken into shards that don’t want to reassemble easily in the form of my work.

I am not worried however.  This is not the first time I’ve felt so fragmented nor will it be the last.  I know that I come apart at times and have to bide my time, just continuing to try to put myself back together so that I may uncover what I know is waiting there for me.

It’s there. It may seem an awfully long way away but I can see it and I know that while it may take time and much effort, I shall be together with it again.

The painting above is a piece that has been with me for a while now.  One of the orphans that come home to reside for a bit.  I wrote about it last year when I thought I might change its name to Dimming of the Day but it still remains under its original title, Fragments, in my mind.  And I suspect it will stay that way.

This painting is based very much on this feeling that I am experiencing at this moment and when this feeling emerges, I often think of this painting.  There is darkness and distance here.  The space between the Red Chair and the house has a certain weight that makes me feel as though there is something more than physical distance at play here. The sky, a confetti-like blend of thousands of little fragments of brushstrokes that gave the painting its title originally,  represents, for me at least in this piece, the world falling out of harmony.

Dark, distant and coming apart.

Yet despite that I find this painting very comforting.  I think that goes back to what I said above, that I know this place well from past experience .  I know how to navigate it and know that the distance is not so great nor the darkness too deep.  And I know that the parts are still in place to come together again in the future if I simply exercise patience and don’t give in.

It’s funny how that works.  I walk by this painting several times a day in the studio and it’s often without a thought as my mind is preoccupied with something else.  But every so often I stop before it and suddenly all of these feelings flood back on me when I look closer.  I’m glad it works that way, actually.

Here’s a nice version of the Richard Thompson song whose title, Dimming of the Day,  I was thinking about renaming this painting.  It’s a strong yet tender version from Tom Jones.  Have a good day…

Read Full Post »

« Newer Posts - Older Posts »